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  1. Hi there anamorphic shooters! I need someone to explain me as clearly as possible how am I going to get right aspect ratio and best result out from Premiere Pro after editing some anamorphic material. Sory if this is stupid question but I am a bit lost all the settings and aspectratios etc. So, I bought Iscomorphot 8/1.5x adapter. Shot with GH4 and now I have edited my video and would like to export it. I have on timeline material that is shot in 1080p and 4k (yes, that was my mistake. Wanted to shoot all 4k but first day shootings came back in 1080p thought I was shooting 4k) 4k is shot in 3840x2160 (after my 1080p mistake thought it would be easier to get these two format to match in edit.) I have bought Andrew's great anamorphic shooters quide but still after reading it I am bit confused. If I now want to export best quality anamorphic video out from my Premiere for web use: 1. Just output 1920x820 (for 2.66:1 ratio) resolution from Premiere? 2. Should I first export the 4k files and bring them back in right resolution (1920x820) and after that render everything out again? Sorry for quite long text. But hope someone could help me with this, thanks! Ps. If I shoot more anamorphic videos in future, should I use GH4 4k UHD (3840x2160) or 4kC (4096x2160)?
  2. Tried to capture the essence of the fun, up-tempo and a bit melancholy synth-pop of the 80'ies. The decade I loved so much. I made this with a lot of old gear for the music. As for image I used only a Sony A6000 with the kit-lens and the 55mm 1.8. Some of the shots are also the iPhone 6 with a 4K hack. Most of the shots with that worked ok, but it's not 100% stable.
  3. Premiere Pro CC 2014.0.1 with NVidia (CUDA) on Win7x64 locks up / crashes (GPUFoundation.dll) with 4K material (green screen). Detailed info here: https://forums.adobe.com/thread/1586611 Anyone else experienced this- any solutions?
  4. The 1080p image quality gains from a 4K GH4 file are well documented, but I've got a basic workflow question to extract the maximum IQ from my 4K files destined for FullHD output: I've got a basic two cam interview I shot with the GH4. I'm wondering how to maximize the extra information when outputting to 1080p. Will I have equal sharpness and color information gains if I edit on a 1080p timeline and output to 1080p as if I edit on a 4K timeline and output to 1080p? Is it the same effect in the end?
  5. THere must be a way to do this! I just want to get slow mo. I'm on a 25p timeline and I've been given 60p footage to incorporate. Its all silent. I've dropped the 60p (59.94) into premiere and slowed it down 41.71%. Seems a bit of a bodgy way to do it. Is there a better way? (like in virtualdub? Ideally you could just hack the header info to change the time signature.
  6. Hi All, New to the forum but have been following the blog for years. I was hoping to find a centralized place to discuss workflow for GH4 4K files inside Premiere. Pardon my ignorance if this has been discussed (as I know Andrew has talked about changing previews to ProRes). What settings have people been having the most success with? If your final output is 2K for the web what have you have found to be the most efficient codec while still maintaining quality (ProRes LT maybe?). I appreciate any and all help, - Pete
  7. Clean Contrast Hi, I've created a new colour correction plugin for Adobe Premiere CS6 that I think many of you will find interesting.   Demo The password is: plugin https://vimeo.com/66239802   Why use Clean Contrast? When it comes to adding contrast to an image, many common tools are flawed.  These tools often use algorithms that transform light in an unrealistic way.  Clean Contrast aims to allow you to manipulate the exposure and contrast of an image in a way that mimics how light actually works.  Instead of working on a "per channel" basis, Clean Contrast uses a "per pixel" algorithm that more accurately affects light.   What can I use Clean Contrast for? As the video demonstrates, this new tool allows you to add generous amounts of contrast to an image without distorting the scene's natural colours.  Of course, it also works for more subtle adjustments.   How do I use Clean Contrast? There are only 3 controls you have to learn. Mode: The mode determines the algorithm that will be used on the image.  Realistic will be suitable for most situations and it's selected by default.  It mimics how light works in real life.  Stylized will use another algorithm that works in the HSL colour-space.  Though it's not realistic, it can come in handy if you're looking for a more dramatic look. Lift: This adds or subtracts a constant amount of lightness to each pixel in a linear fashion. Gain: This defines the contrast by multiplying each pixel's lightness by a constant. Workflow: First, you'll use the Lift control to set your darkest pixels to be pure black.  Then, you'll adjust the Gain in order to achieve the desired amount of contrast.  You may have to go back and forth between these two controls to dial in the look perfectly.  If there's too much or too little saturation, I suggest applying the "Fast Color Corrector" immediately after Clean Contrast in order to adjust it to your liking.   How much does Clean Contrast cost? It's FREE!  The download link is at the end of this post   Which applications will Clean Contrast work with? Unfortunately, Clean Contrast has only been designed to work with Adobe Premiere CS6 running on Mac OS X.  It may be available for other platforms in the future, but don't hold your breath for it.   How can I help the developer? Just leave me some feedback.  Although I work as a software developer, this is a project I've decided to do for free.  Let me know what you think of it and how it could be improved.  Also, feel free to share some work you've done using it.   Where can I get Clean Contrast? [attachment=509:Clean Contrast for Mac OS X.zip]   Please let me know what you think!     EDIT: How do I install Clean Contrast? Installation instructions are included in the INSTALL.txt file. It turns out there's a mistake in the installation instructions.  The path for adobe plugins is:  /Library/Application Support/Adobe/Common/Plug-ins/CS6/MediaCore/ It's within this folder that you copy the file.  Thanks to nigelbb for the fix!
  8. Shot some small tests with the Iscorama on my d800 last week. Shot on D800 with the nikon 50mm 1.4D and Tokina +0.4 diopter and Hoya +1 diopter. I did the edit in premiere, grading in speed grade and second grade in nuke using some custom grading filters I made using filters from on set.   My site www.robbannister.com   Downloads page http://www.robbannister.com/downloads/   videos CC1 http://vimeo.com/64450588   CC2 http://vimeo.com/64464863   Hopefully I'll have some stuff really worth showing soon.   Rob
  9. So I was trying to use my Gopro Hero2 files in Premiere Pro. I recently installed the Protune firmware update and this was the first time I was actually editing some footage.   On MPC-HC, the video files played fine on my brand new PC (Core i7, Asus MB, 16Gb Ram, 128Gb SSD and Nvidia GTX 560). Of course, hardware acceleration with CUDA was activated in Premiere, so I thought I could edit those files flawlessly with Premiere Pro CS6.   Big mistake.   No matter how many things I tried, the video playback began to get choppy after a few seconds. I had to resort to convert these few files into an intermediate codec. I decided to also apply a barrel distortion correction filter in Virtualdub, noise removal, gamma correction, just for the sake of it.   Now, don't get me wrong; If I could edit those files directly in Premiere I would do it. I had a few bad experiences with lossless codec before: most intermediate codecs, such as ProRes, aren't really lossless. Real lossless files are huge and it is nearly impossible to edit directly with them, like Lagarith or HuffYuv.   But with a bit of luck, I stumbled upon Ut Video.   The sheer performance of this codec is incredible: stable, efficient, fast as hell, AND lossless. It supports multithreading and the code is still maintained. It works both on MAC and PC. A 5 minute clip could fit    So, If anyone needs a real lossless codec out there and reads this forum, you should definetely give it a try.   Cheers,
  10. Hi everyone, I have a video edit in Premiere, and I'm hunting for a quick way to turn a transcript into a set of subtitles... short of just creating an individual Title for each few lines, I can't work it out! Does anyone have any tips at all? Many thanks, JG
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