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Found 18 results

  1. Hi all, Hoping someone can help with this edit workflow question: I currently shoot video on Canon DSLRs (in H264 MOV format), and edit on a late 2009 iMac (2.8ghz i7 processor, 16gb memory). The films I make are mainly for web rather than TV broadcast, and beyond basic colour grade / tidying up, have minimal effects added (no CGI). Until recently, I used Final Cut Pro 7, using FCP's Log & Transfer function to import and edit footage in Pro Res 422 format. Having just moved to Premiere Pro CC 2017, I'm trying to figure out the most efficient workflow with the best
  2. I recently shot a music video with the GH4(in 4k) and GH2(1080) all the footage looks really good in preview playback but I notice a Gamma change with the .mov GH4 files if I open in FCP or VLC? I've had this problem with RED files and I just continued editing with the darkened gamma change because the files seem to correct themselves upon export. With that said I have a couple questions with how I should continue with this project or if there is a better way. My workflow plan right now is to Transcode first all of AVCHD GH2 files with 5dToRGB to PRORES 422HQ After that I'll import the PRORE
  3. Hey Guys, I am about to shoot some footage on my T3 with my Singer 16d. What do you use to unsqueeze the footage? Premiere Pro? I don't have Final Cut... Also, what's this about using Magic Lantern? What's the advantage?
  4. The 1080p image quality gains from a 4K GH4 file are well documented, but I've got a basic workflow question to extract the maximum IQ from my 4K files destined for FullHD output: I've got a basic two cam interview I shot with the GH4. I'm wondering how to maximize the extra information when outputting to 1080p. Will I have equal sharpness and color information gains if I edit on a 1080p timeline and output to 1080p as if I edit on a 4K timeline and output to 1080p? Is it the same effect in the end?
  5. THere must be a way to do this! I just want to get slow mo. I'm on a 25p timeline and I've been given 60p footage to incorporate. Its all silent. I've dropped the 60p (59.94) into premiere and slowed it down 41.71%. Seems a bit of a bodgy way to do it. Is there a better way? (like in virtualdub? Ideally you could just hack the header info to change the time signature.
  6. Hi Everyone, I'm looking into buying a new Mac for my video editing and would really appreciate any advice. Being budget minded, if I was just starting out I'd be seriously considering a PC, but I've never owned anything other than a Mac (G4 in 2001 was my first) - and I'm actually very keen on FCPX. So I'm definitely looking at Macs only. I've been editing on a MacBook Pro for the last several years, but it's now way too slow for my recently increased workload. Having done a bit of research, I'm pretty sure I'm going for a desktop setup this time - more bang-for-buck, and tbh my
  7. Hello folks, here is my latest slide-show work, showing dancers of 13th PLESOKAZ - international dance festival, annually maintained in Pozega / Croatia. I used aprox. 900 pictures (post production killed me ) in order to show power of Canon 1Dx. Thank you all for watching
  8. Hello folks, here is my latest slide-show work, showing dancers of 13th PLESOKAZ - international dance festival, annually maintained in Pozega / Croatia. I used aprox. 900 pictures (post production killed me ) in order to show power of Canon 1Dx. Thank you all for watching
  9. Hello, Everyone.   I am debating whether to jump into the Canon 5D Mark III Raw video capture world, but as I have been researching the topic and equipment further I am now considering using Cineform as an editing codec in Final Cut 7.   Up until now I have only work with ProRes, but I have read excellent things about Cineform, so I wanted to ask others what they feel about it as an editing codec.   Does cineform work well in Final Cut 7?   Does cineform require more computer performance in order to edit with?  More RAM?  RAID?  Or would a RAID setup
  10. This is mine and my teammate's Extreme Martial Arts Demo Reel that I recently shot and edited together, featuring various styles of martial arts, weaponry work, tricking and fight choreography. It may not be everyone's cup of tea, but I thought I'd still go ahead and share it on the forum :)   http://www.youtube.com/watch?v=MXDsV0YAO08   (Shot on a Canon 600D with 18-55mm Kit Lens and 50mm f/1.8, and edited using Adobe Premiere Pro & After Effects).
  11. Hi!   I am an amateur (but passionate!) filmmaker and would like to buy a display/monitor for video editing. Colour accuracy is of course important. I don't earn my money with video editing, so I don't want a high-end professional, x000 € expensive monitor, but something in the range of 600-900€ would be possible.   Which 27" display would you recommend? Or are two 24" displays better (ergonomically)? Thanks!  
  12. Slow Motion - Which option is better for making slow motions with the Pana GH3?     1. - Choose the highest fps so 50fps instead of 24fps in the Menu and then apply the slow motion in post?   2. - or Choose the slower/faster option in the Menu therefore slower down in-camera?       What is this function actual doing - what does actual happen in terms of shutter speed or ... ?     Can you combine 50fps and 24 fps footage on the edit table without any problem?     Interlaced versus Progressive? Progressive gives a smoother look but
  13. Andrew's post about the Hackintosh for editing RAW files got me thinking about how to approach an editing system for the GH3 I'll be using (once it finally ships to the US).     I'm curious how much power and storage I would when shooting with a GH3. (Keep in mind I'm not thinking of a PC system, but open to the idea if someone feels they have great results).   Would a Mac Mini with quad core and 8gb RAM suffice? And has anyone done any DIY upgrades to a Mac Mini that works well?   I've been leaning towards a new Imac but can't stand the lack of adaptability and high
  14. Hey guys, So I'm running into a problem when trying to conform my 60p, 50Mbps footage, to 24p in Cinema Tools 4.5.1. Might be because of my version of the software, but has anyone else run into this issue? I have a shoot coming up and I really don't want to use AVCHD. Thanks. Any help is appreciated.     Also, Cinema Tools keeps saying that my files have temporal compression. Not sure what that is. I ran the .mov files through 5DtoRGB first before importing into Cinema Tools. 
  15. Ok, Question #1: So I really wanna get out and shoot. Are there any editing tips for Final Cut Pro that can give a nice anamorphic look to a 16:9 frame? Im shooting with 30mm f/1.4 Sigma on 600D Canon. Question #2: I will eventally buy somthing. And I'm a broke student. The Helios 44m 2/58 lens and a cheap anamorphic lens sounds perfect. Any suggestions on the cheapest Anamorphic lens that can fit the Helios? THANK YOU FOR YOUR INPUT !   Peace  
  16. Ok, Question #1: So I really wanna get out and shoot. Are there any editing tips for Final Cut Pro that can give a nice anamorphic look to a 16:9 frame? Im shooting with 30mm f/1.4 Sigma on 600D Canon. Question #2: I will eventally buy somthing. And I'm a broke student. The Helios 44m 2/58 lens and a cheap anamorphic lens sounds perfect. Any suggestions on the cheapest Anamorphic lens that can fit the Helios? THANK YOU FOR YOUR INPUT !   Peace -Techno
  17. As of tonight, the new iMacs are finally officially available for ordering from the Apple store. The maximum configuration looks something like this: [list] [*]3.4GHz Quad-core Intel Core i7, Turbo Boost up to 3.9GHz [*]32GB 1600MHz DDR3 SDRAM - 4X8GB [*]768GB Flash Storage [*]NVIDIA GeForce GTX 680MX 2GB GDDR5 [/list]All for about $4,500.   Opting for 8GB of RAM (to upgrade later) and a 3TB Fusion Drive instead bring the cost down to about $3000.    Also, the Cubix Xpander is an external peripheral that allows for the use of second GPU, and the 10GB/s Thunderbolt connectio
  18. Hi, I m about to purchase new Mac Book Pro with Retina Display i7 Quad Core 2.6 with 16GB RAM, but only with 256 SSD. This computer is already way above my budget, but as I m planning to buy BMC camera, I need something fast to edit RAW footage. My question is would this computer with Thunderbolt External HD (my internal SSD would be to small) be enough for editing RAW dng footage (if not completely smooth, than at least bearable editing)? Thank you very much. P.S. I have been editing mostly on FCP 7, and I know that I need to make transition to Premiere C6 in order to edit RAW footage
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