Emanuel

Emanuel, once I was maybe...thanks :-)
Did you see any test that I've made with my C200? I still have compatibility problems with Angelbird 512GB Cfast Card, quite often the camera doesn't recognize the card. I'm in contact with the original dealer, to change it. Next months when I will have all the stuff that I need to buy, and finished the storyboard, I will shot something.
 

...you two Don and Jon, you are a must... LOL : ) This forum would become another one without any of you ; ) Cheers to both, E :-)

I dunno if it was already posted, but this one shot with GH5s is very interesting:
 

How high ISO you went on GH5 there?

Simply delicious... LOL :-)

Source:
http://www.dvxuser.com/V6/showthread.php?359866-4k-bmpcc&p=1986749617&viewfull=1#post1986749617

That reminds me. I need a hair cut!
 
anyway, if you put anything above it be careful not to interfere with the airflow too much 
 
 
It is more the case that Arri feels they only own ONE really really good sensor which is ready for production (I'm sure they working on others). Thus the easiest way to get true 4K from it is just to scale up the size of the sensor Itself 
 
 

Hey, finally done with the trailer to our debut feature film at 55Media shot almost entirely on the Panasonic GH5 (some shots on the GoPro6 and P4P) in just 12 days.
Our best work yet. Movie is still going through post-production.
Production company: 55Media
Director/Writer: Uche Aguh
Director of Photography: Dennis Schmitz (me)
Assistant Director: Ukairo U. Ukairo.

Starring: Jarius Drew Sowells, Kayode Akinyemi, Vincent Ramirez, Thiree Pinnock, Julian Horton, Obum Nwankwo and J Shawn Durham as 'Daddy G'

Editing done in Premiere.
Colorgrading done in Davinci Resolve.
Dealing with the usual quirks of this camera, but results are still great.

More information:
www.imdb.com/title/tt7928156
www.55media.net

Yes, notice as video. What matters most is the effective color resolution, and in that the BMPCC2 will be better. Introducing more spatial resolution without also increasing color resolution results in the video look. Something looks off, and it is discontinuity in color gradient  as it does not change at the same frequency as does the spatial information 
 
 

I'll take color and recoverable information over pure resolution any day.

Cinematographers often use diffusion filters to make image more soft, film-like, less digital looking. So high resolution is not always the very important part of a good looking picture.

Resolution for sure not : ) Details? Will you need to end there even risking to end with oversharpened borders for outcome? No way you reach that as actually real cinematic, count on it if so : )) As much as no details will praise the cheater, no good devil you'll find in the details when more than anything, perception is your game after all (E :-)

I read somewhere about June.
Indeed. Hope Vlogging may push the boundaries, as matter of fact. Funny to write it but that's the way it is. Media convergence times advantage, I believe :-)

120fps @4K [Z cam E2]
To stand corrected there : )
AF will be limited on BMPCC 4K as far as we can guess. Useful comparison table anyway :-)

Nice evaluation by a professional colorist on reduser on those images posted here at first hand:
http://www.reduser.net/forum/showthread.php?166868-NAB-2018-Blackmagic-Pocket-Cinema-Camera-4K&p=1797545&viewfull=1#post1797545

Jon, speaking of our recent discussion on ergonomics topic, hope we future BMPCC 4K users do not end there on a gimbal:

:-)

I came "this close" to buying a second 2010 Sony PMW-F3 this week. 

Tried v15 Beta 1. 
Here are my initial impressions:
It's very simple and fast to add titles. There are many predefined 3D templates. More templates will come for sure.
LUT Browser is awesome if you use LUTs and want to try different color grades
Improved speed and interface. 
Improved noise reduction. In v14 noise reduction was good enough for me. V15 is even better.
Very easy to remove objects and/or spots / blemishes on the footage
Whole workflow is well thought and using all the tools is easy and quite intuitive.
Bottom line: It's my only video editing software now. Has everything I need and like it a lot. Well done Blackmagic.

That looks a bit different and out of the box but confortable so does this and would handle the BMMPC4K just perfectly even with big lenses.

Sensitive Topic. This can blow up. Especially when, ahem, little children are involved. 

Jon, speaking of our recent discussion on ergonomics topic, hope we future BMPCC 4K users do not end there on a gimbal:

:-)

Jon, speaking of our recent discussion on ergonomics topic, hope we future BMPCC 4K users do not end there on a gimbal:

:-)

Why is everyone comparing this to the GH5?  It has the same sensor as the GH5s.  That is it’s direct competition 

OMG I am!!! I started cutting in Resolve a few months ago and I am never going back! Honestly, just the way the grading and speed ramping works, it saved me 1/3 of my time not to mention the file conforming. I am going to give 15 a shot soon too. Honestly, BRAVO Blackmagic. Your team is amazing!

I am!
I've said before that I try to capture in a relatively neutral style and then I put in the work in post, and Resolve is my all-in-one.
I'm excited by Fusion, more specifically for the stabilisation and the 3D titles.  I'm really hoping that I can get better stabilisation than the Classic Stabiliser in v14, as sometimes I film in difficult situations and I need more stabilisation than Resolve currently supplies.  The 3D titles will be cool, but I'm more hoping that combined with the tracker I'll be able to add 3D items into the 3D space I've filmed.
I watched the 20 minute video from BM about Fusion and got lost about a third of the way through.  It's like Resolve is a house and each tab is a doorway through to an array of controls that each rival the space shuttle!

Sometimes I wonder if a few posters ever shot anything, really... Sorry to be sincere... :-)
You can always smooth practically anything, except a considerable weak acquisition codec at low bit rate as for instance or under certain severe artifacts such as aliasing or moiré or yet from insufficient color sampling (not exactly the case there for 95%-98% of the circumstances), going along dedicated craft and proper skills on both capture and post.
- E.