Emanuel

Maybe the iPhone 19 or 20 will go LOGIC?
I'd consider upgrading if that was the case....    but with my 17 Pro I now have Prores and Apple Log, so the images now look like they're from a camera and not from a phone.

The 1.55x has never looked this good on previous iPhone models. The adjustable aperture of the 18 Pro seems to make a huge difference in the overall detail and IQ. It also carries through on the video side and makes focusing much simpler.
The 1.55x was always pretty dreamy wide open and is even moreso on the 18 Pro, since it has a faster lens.
 
I have never tested it seriously on any of my other cameras, because it won’t cover full frame (whereas the 1.33x seems to if you find the right lens). But I suspect the 1.55x would actually work great on a M43 or APSC sensor. 
Here is another iPhone shot from this evening. There were a few raindrops on the lens, which created some interesting artifacts. 

100% agreed : ) Deserves a space of their own ;- )

Yes, the ZR is the new benchmark in a number of ways and for me is probably the pick of the bunch of these new ‘cine’ style bodies including: S9, ZV-E1, R6V and now FP2.
I love the size and build of the FP and the new rear LCD, but that lack of IBIS, aaaaaaargh!
S9 has the best video spec for me (the ZR beats it sure with it’s Red Raw but for the massive amount of storage it gobbles) but the ZR counters with a very nice body and rear LCD….except I would rather it was fully articulated (first choice) or at least tilted like the FP (second choice) but really don’t like the flip out to the side.
I don’t care for that side mounted EVF though. Ugly as fuck and all the FP would need for me is a base plate and grip and I’d be off with it. But that’s if it had IBIS, which it doesn’t so back on the fence waiting to see what LUMIX do.
FP2 was/is one single element away from being perfect for me.
ZR is two elements.
ZV-E1 two elements (rear LCD and something else I forget).
S9 two elements (rear LCD and overall build).
Someone will hopefully get it right soon…

Personally I am still intrigued by the FP form factor so will def be keeping my eye on this, specifically for travel/casual stuff - especially bcuz it seems to have a much better build than its competitors in that size range.

I posted some things in the older Sigma FP thread but I feel like these new FP hacks are picking up momentum and deserve their own separate space. In my opinion this project has big time EOS HD vibes and I’m getting old school Magic Lantern feelings all over again.  : ) 
Like most of you, I’m disappointed by the new Sigma FP2 and have always held off on the original FP because it just never made sense for the price and all the fiddling needed to use it. But time and time again I’m impressed with content coming from this mighty little brick. The users that know how to tame the massive cDNG files and work with all the shortcomings are rewarded with some truly glorious images and I want in on that mojo. 
Lots of new hacks making open gate possible on the FP and giving some new recording options that cut down considerably on rolling shutter and data rates. 
https://www.elcacharrista.com/en/articles/hacking-the-sigma-fp-with-ai/
 

Many of the shortcomings are still there of course, (the lack of flippy screen etc…) but for a now, $800 camera I feel like it’s worth picking up just to play around with. 
I’m also really excited about the new Super 16 mode. 
Super 16
At the last minute we decided to add a Super 16 crop mode -something I had asked about in this post two years ago, which is genuinely useful if you own cine lenses in that format. Recording quality is excellent despite the small image circle compared to full frame. At 2096x1238, with no scaling whatsoever, it is already more than the 1080p the original Blackmagic Pocket Cinema Camera gave us.

What are your thoughts on the new hacks and is anyone else thinking about getting an FP in 2026 now that gyrodata and open gate are crammed into this little guy? 
 

Some really beautiful tests with the new 3k open gate modes. 
 


 
 
 

I also found this video below, which combines a cheap adapter from Aliexpress with 17mm rear-filter and the Viltrox 28mm F4.5 lens.  He just sticks the mounting plate from the smartphone clamp for the anamorphic directly onto the Viltrox lens with tape, so hardly and ideal situation, but it is more proof of concept, and it covers FF too!

Test image:

Video:
 

I will say that even though the Beastgrip adapters are made for phone use, they actually have very good build quality and the newest versions have pretty decent optics, with 1.33x being better corrected than the 1.55x. They also have good front filter threads - the 1.33 uses 58mm and the 1.55 is 62mm. Once you get them properly attached to your lens, they aren't going anywhere.
The first versions are not as well corrected, but that may be what you are looking for. The build quality seems consistently good across all models and versions. I'm guessing you could find some on the used market for reasonable prices, as they aren't super expensive to begin with. 

Wow..  they're not optically perfect, but in the grand scheme of anamorphic adapters (and especially vintage anamorphic adapters) they're on the clean end of things for sure.
I'm now back to contemplating pulling the trigger on the 1.55x....

Here are a few shots with the Beastgrip 1.55x lens on the 18 Pro Max. These are both at F4. The adjustable aperture makes a night and day difference with the 1.55x especially for open gate stills/video. 

Somebody needs to tell Sigma that if you are FORCED to add components to the camera to make it usable, then it is no longer the "smallest full frame camera."
 
Now if the 2.5K ProRes Raw can be recorded internally, that will be a little interesting, but not for the same price as the ZR. And definitely not without IBIS.

Official listing on their website: https://www.sigmaphoto.com/fp2

Key specs via PP: https://www.dpreview.com/reviews/sigma-fp2-everything-is-better-for-the-second-gen-modular-mirrorless-camera/
24MP partially stacked CMOS sensor
Up to 20fps stills
Video up to 6K open gate, including ProRes RAW output to SSD
Two USB-C sockets
Full-sized HDMI port
Tilt up/down 3.2″ 2.1M dot rear LCD
Optional 5.76M dot electronic viewfinder
Optional OM System/Panasonic compatible hotshoe
70GB internal memory
Larger, 16Wh battery, giving 370 shots/charge rating
460g (16.2oz) including battery and card
The Sigma fp2 will be available from November 11th at a price of $2199, body only, or $2749 with the new EVF-21 accessory or $2749 with the I-series 50mm F2 DG lens.

It's there, but not very distinct.  Here's a screen grab.

Why can't I see the tower anywhere in that fist frame?

You're pretty accurate on this one : ) Some elegant shots and atmosphere right there on your other entry, kudos to you, they sell the cam... ; ) Loved the voice too BTW :- )

Yes. I saw your video on YouTube. We've got pretty much the same lenses, minus the 10mm fisheye and the 50mm. Today, there was new firmware (version 4). Also, I installed Labs; so, I'm curious to see the improvements, especially for photos as it was seriously lacking.

@kye
As promised, here’s the video I mentioned over in the Narrative Films Shot in Uncontrolled Cities thread. I put together what I call my Mission Kit for the ILS, consisting of the Brightin Star 10mm fisheye, 7Artisans 10mm, TTArtisan 17mm, and the 7Artisans 25mm, 35mm and 50mm. The idea was to keep everything small, lightweight and affordable while still getting a very good image. The video is just a collection of footage shot with the different lenses, with each lens identified on screen. It’s not technical at all and it’s very casual. I’m just showing what these little lenses can do with the ILS. 
 

It’s a real fun camera to use. It actually brought my muscle memory back to the days of manual focusing. I remember when people used to talk condescendingly to people who relied on autofocus. Now it’s flipped. So funny. The  negative comments I read about using this camera is mind boggling. If the camera isn’t for you, just go about your business. Why try to bash the person wanting to experience something different? 

Went for a walk this morning. I was able to make a short video:
Sorry for the music. Everything is hand-held. Shot it at various frame rates. Most everthing shot in GoPro Log 2 (the slow-mo shots are in Natural) and plopped into a timeline for cutting and added FilmConvert with the GoPro Mission 1 Pro and GoPro Log 2 profile. No grain was applied. Anyway, you'll get an idea of the colors, electronic stab, etc.
I also wanted to say that I was able to update the ILS to the GoPro Labs firmware and use a QR code for putting a super-helpful histogram (better than the Lumix one on the GX800).

Maybe late to the party..
Left-Handed Girl is maybe the latest film completely shot in the wild (and with a phone)
 
 

This is exactly why smartphones and smaller cameras like the GoPro Mission 1 Pro ILS are so appealing to me. You can move quickly, stay discreet, and still capture great images. I put together a great nimble kit for this project and I’m actually planning something similar with the ILS in NYC, grabbing shots in some premium locations to give the production a much bigger feel without a big crew or footprint. And I’m definitely grabbing some long and discreet shots. 

Love your insights, you should post more :- )

Love your insights, you should post more :- )