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Found 5 results

  1. Hi all, Hoping someone can help with this edit workflow question: I currently shoot video on Canon DSLRs (in H264 MOV format), and edit on a late 2009 iMac (2.8ghz i7 processor, 16gb memory). The films I make are mainly for web rather than TV broadcast, and beyond basic colour grade / tidying up, have minimal effects added (no CGI). Until recently, I used Final Cut Pro 7, using FCP's Log & Transfer function to import and edit footage in Pro Res 422 format. Having just moved to Premiere Pro CC 2017, I'm trying to figure out the most efficient workflow with the best resulting image. Should I import and edit in native H264 MOV? Or ingest and edit as either Pro Res or DNxHD? If Pro Res or DNxHD, what's the best way to ingest (or import / transcode)? I've been reading mixed things via Google; mainly Adobe-related articles explaining a native workflow, vs various articles sponsored by transcoding software companies, saying that transcoding will have a better result. Any thoughts would be much appreciated. Thanks! Elliot
  2. HELP! MPEG Streamclip won't touch it, Final Cut Pro 7 won't think about it... how can I convert my Panasonic GH4-created 96fps mp4 files to work within the FCP7 environment? Thank you all so much for any insights you can provide!
  3. I know everyone's flipping out about RAW right now, but I thought I would submit my latest real-world work: MTV True Life, I'm Starting a Business with Friends.  I shot this whole episode on Sony Rx100's.   I wrote a detailed blog post about my shooting and editing techniques. Will post a link to video as soon as MTV releases it.  Until then, enjoy the blog!   http://rungunshoot.com/how-i-made-an-mtv-reality-show-with-two-pocket-cameras-and-a-macbook/  
  4. Hi Guys! Hey Andrew!    Nice to finally be on EOSHD.    I'm from Sydney, Australia and this is my first post! So we'll see how this goes.    This is my first music video shot on a anamorphic lens (KOWA B&H).   Any constructive feedback, criticism, tips, advice etc or just a chat is welcome and appreciated!    Would be cool to our share knowledge and experiences from all over the world.   Hope you like the video (and hopefully the music aswell loll).   Lana Lyric - S.W.A.G.  http://www.youtube.com/watch?v=uzVw6ZcgwbM   Talk soon guys.   Ray Ayos. 
  5. I am new to the anamorphic arena - and I have some questions regarding workflow for you experienced and professional anamorphic guru's.    Firstly, here's the gear I'm using:   Canon 5D Mark 3 Canon 85mm 1.2 II ISCO 1.75x   Editing with Final Cut Pro 7   My first question is:    Aspect Ratio:  What is the correct aspect ratio for a 1.75x ISCO.  I'm confused as to how to calculate 16:9 with a 1.75x zoom... does this mean that my aspect ratio is 2.35:1?    My second question: What is the proper workflow in order to edit anamorphic footage in fcp?  For example, once I've exported the H.264 footage recorded at 1080i24p into FCP, how do I squeeze the footage in order to use all the precious pixels at 16:9 with a 1.75x zoom?   My third question: Focusing.  Is it normal to not be able to focus my prime lens (manually) when the ISCO is attached?  It seems that I have to remove the ISCO lens in order to adjust focus.  Maybe there's something I'm missing with regards to the electronic mechanisms of the camera/lens that don't work with the ISCO?    I have more questions, but these would be incredibly helpful if someone can help me with these questions.    Thank you in advance!
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