TurboRat

You're right. I will test 4K for moiré. But for my work (short fiction) I don't need and I don't want 4K. Too much resolution and big file size. 

haha this is definitely a meme format now
Yes this was the solution, thank you

I think there's an force color profile for chrome? - https://www.thefreewindows.com/21668/washed-colors-google-chrome-easy-and-reversible-fix/

I totally understand. Even if it was just two lemons a thing like this just puts a strain on the trust in the camera. For casual use I can live with quirkiness but for work I need to know the gear is 100% at all times. This is why I didn't keep my a6300 or bought the a6500. I got three lemon a6300 from separate batches.. the trust is gone.

Ebay has a great return policy so I just make sure it works well. 

I am a bit crazy though. I bought a camera that was labeled as broken. I asked the seller what was wrong with it. He said he wasn't sure but it seems to work fine, turns on and all. I bought it and its been working good for two years now lol. 

GH5, Zhiyun Crane 2, manfrotto tripod with fluid head and Dji 550 drone (with gopro).
Really don't think it's a superb video, but with 2 hours for 2 apartments, including drone shot, thats the best way i find.
And this is my first "real state" and i think is the easiest money you can make in the video world.

Just so readers can decide themselves how the cameras match together I'll give you a breakdown of the setups:
Shot 1 - invitation - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95 (ordinarily shot at f/1.4-2.0);
Shot 2 - dress zipping - BMPCC 4K & V 25mm f/0.95;
Shot 3 - engagement ring macro - Canon C200 with Canon 100mm f/2.8L with a Rotolight;
Shot 4 - bride putting on ring -  - BMPCC 4K & V 25mm f/0.95 shot wide open;
Shot 5 - bride reflection - BMPCC 4K & V 25mm f/0.95;
Shot 6 - groom tie (close up) - Canon C200 with Canon 85mm f1.4L IS;
Shot 7 - bride and groom against vines - BMPCC 4K & V 25mm f/0.95;
Shot 8 - bride getting out of car - XT-3 & 18-55mm;
Shot 9 - dance shot - Fuji XT-3 with Fuji 18-55mm f/2.8-4.0 OIS (shot close to 18mm and wide open at f/2.8);
Shot 10 - silhouette - Canon C200 with Canon 35mm f/2.0 IS;
Shot 11 - bridesmaids - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95;
Shot 12 - dance shot - All dance shots are as per shot 9;
Shot 13 - groom kissing bride in field - BMPCC 4K & V 25mm f/0.95;
Shot 14 - walking - XT-3 & 18-55mm;
Shot 15 - dance shot - see shot 9;
Shot 16 - groomsman doing Toyota - XT-3 & 18-55mm;
Shot 17 - silhouette - BMPCC 4K & V 25mm f/0.95 shot wide open;
Shot 18 - bride and groom close up - XT-3 & 18-55mm;
Shot 19 - aerial - DJI Phantom 4;
Shot 20 - bride and groom in field from low angle - BMPCC 4K & V 25mm f/0.95;
Shot 21 - bride and groom and veil - XT-3 & 18-55mm;
Shot 22 - bridal party confetti bang - C200 & 85mm f/1.4L IS wide open;
Shot 23 - bride and groom walking towards camera - XT-3 & 18-55mm;
Shot 24 - bride and groom leaving ceremony with confetti - XT-3 & 18-55mm;
Shot 25 - bride staring over groom's shoulder at camera - BMPCC 4K & V 25mm f/0.95;
Shot 26 - bride and groom walking through long grass - XT-3 & 18-55mm;
Shot 27 - bride and groom resting against vineyard post - XT-3 & 18-55mm;
Shot 28 - ditto
Shot 29 - ceremony kiss - Canon 5D mkIV with Canon 100-400mm f/4.5-5.6L IS II;
Shot 30 - veil shot - XT-3 & 18-55mm;
Shot 31 - dance shot - see shot 9;
Shot 32 - bride and groom walking between vines - C200 & 85mm f/1.4L IS wide open;
Shot 33 - bride and groom dancing on hill - BMPCC 4K & V 25mm f/0.95;
Shot 34 - dance shot - see shot 9;
Shot 35 - bride holding veil - BMPCC 4K & V 25mm f/0.95;
Shot 36 - bride doing gladiator - XT-3 & 18-55mm;
Shot 37 - bride glancing down at window - BMPCC 4K & V 25mm f/0.95;
Shot 38 - hand holding - C200 & 85mm f/1.4L IS wide open;
Shot 39 - groom swinging bride - XT-3 & 18-55mm;
Shot 40 - sparkler exit - XT-3 & 18-55mm shot at 2000 ISO;
Shot 41 - dip - XT-3 & 18-55mm; and
Shot 42 - final - XT-3 & 18-55mm.
Basically all of them had on Southall which is a Delut by James Miller (https://sellfy.com/p/KUuV/).

You can start immediately but the camera gets hot in 4K50 mode, I had heat warning at 25 mins when I last checked it. I think it's advisable to wait.

ser from Saturday's wedding.
The predominant camera is the X-T3 on the gimbal.
There's also quite a few shots in there from the Pocket 4K, a couple of from our trusty C200 (taking a back seat to the other cameras) and one from the 5D mkIV.
Impressions of the two cameras after two weddings:
1. The X-T3 is the perfect camera for the Zhiyun Crane 2. It is perfectly balanced even before turning the gimbal on. This wedding I used it entirely with my new 18-55mm at the wide end as I wanted the IS. The 
2. The Blackmagic Pocket 4K is something else. Utterly magnificent. With the Voigtlander 25mm constantly on this camera it produces an image that is unmatched by any of the other cameras I own. You just need to be in a position that allows you time to compose and focus. Thankfully the Voigtlander is great for quick manual focusing. The menu system is intuitive and easy and the touch screen makes changing settings a dream. The one chief drawback is that the battery life is awful. You shouldn't expect more than 40 minutes on constantly shooting. So I have about 15 LP-E6 batteries handy just in case.
They both compliment the other very well and I will be keeping both for my uses.
 

Fergus & Rachel Teaser.mp4 Fergus & Rachel Teaser.mp4 Fergus & Rachel Teaser.mp4

I fixed it for you, now you can rest in peace.
Let's get back to the original purpose of this video: noise levels...
 

He NEVER finds the worst skin tone for Sonys... ; -)

Partially music video, partially test. Shot on Schneider ES Cinelux 2x | Porst 50mm 1.4 and new prototype lens Vormax 1.33x, paired with Mir 1b 37mm. Camera Sony a6300.


 
setups:

I decided for GH5S because
- it is tested and retested for video
- I can buy new and it is 2017-2018 product
- I can find LUTs and lot of info ( I bought Leeming LUTs fot the moment)
- large video settings possibility for  a mixed video/still camera

Hi Zach - great news about the photography class! Well done & welcome back.
You’ll need to catch up on the Pocket 4k thread... 
T

There are, but then you need to double focus. Firstly, your taking lens, then the anamorphic lens. It's quite a pain in the long run. 
 
Their next FVD batch is due by the end of November. Not sure about their fb page, but their own website works good. 

Search for some threadripper builds with GTX 1080ti for resolve

Indeed looks like A7iii is better in low light but from comparisons (with light lol) , skin color and sharpness looks better on the EOS R. I dont own any of those cameras, just based on clips from these guys:
.  

Search for some threadripper builds with GTX 1080ti for resolve

Resolve has different needs than premiere, photoshop, and lightroom, so a computer that does well for those programs might not be optimized for tackling resolve. Likewise, a simple gaming computer might not be best for editing 4K.
You are going to want SSDs as pointed out above.
Resolve benefits well from good graphics cards. I might go on to the black magic resolve forum and find out what is recommended.

How about diversifying this post to Best Editing Pcs at various price points:
1. $1000
2. $2000
3. $3000
4. $5000
5. $10000
 
Anyone wanting to spend more than $10k on an editing PC should probably just use services of companies like Prime Focus or some high end post processing and management agency. 
 
 

Great! XT3 is indeed tempting! Been thinking between a Fuji and an A7III as a hybrid cam to pair with a GH5s. Really liking the colors and af from the Xt3 as far as the ones I see on reviews

Considered the 12mm f1.4 before but for the price, the 15mm f1.7 is my go to lens if I want a fast and light lens as my general walk around lens

I think the kids aged by 50 years on the P4K ?

I think the kids aged by 50 years on the P4K ?

OT Pocket has 12,5 ,  it's about 1 stop more ?