For Sale - Mint Condition Iscorama Cinegon Beaulieu Lens Control Unit/Taking lens for Cinegon AnamorphicBy Hunterj11
I recently came upon a miracle item. Still boxed and packaged in original packaging and likely never opened up since it was purchased originally in late 60s or early 70s. This Iscorama cinegon (the original iscorama anamorphic) .
The dk came with a Beaulieu taking lens which screws onto the rear element. Not sure what applications are possible but are likely.
Here's the eBay listing
I have many more auctions....for the next week or so I'll be selling all sorts of gear and accessories.
Hello to everyone,
I've been looking for a small anamorphic adapter for a long long time from now, and finally, I got mine.
I've been hesitating about which one to take : the search of the perfect adapter that would suit all my needs..
for a reasonnable price ofc.. (Yeah, I know..)
Anyway I'm so happy to tell you that I "may" have found it :
The Yashica Scope, 1.5x adapter anamorphic for 8mm !
(Well let's make the things clear, I was looking for a tiny, compact, and light weight adapter, to be paired to some old school c-mount lenses on a BMPCC, I don't claim to have found an awesome setup that'll work for every scenarios ! :) )
I've just received it, that's why I'll only share my first feelings in this post, but later when I'll have time to dig more in the subject I'll come back to this.
I still need a proper way to attach it to my taking lens. I gave up on step-down ring because I plan to use it most of the time on my Angenieux C-mount lenses which filter thread is 39mm... The Yashica is 30mm.. And I can't find any 39 to 30mm ring. If anyone has any info about a ring that would work, let me know ! ^_^
Anyway, the best way seems to be a custom clamp, still have to work on that...
Here are some screenshots :
All of these screenshots have been shot with my Angenieux 25mm f/0.95 at fast aperture (even at 0.95 for the indoor shot) with a +1 diopter from Schneider. Above f2.8 with the Angenieux 25mm, you can notice a little of vignetting on the edges, but It doesn't bother me too much, since I doesn't use the whole image, I prefer to crop in order to get a 2.35 or even a 2.10 aspect ratio. 2.66 is way too wide for most of my tastes ! :P And whatever, I'm mostly after the oval bokeh, flares and the overall look of anamorphic depth of field. So I'm good with that.. And It cleans the edges which seem to be pretty blurry on the Yashica. (By the way, above 25mm I haven't seen any vignetting with my c-mount lenses) So, have you ever experienced this anamorphic lens, what would you recommend to me in order to use it the best way possible ? See you later and have a nice day/night to all. (Oh and I apologize for my pretty weak english !) :P
Earlier in anamorphic forum I asked advice for export options for my first anamorphic material shot with GH4. So here is the result from my shooting:
After encoding to Vimeo, material looks a bit darker. Don't know why. Exported master file isn't as dark. Maybe it is because the h.264 encoding?
Please comment and share if you like, thanks! :)
Hi there anamorphic shooters!
I need someone to explain me as clearly as possible how am I going to get right aspect ratio and best result out from Premiere Pro after editing some anamorphic material. Sory if this is stupid question but I am a bit lost all the settings and aspectratios etc.
So, I bought Iscomorphot 8/1.5x adapter. Shot with GH4 and now I have edited my video and would like to export it. I have on timeline material that is shot in 1080p and 4k (yes, that was my mistake. Wanted to shoot all 4k but first day shootings came back in 1080p thought I was shooting 4k) 4k is shot in 3840x2160 (after my 1080p mistake thought it would be easier to get these two format to match in edit.)
I have bought Andrew's great anamorphic shooters quide but still after reading it I am bit confused. If I now want to export best quality anamorphic video out from my Premiere for web use:
1. Just output 1920x820 (for 2.66:1 ratio) resolution from Premiere?
2. Should I first export the 4k files and bring them back in right resolution (1920x820) and after that render everything out again?
Sorry for quite long text. But hope someone could help me with this, thanks!
Ps. If I shoot more anamorphic videos in future, should I use GH4 4k UHD (3840x2160) or 4kC (4096x2160)?
I had all but given up on ever finding the perfect 8mm anamorphic lens, but I recently got my hands on what I think is the most rare anamorphic lens that I have ever owned -- the Zeiss Ikon Anamorphot 22/1.5x. It is almost impossible to find any information on this lens. I could not find any pictures of the lens, nor any test footage. In fact, the only reason that I knew that it existed was a tip from anamorphic Godfather Kostas Petsas, who also has one. He compares his Ikon to the Iscomorphot 8/1.5x.
Like the Iscomorphot 8/1.5x, it's an 8mm "baby" lens that is fully rack-focusable. The helicoid is smooth and has a very manageable throw, so focusing is no problem at all as you will see in the test video above. The slightly wider diameter actually makes the lens easier to focus the baby Isco, and of course it is much more focus-friendly than the strenuous focus throw of the Iscorama.
It's a little bigger than the Iscomorphot 1.5x (front filter thread is about 43mm, and rear diameter is about 32mm) but still much smaller and lighter than the Iscomorphot 2x or the Iscorama. It's nice not to have to add in a support system to hold the weight of the additional lens. Coupled with a DSLR, a taking lens with a silver finish and a silver clamp from Redstan, this could be a great stealth anamorphic setup.
I think that perhaps the most substantial difference between the Ikon and the Iscomorphot is that the Ikon is usable when the taking lens is wide open (at least at f/1.8). Though it is not razor sharp like the Iscorama, I don't see a limitation here.
The minimum focus distance is impressive. I've been able to focus as close as 22" wide open without any diopters.
I haven't really put it through the paces yet, but from what I've seen, the lens has some nice, understated character. It's a lot less smeary than some of the 8mm anamorphics that I have used. The flares are thinly stretched blue ovals, similar to my Moller 32/2x (but I think that I may like the Zeiss flares even more).
I have been able to use it with my FS100 with a 50mm lens, which is usually my go-to lens when I first get an anamorphic lens. I'll have to test it to see if I can get away with using a wider taking lens.
I am excited about this lens. It is the easiest, simplest anamorphic lens that I have ever used and the image is very pleasing. I think that this is a winner. If anyone else has one, I'd love to compare notes.