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TheRealOG

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Everything posted by TheRealOG

  1. Canon C100mkii will solve all of your problems. Picked up a used one online (ebay or so) and you'll be good to go. Great . Features out of the box and will improve your workflow dramatically. Your 1DXmkii will help you with the slowmotion and the gimbal work too. I suggest getting the Sigma 18-35, DPAF works great on it and will also be amazing with the 1dxmkii (covers the frame with video, especially with the crop. The DPAF is really awesome on it too with it.)
  2. Canon didn't need to do much, they just needed to give a bit more. The EOS R can't even compete with the X-H1 coming from Fuji. IBIS and slow motion and codec are better, minus the DPAF. Dual card slots and a cheaper price would of been great. They should of launched it at $1,799 out the door and it would of sold quite heavily. More RF users, more Canon cameras out in the wild.
  3. lol the Canon excuses. The c200’s slow motion is pretty bad compared to what’s available from other DSLMs! If I pay 6-7k for the c200 pkg, the DPAF won’t be enabled with the 120fps. What’s so great about DPAF if you can’t use it at will? C100mkii... DPAF can’t be used throughout the whole sensor, unless you’re using an USM lens, and even then it’s the slowest of the bunch. C300 doesn’t have slow motion. The only camera with decent slow motion is the 1dxmkii, but you need to use MotionJpeg... Ugh. They don’t have the best color science. The video is hella mushy.
  4. Just spoke with a Canon Rep in my local camera shop. He says that there will be 30, 60 and 120FPS in HD.. It's essentially the EOS RP.
  5. LOLLL... "Tastes evolve"... Dude, intentionally crippling features that existed before and get removed is a butthead move. "NO ONE NEEDS 1080P 24, 30, OR 60. 120FPS IN 1080P AND 4K 30P IS WHAT I NEED". It is a terrible b-cam to the EOS R or even the 80D. I've been looking forward to something like this for a bit. The simplicity of the Canon 80D was great, just needed a bit sharper video. The X-T2 still outperforms it, minus the DPAF.
  6. Try updating the firmware on the adapter and on the H1. You might also need to change the IS setting on the H1 to "continuous" as opposed to just "press only"
  7. You're not an old fossil. People have become accustomed to mediocrity. Composition, framing, and sequencing rarely exist. They've been supplemented by the "floaty" gimbal look. People are always chasing the next LUT, raw recording, but rarely "how do I improve" my work with intention. All of these tools are supposed to be chosen for a reason. Three medium-shots back to back in 120fps is not visually appealing. Great work still requires heavy rigs and heavy rigs mean: union sets, decent money, people being professionals, insurance, purpose, and making a living. The H1 is my vote for a great hybrid camera!
  8. It's a different beast these days. Sometimes, that C-camera is your main rig... Some packages are based off of iphone/snapchat/ig/cctv video that you drop on your timeline. That sometimes becomes the sole purpose for the package. When you're making deadline no one cares about your parfocal lens or steady shots. Larger markets don't even use sticks and do the pan to nowhere. Some days, I get tired of lugging the hotpod with the ENG cam, but I still do it. A c100 would be nice, but that b4 lens is amazing, with that doubler and macro. You can literally shoot anything. LOL I went with the H1 over the X-T3 because IBIS, better price, nicer grip. I picked up the package with the battery grip (which comes with two batteries) for $1,099 (open box). You won't get the two additional batteries with the X-T3 grip. I've also adapted the Sigma 18-35 with the Viltrox EF-FX1 adapter (really nice!).
  9. Lol... Master trolling!
  10. I'm still living that life (photog life)... 😮
  11. I don't think Dan gets it. Dan's current thoughts are incoherent. You need to make sense, create a plan, find your topic, and attack it. If you're gonna be so generic about your topic, no one cares. Why should anyone care about your generic ideas? The topic of activism is too general and no one needs to watch that. If you do your research and find something interesting, then you might have a shot. Find something that is occurring in your area. Are there a particular group or individuals in your community that are activists? Are there homeless veterans on the street who aren't getting enough services from the VA in your neighborhood? Is there a group of local veterans who are trying to help them out by feeding them or shelter them. Now you have a topic and a particular group to interview for a specific reason. You're shining a light into a problem that remains in the dark. You will need a thick skin because docs or journalism is a tough job. You're dealing with real folks (we're being really nice to you in comparison)
  12. I won't give out any names, but there was a recent cine lens summit in my area. All of those peeps are really nice and have lots of excellent info. That info was better than the free adult beverages they had on hand!
  13. This camera does exist and is already in the hands of some reputable camera stores in LA. I talked with one owner and they didn't reveal much except that it was a game changer and one of the best cameras that they had ever seen. I asked them "game changer? They said "yeah". They have it in their shop and are playing with it. Not to something to be taken lightly, especially with using the word game changer... Coming from Panny!!
  14. You need to find what you’re interested in and go from there.
  15. TheRealOG

    Race to the bottom

    I was referring to buying an mp3 or ripping if off directly youtube, putting it on your editing timeline, manipulating it is a big hell nah. If you captured the audio while it was playing as use some bits and pieces, sure. You upload a 40 min non-stop take of a party. Might be fair game However, cutting a montage to Bruno Mars or any popular artist without purchasing the license is too much of a risk. It becomes a race to the bottom. LOLLL https://kapervideo.com/2017/05/31/wedding-video-music-copyright-law/
  16. TheRealOG

    Race to the bottom

    ok dude. I am glad you are making money off of someone else's intellectual property. lol
  17. TheRealOG

    Race to the bottom

    Indeed it is terrifying at how good the camera phone can be when there is enough light. I was using my X-H1 with the mitakon .95 lens to do a portrait and also used the the iphone XS... Oh man, I was blown away at how close they could be. Hell, I was really sad and excited. Cellphone cameras have come a long way!!
  18. TheRealOG

    Race to the bottom

    You are using copyrighted music. I stopped watching right away.
  19. I've been running the EF-FX1 viltrox sans speedbooster with my X-H1. I owned the 23 1.4 and the 35 1.4, the former being my favorite. I currently own the 16 1.4 and the 27 2.8... The 16 is quite nice, but the Sigma 18-35 really takes the cake. The range is much more suitable for video work, especially for people. I don't care much for AF in video cause I manually focus. Day in and day out, manual focus is what I use. The AF on the 80D was quite superb though! The brighter you open, the shallower depth of field that you have... The more likely you are to miss focus cause of that razor thin focus plane... One recommendation would be to try and improve your coverage too. Technique might help you look at the bigger picture... Wide, mediums, tights, super tights, closeups, action reaction, moments, knowing how to anticipate action, following action, sequencing, composition, etc. I've been shooting professionally for over 10 years, and I had to relearn the basics all over again. I thought more gear would be the answer, but it was re-learning technique that helped me out.
  20. TheRealOG

    Race to the bottom

    11 years ago, I missed the boat by 6 months. I bought the XH-A1 in March of 2008. The 5dmkii came out about 6 months later. My career never really recovered as I ended up doing ENG work since 2010. Broadcast is great and rewarding. It too has been a race to the bottom depending on organization. I still do freelance work on the side, but dang is it so competitive. I've been dumping money and energy into catching up with the DSLR revolution/Youtube/Instagram folk within the last two years. The days of using the letus/redrockmicro/ etc with camcorders was short lived. The people who end surviving are those who continue to invest into becoming a better visual storyteller. Knowing and getting the shot still matters above gear. Those who care will compensate you dearly too. EOSHD is definitely a step up from my dvxuser days. Thanks to everyone for their knowledge and candor! Keep up the good work Andrew!
  21. Reframe your question: "How can I learn to become a director?" Sometimes it's awesome to learn from other folk. Finding people who may be able to mentor and guide you in the right direction. These folk have been more than amazing at encouraging you to practice your work, but you made so many excuses. You made one video and then dropped out of the face of the earth. You gotta practice, practice, practice, put yourself out there, and leave your ego at the door.
  22. I find it hilarious that so many people were so defensive over Philip Bloom's post. I don't understand why people were rooting for vaporware. If these people took more than one second to look at the product and marketing, they would of understood the whole thing smelled of a pyramid scheme! I'm not even sad that they don't exist anymore.
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