Jump to content

TheRealOG

Members
  • Content Count

    59
  • Joined

  • Last visited


Reputation Activity

  1. Like
    TheRealOG got a reaction from Márcio Kabke Pinheiro in Associated Press Sign Exclusive Product Deal With Sony   
    1.) I’m a full-time photojournalist. I do have encounters with AP PJs out in the field. If they are churning and burning, they probably won’t shoot log as they upload and send their video to other press agencies. They in turn do not have the luxury of color correcting before air. 
    If they are shooting an investigative piece or something long term where they have time and crew to put it together, yes they may shoot LOG. Business is deadline driven, "Make slot, not art".  SLOG introduces an unnecessary workflow when your slamming video together. Not enough time to render and transcode that.
  2. Like
    TheRealOG got a reaction from ntblowz in Associated Press Sign Exclusive Product Deal With Sony   
    1.) I’m a full-time photojournalist. I do have encounters with AP PJs out in the field. If they are churning and burning, they probably won’t shoot log as they upload and send their video to other press agencies. They in turn do not have the luxury of color correcting before air. 
    If they are shooting an investigative piece or something long term where they have time and crew to put it together, yes they may shoot LOG. Business is deadline driven, "Make slot, not art".  SLOG introduces an unnecessary workflow when your slamming video together. Not enough time to render and transcode that.
  3. Like
    TheRealOG reacted to thebrothersthre3 in Camera owning plans 2020   
    I need that EF mount adapter now!
  4. Like
    TheRealOG reacted to IronFilm in Camera owning plans 2020   
    It is easily the most popular camera on shoots with a moderate budget or more. 

    The FS7 and Alexa Mini are easily by far the two most common cameras I work with. 
  5. Like
    TheRealOG reacted to Marin in I WILL be getting a Fuji X-T3!   
    short short extreme sports video
    4k50p F-Log with fujinon 50-140mm f2.8 ois
     
  6. Thanks
    TheRealOG reacted to Mako Sports in Canon EOS R5 8K monster official topic   
    https://cweb.canon.jp/eos/special/eos-r/r5/
  7. Sad
    TheRealOG reacted to Trankilstef in Canon EOS R5 - 8K30p 4K120p   
    I don't know why people didn't reacted on my post, not a big deal, the important thing is really how Canon is confident and how excited they are about their new products. I've never seen it (from them) before. 
  8. Like
    TheRealOG got a reaction from tigerbengal in Introducing the EOSHD Tim Apple LUT for that washed out nationalist propaganda look   
    You wanna talk policy, but also legitimize conspiracy theories? Are you afraid of facts? Wanna keep spewing whatabouism?
  9. Haha
  10. Like
    TheRealOG reacted to Andrew Reid in How many sales are Canon losing from enthusiasts due to video shenanigans?   
    That is preposterous it really is. The 1D X Mark II cannot compete with the X-H1 on pricing, size, weight, codec, file sizes, 120fps quality, handheld shooting, stabilisation, ergonomics, EVF or LOG. And that is just the features off the top of my head.
    The video market knows exactly what it wants and the 1D X Mark II isn't it.
    Otherwise they'd be a big thread about it here but there isn't.
    And when I reviewed it, it didn't exactly set a discussion going with hundreds of people saying "this is for me". I liked it in 2016 for stills and for giving the 1D C Dual Pixel AF - but losing Canon LOG and increasing the crop factor left a sour taste for my $6k.
    The 1D X Mark II is a superb pro stills camera and I used it as such... With Canon's best looking 4K outside of the 1D C... But it just isn't practical. Paying that much money to shoot MJPEG in 4K, massive file sizes, losing the EVF and IBIS, very important features... Why? Along with introducing moire in 1080p and 120fps, all I can say you must really need it as a stills camera to buy it in 2019.
    It's a dodo.
    In 2019 I would use the X-H1 every time instead.
  11. Like
    TheRealOG got a reaction from ghostwind in Canon gear advice for pro photographer getting into videography   
    Canon C100mkii will solve all of your problems. Picked up a used one online (ebay or so) and you'll be good to go. Great . Features out of the box and will improve your workflow dramatically. Your 1DXmkii will help you with the slowmotion and the gimbal work too. I suggest getting the Sigma 18-35, DPAF works great on it and will also be amazing with the 1dxmkii (covers the frame with video, especially with the crop. The DPAF is really awesome on it too with it.)
  12. Thanks
    TheRealOG got a reaction from Vision in How many sales are Canon losing from enthusiasts due to video shenanigans?   
    lol the Canon excuses. The c200’s slow motion is pretty bad compared to what’s available from other DSLMs! If I pay 6-7k for the c200 pkg, the DPAF won’t be enabled with the 120fps. What’s so great about DPAF if you can’t use it at will? C100mkii... DPAF can’t be used throughout the whole sensor, unless you’re using an USM lens, and even then it’s the slowest of the bunch. C300 doesn’t have slow motion. The only camera with decent slow motion is the 1dxmkii, but you need to use MotionJpeg... Ugh. 
    They don’t have the best color science. The video is hella mushy. 
  13. Like
    TheRealOG got a reaction from Mako Sports in How many sales are Canon losing from enthusiasts due to video shenanigans?   
    lol the Canon excuses. The c200’s slow motion is pretty bad compared to what’s available from other DSLMs! If I pay 6-7k for the c200 pkg, the DPAF won’t be enabled with the 120fps. What’s so great about DPAF if you can’t use it at will? C100mkii... DPAF can’t be used throughout the whole sensor, unless you’re using an USM lens, and even then it’s the slowest of the bunch. C300 doesn’t have slow motion. The only camera with decent slow motion is the 1dxmkii, but you need to use MotionJpeg... Ugh. 
    They don’t have the best color science. The video is hella mushy. 
  14. Haha
    TheRealOG reacted to Andrew Reid in Canon EOS M6 Mark II   
    Yes of course we all know the story with the M6 Mark II is that compared to earlier efforts such as the 60D or T2i, Canon finally had to drop 24p to save on the H.264 licensing fees which were really racking up a huge debt in their corporate bank account, and the other reason they had to drop 24p was that it takes just so much processing power to drop those 6 frames compared to 30p which is much easier, and the virtual garbage bin kept filling up with those frames and overflowing causing a memory leak and a security issue for people with smartphones connected, so 24p just had to go, and also the uncompressed 16bit 8K HDMI output could only run at 60hz for the screens on Atomos recorders so no 24p externally either, plus in Japanese the number 24 is associated with ghosts.
  15. Like
    TheRealOG reacted to Andrew Reid in Canon EOS M6 Mark II   
    It means they finally caught up with a 2015 Sony or a 2014 Panasonic?
  16. Like
    TheRealOG reacted to Mattias Burling in How about a good old Camera Blind Test?   
    This is a blind test comparing videos from a couple of different cameras, lenses and filters.
    I have not tried to match the images since that would take away the point of the test. Im looking at quick turnaround, color science as well as the effect different types of lenses and filters have on the final image.
    As you can see the light changed quite a bit between shots but it doesn't matter.
     
  17. Thanks
    TheRealOG reacted to Django in Deciding between X-H1 and X-T3   
    It's a bit of a tough choice as the IBIS on XH1 is really practical for handheld 4K when shooting primes but XT3 just has so much more specs. 
    I'd still probably go with XT3 as it doesn't crop in 4K, has much better RS.. and of course 10-bit, 4K60p etc..
  18. Like
    TheRealOG got a reaction from kye in Panasonic FF L-mount Cine camera coming   
    This camera does exist and is already in the hands of some reputable camera stores in LA. I talked with one owner and they didn't reveal much except that it was a game changer and one of the best cameras that they had ever seen. I asked them "game changer? They said "yeah". They have it in their shop and are playing with it. Not to something to be taken lightly, especially with using the word game changer... Coming from Panny!!
  19. Like
    TheRealOG got a reaction from Emanuel in Deciding between X-H1 and X-T3   
    You're not an old fossil. People have become accustomed to mediocrity. Composition, framing, and sequencing rarely exist. They've been supplemented by the "floaty" gimbal look. People are always chasing the next LUT, raw recording, but rarely "how do I improve" my work with intention. All of these tools are supposed to be chosen for a reason. Three medium-shots back to back in 120fps is not visually appealing. Great work still requires heavy rigs and heavy rigs mean: union sets, decent money, people being professionals, insurance, purpose, and making a living. 
     
    The H1 is my vote for a great hybrid camera!
  20. Like
    TheRealOG got a reaction from Geoff_L in Deciding between X-H1 and X-T3   
    You're not an old fossil. People have become accustomed to mediocrity. Composition, framing, and sequencing rarely exist. They've been supplemented by the "floaty" gimbal look. People are always chasing the next LUT, raw recording, but rarely "how do I improve" my work with intention. All of these tools are supposed to be chosen for a reason. Three medium-shots back to back in 120fps is not visually appealing. Great work still requires heavy rigs and heavy rigs mean: union sets, decent money, people being professionals, insurance, purpose, and making a living. 
     
    The H1 is my vote for a great hybrid camera!
  21. Like
    TheRealOG got a reaction from socs in Deciding between X-H1 and X-T3   
    You're not an old fossil. People have become accustomed to mediocrity. Composition, framing, and sequencing rarely exist. They've been supplemented by the "floaty" gimbal look. People are always chasing the next LUT, raw recording, but rarely "how do I improve" my work with intention. All of these tools are supposed to be chosen for a reason. Three medium-shots back to back in 120fps is not visually appealing. Great work still requires heavy rigs and heavy rigs mean: union sets, decent money, people being professionals, insurance, purpose, and making a living. 
     
    The H1 is my vote for a great hybrid camera!
  22. Like
    TheRealOG got a reaction from webrunner5 in Deciding between X-H1 and X-T3   
    You're not an old fossil. People have become accustomed to mediocrity. Composition, framing, and sequencing rarely exist. They've been supplemented by the "floaty" gimbal look. People are always chasing the next LUT, raw recording, but rarely "how do I improve" my work with intention. All of these tools are supposed to be chosen for a reason. Three medium-shots back to back in 120fps is not visually appealing. Great work still requires heavy rigs and heavy rigs mean: union sets, decent money, people being professionals, insurance, purpose, and making a living. 
     
    The H1 is my vote for a great hybrid camera!
  23. Sad
    TheRealOG reacted to webrunner5 in Deciding between X-H1 and X-T3   
    Yeah you are right. I was a bit too harsh on my comment. Times have changed and tech has truly advanced. A person needs to try anything to get the shot, and there are now more and more ways to do it. I guess I am a old fossil lol.
  24. Like
    TheRealOG reacted to ntblowz in Panasonic FF L-mount Cine camera coming   
    Teaser 

  25. Sad
    TheRealOG got a reaction from webrunner5 in help for short interviews ideas   
    I'm still living that life (photog life)... ?
×
×
  • Create New...