kaylee
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Posts posted by kaylee
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51 minutes ago, HelsinkiZim said:
But then the show better satisfy.
Or is that too demanding.
oh the show should always satisfy! the payoff has to equal the wait time ?
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interesting discussion
is watching 17 hours of one show nonstop a fad? absolutely not: its the new way, people love it, its a normal part of media consumption now
when i first heard of this phenomenon, i was actually surprised that people have the attention span to watch, say, an entire season of a show at one time. as a content creator who might want to make some abnormally long content in the future, and just in general, i find this encouraging. i think it will allow more options for people like me
be that as it may, theres something to be said for the empty time between installments of a serialized product
when im into a show, i spend that time with the characters, even though theyre not on tv. so when the sopranos comes back after a season break, im like Whats been going on in their lives the past X number of months. additionally, the sopranos wasnt meant to be watched back to back for 6 seasons – it wasnt designed that way. but thats not to say that one could take binge watchers into consideration during the early stages of conception for a product, in order to produce a show that can be watched in 44 min episodes or in 7 hour chunks at a time
waiting is also good. hell waiting is the best. whats better than anticipation? that time is significant
getting a show over that people HAVE to watch live is really hard these days.... live tv used to be a thing, now i think most would prefer watching at their convenience. for narrative its a tough sell. i watched the main event of UFC 202 live the other night because it wouldnt have been the same later (i was rooting for nate diaz btw #stocktonstrong #frownyface)
the times are changing thats for sure
- Geoff CB, HelsinkiZim and Liam
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10 minutes ago, squig said:
"random guy" my new stage name
its the new alan smithee. you should use it in the credits of your feature
Directed By
Random Guy
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hmmmm...
QuoteDual Pixel RAW: One of the RAW file recording both the normal image and the parallax information. Digital Photo Professional of the “Dual Pixel RAW Optimizer” in the can: three of image processing
Image Micro-adjustment: by using the depth information, fine adjustment enables the position of the maximum sharpness and resolution
Bokeh Shift: to change the position of the previous blur (original: repositions the viewpoint of foreground bokeh for a more pleasing result)
Ghosting Reduction: reduces the ghost and flare
edit: whoops sorry if someone already posted this
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good responses here
i would say it totally depends on what youre doing... what are you producing? a doc? a kubrick-like feature?
even though im a fine artist, im literally working on a 14 foot drawing right now, i came kicking and screaming to the crushing realization that to make my first feature the way i want, i have to storyboard every shot. that epiphany came some time ago, and im a lot more knowledgable now, so the very idea that i even though it was optional is laughable today, its ironic. but thats for me
the SIMPLEST storyboards can be amazingly useful, a quick sketch that anyone can do can show lens choice, character movement, camera movement, etc. hell, look at this guy these suck and his films have worked out ok
- AaronChicago, Geoff CB, Zak Forsman and 2 others
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Hey whatsup guys!!! this is world famous superstar taylor swift!!!!!! im gonna be sharing this account with my friend taylor who u know as kaylee –– omg i didnt mention we both have the EXACT same name TAYLOR SWIFT can u believe that!!!!!! but our middle names are different lolol
we're like sisters ❤️❤️❤️ and sometimes we TOTALLY...... FINISH EACH OTHERS SENTENCES OMG so you never really know WHO is using this account lol!!!!
anyway 1.7x crop factor wth??? what am i buying a full frame camera for even duh lol
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a p p l e has a great return policy which their salespeople promote
"Youve got two weeks to make sure you love it, if you dont no worries just bring it back"
whether that mac pro was used for "professional" "paid" work or not, believe me, literally no one at the company cares.... i assure you lol
- Damphousse and Dave Maze
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58 minutes ago, DaveAltizer said:
Supposed 5d4 rumors that seem interesting
yeah https://***URL removed***/forums/thread/4038305
we'll see pretty soon!
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1 hour ago, AaronChicago said:
Even
worsebetter than Birdemic and The Room....omg ????
• i kind of liked that i think i wanna see the movie
• it was also the longest 3 minutes of my life
• is this ironic tho!!! cmon....... *google search*
QuoteWikipedia: Neil Francis Breen[1] is an American film actor, filmmaker, and architect. He is best known for writing, directing, editing and starring in his self-produced films Fateful Findings, I Am Here....Now, and Double Down.[2] Breen came late to film-making, having previously worked as a real estate agent and architect.[3][4] His releases thus far have been considered cult films.[5][6][7]
haaaaa ??????
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i randomly saw the lights out trailer the other day and i was like Wow.... that was good (i hate everything)
talented dude great to hear more of his story. it is inspiring!
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@Andrew Reid i miss you how are you. how has your summer been
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2 hours ago, tupp said:
Your terror is justified. Avoid looping like the plague. It's not something you would ever want to do. If you do not record your audio live, you are in for a long slog through the mud in post.
ADR was discussed in a similar thread last week.
In this post, I embedded a video example of the proper way to setup each take in an ADR session to save time. If after watching that video you still think ADR is a cake walk, do a test -- try shooting one page of dialog with camera audio and then loop it. See how you feel about looping your entire project after doing that small test.
thanks @tupp... thats what I thought~!
tbh long ago i did a 30 sec spec commercial for school where i figured id adr the dialogue because there was ~so little dialogue~ and it was a nightmare and turned out terrible. mind you, this was at the very beginning of my filmmaking journey so i know a little bit more now... i would change a lot of things if i were to do it again lol. but that was when i learned that a film is audio
my vision for my indie feature is to do as little adr as possible – only when unavoidable. and of course im going to hire audio people who actually know what theyre doing, unlike myself lmao
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53 minutes ago, IronFilm said:
Thus one of the pitfalls I see of ADR on low/no budget productions is that you run out of "time" with actors to get them back to do ADR
that too
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@mercer thank you thats very helpful
tbh im the actor with the most dialogue, and the idea of just trying to match my voice cadence without using anything visual seems way easier to me.... but idk ive never really tried to do it lol
what i hate is watching something and having particular lines of dialogue stand out as adr – like in the middle of a conversation – where they dont fit in. i dont think audiences notice that but i do
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On 5/27/2016 at 1:06 PM, AaronChicago said:
@AaronChicago thanks for these dngs, i didnt realize how much i liked this camera, and as soon as i opened the first one you posted i was like Wow! looks good and so easy to work with!
is moire much of a problem? the gentlemans tie in the last frame is a p challenging pattern i know
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first of all, @andy lee, thank you so much for all of this great information. i love your use of COLOR!
now what is this adr stuff guys fill me in smore (mmmmm..... s'mores)
On 7/12/2016 at 0:54 PM, mercer said:I like ADR. I have done a little acting and it is pretty easy to listen to the scratch track and mimick the cadence and tone of your lines... Especially when broken down into smaller bits.
pretty easy... really??? thats great to hear ive always been terrified of adr cuz it just seems so hard and time consuming to me... from all these comments it must not be as tough as i think...???
On 7/12/2016 at 3:03 PM, andy lee said:most big Hollywood films are ADR , Fincher has been doing it for years now , as it lets the actors craft a performance for the dialogue , I do prefer it as you get a much better contralled dialogue sound in the studio , also outside in a big city its impossable to get useable production sound as you have car traffic noise , airplanes, policesirens etc etc all messing up your sound , so I prefer crafing at all in ADR and post.
that makes sense. but is this practical for a lil baby indie film like mine (feature)? i mean i love the idea of having that control to get the best performance, and isolating the voice itself from the rest of what the actors are doing...
wow i really have to look into this *mind blown*
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2 hours ago, AaronChicago said:
The image is different in my opinion though. Something about the 1DC looks different than C300mkii, IDXii...
I guess with the 1DXii it could be the lack of C-Log, but even the Cx00 lineup has a different looking image, with C-Log.
i agree
just for the record, i wasnt suggesting that these cameras all produce the same image
what i wanna see ideally is the color we get from ml raw on ALL canon cams
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id like to remind myself and everyone else that the original msrp of this camera was $15,000
FIFTEEEN THOUSAND DOLLARS
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21 hours ago, DaveAltizer said:
He never used the camera before and wasn't used to the full frameish image and got too close to our actor while she was swinging an axe and it put a gash on his head. Blood spewed everywhere
when people are new to producing, im like "Shit is going to happen that you do not plan for" ?
good work on keepin it goth. glad everybodys ok!!
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!!!!!!!!!!! interesting!!!!!!!
Canon 5d Mark IV press release and specs!
In: Cameras
Posted
the crop is a secret ?
i kno rite. ive been waiting ?