spinkscapes

Nikon are doing some fantastic things with their cameras, which is great from a Canon perspective. I expect that the R5 mkII and R1 next year will have to ensure that they surpass the competitive offerings from Nikon and Sony.
For a brand that is supposed to be trailing the others in innovation I've been particularly impressed by Canon's lens offerings. Obviously they've got the without-peer 28-70mm f/2 lens (still) but recently they've added the Canon 135mm f/1.8 IS (which I've been using this year and it is absolutely phenomenal, especially for video).

Then the ultra expensive 100-300mm f/2.8L IS and in the last couple of months they've added the 10-20mm f/4, the 24-105mm f/2.8 IS and the 200-800mm f/6.3 - 9 IS.

Each of these are pushing the boundaries of what was previously thought was achievable in a lens.
That's not to say that the other brands don't have good offerings. However, each of the above lenses I've mentioned is keeping me firmly in the Canon camp. Coupled with the likely improvements on the already exceptional Canon R5 and I honestly can't believe how far we've come with camera offerings in the 15 years since I've been using professional camera gear.

Hold that thought.

Hold that thought.

Just so readers can decide themselves how the cameras match together I'll give you a breakdown of the setups:
Shot 1 - invitation - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95 (ordinarily shot at f/1.4-2.0);
Shot 2 - dress zipping - BMPCC 4K & V 25mm f/0.95;
Shot 3 - engagement ring macro - Canon C200 with Canon 100mm f/2.8L with a Rotolight;
Shot 4 - bride putting on ring -  - BMPCC 4K & V 25mm f/0.95 shot wide open;
Shot 5 - bride reflection - BMPCC 4K & V 25mm f/0.95;
Shot 6 - groom tie (close up) - Canon C200 with Canon 85mm f1.4L IS;
Shot 7 - bride and groom against vines - BMPCC 4K & V 25mm f/0.95;
Shot 8 - bride getting out of car - XT-3 & 18-55mm;
Shot 9 - dance shot - Fuji XT-3 with Fuji 18-55mm f/2.8-4.0 OIS (shot close to 18mm and wide open at f/2.8);
Shot 10 - silhouette - Canon C200 with Canon 35mm f/2.0 IS;
Shot 11 - bridesmaids - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95;
Shot 12 - dance shot - All dance shots are as per shot 9;
Shot 13 - groom kissing bride in field - BMPCC 4K & V 25mm f/0.95;
Shot 14 - walking - XT-3 & 18-55mm;
Shot 15 - dance shot - see shot 9;
Shot 16 - groomsman doing Toyota - XT-3 & 18-55mm;
Shot 17 - silhouette - BMPCC 4K & V 25mm f/0.95 shot wide open;
Shot 18 - bride and groom close up - XT-3 & 18-55mm;
Shot 19 - aerial - DJI Phantom 4;
Shot 20 - bride and groom in field from low angle - BMPCC 4K & V 25mm f/0.95;
Shot 21 - bride and groom and veil - XT-3 & 18-55mm;
Shot 22 - bridal party confetti bang - C200 & 85mm f/1.4L IS wide open;
Shot 23 - bride and groom walking towards camera - XT-3 & 18-55mm;
Shot 24 - bride and groom leaving ceremony with confetti - XT-3 & 18-55mm;
Shot 25 - bride staring over groom's shoulder at camera - BMPCC 4K & V 25mm f/0.95;
Shot 26 - bride and groom walking through long grass - XT-3 & 18-55mm;
Shot 27 - bride and groom resting against vineyard post - XT-3 & 18-55mm;
Shot 28 - ditto
Shot 29 - ceremony kiss - Canon 5D mkIV with Canon 100-400mm f/4.5-5.6L IS II;
Shot 30 - veil shot - XT-3 & 18-55mm;
Shot 31 - dance shot - see shot 9;
Shot 32 - bride and groom walking between vines - C200 & 85mm f/1.4L IS wide open;
Shot 33 - bride and groom dancing on hill - BMPCC 4K & V 25mm f/0.95;
Shot 34 - dance shot - see shot 9;
Shot 35 - bride holding veil - BMPCC 4K & V 25mm f/0.95;
Shot 36 - bride doing gladiator - XT-3 & 18-55mm;
Shot 37 - bride glancing down at window - BMPCC 4K & V 25mm f/0.95;
Shot 38 - hand holding - C200 & 85mm f/1.4L IS wide open;
Shot 39 - groom swinging bride - XT-3 & 18-55mm;
Shot 40 - sparkler exit - XT-3 & 18-55mm shot at 2000 ISO;
Shot 41 - dip - XT-3 & 18-55mm; and
Shot 42 - final - XT-3 & 18-55mm.
Basically all of them had on Southall which is a Delut by James Miller (https://sellfy.com/p/KUuV/).

Just so readers can decide themselves how the cameras match together I'll give you a breakdown of the setups:
Shot 1 - invitation - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95 (ordinarily shot at f/1.4-2.0);
Shot 2 - dress zipping - BMPCC 4K & V 25mm f/0.95;
Shot 3 - engagement ring macro - Canon C200 with Canon 100mm f/2.8L with a Rotolight;
Shot 4 - bride putting on ring -  - BMPCC 4K & V 25mm f/0.95 shot wide open;
Shot 5 - bride reflection - BMPCC 4K & V 25mm f/0.95;
Shot 6 - groom tie (close up) - Canon C200 with Canon 85mm f1.4L IS;
Shot 7 - bride and groom against vines - BMPCC 4K & V 25mm f/0.95;
Shot 8 - bride getting out of car - XT-3 & 18-55mm;
Shot 9 - dance shot - Fuji XT-3 with Fuji 18-55mm f/2.8-4.0 OIS (shot close to 18mm and wide open at f/2.8);
Shot 10 - silhouette - Canon C200 with Canon 35mm f/2.0 IS;
Shot 11 - bridesmaids - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95;
Shot 12 - dance shot - All dance shots are as per shot 9;
Shot 13 - groom kissing bride in field - BMPCC 4K & V 25mm f/0.95;
Shot 14 - walking - XT-3 & 18-55mm;
Shot 15 - dance shot - see shot 9;
Shot 16 - groomsman doing Toyota - XT-3 & 18-55mm;
Shot 17 - silhouette - BMPCC 4K & V 25mm f/0.95 shot wide open;
Shot 18 - bride and groom close up - XT-3 & 18-55mm;
Shot 19 - aerial - DJI Phantom 4;
Shot 20 - bride and groom in field from low angle - BMPCC 4K & V 25mm f/0.95;
Shot 21 - bride and groom and veil - XT-3 & 18-55mm;
Shot 22 - bridal party confetti bang - C200 & 85mm f/1.4L IS wide open;
Shot 23 - bride and groom walking towards camera - XT-3 & 18-55mm;
Shot 24 - bride and groom leaving ceremony with confetti - XT-3 & 18-55mm;
Shot 25 - bride staring over groom's shoulder at camera - BMPCC 4K & V 25mm f/0.95;
Shot 26 - bride and groom walking through long grass - XT-3 & 18-55mm;
Shot 27 - bride and groom resting against vineyard post - XT-3 & 18-55mm;
Shot 28 - ditto
Shot 29 - ceremony kiss - Canon 5D mkIV with Canon 100-400mm f/4.5-5.6L IS II;
Shot 30 - veil shot - XT-3 & 18-55mm;
Shot 31 - dance shot - see shot 9;
Shot 32 - bride and groom walking between vines - C200 & 85mm f/1.4L IS wide open;
Shot 33 - bride and groom dancing on hill - BMPCC 4K & V 25mm f/0.95;
Shot 34 - dance shot - see shot 9;
Shot 35 - bride holding veil - BMPCC 4K & V 25mm f/0.95;
Shot 36 - bride doing gladiator - XT-3 & 18-55mm;
Shot 37 - bride glancing down at window - BMPCC 4K & V 25mm f/0.95;
Shot 38 - hand holding - C200 & 85mm f/1.4L IS wide open;
Shot 39 - groom swinging bride - XT-3 & 18-55mm;
Shot 40 - sparkler exit - XT-3 & 18-55mm shot at 2000 ISO;
Shot 41 - dip - XT-3 & 18-55mm; and
Shot 42 - final - XT-3 & 18-55mm.
Basically all of them had on Southall which is a Delut by James Miller (https://sellfy.com/p/KUuV/).

ser from Saturday's wedding.
The predominant camera is the X-T3 on the gimbal.
There's also quite a few shots in there from the Pocket 4K, a couple of from our trusty C200 (taking a back seat to the other cameras) and one from the 5D mkIV.
Impressions of the two cameras after two weddings:
1. The X-T3 is the perfect camera for the Zhiyun Crane 2. It is perfectly balanced even before turning the gimbal on. This wedding I used it entirely with my new 18-55mm at the wide end as I wanted the IS. The 
2. The Blackmagic Pocket 4K is something else. Utterly magnificent. With the Voigtlander 25mm constantly on this camera it produces an image that is unmatched by any of the other cameras I own. You just need to be in a position that allows you time to compose and focus. Thankfully the Voigtlander is great for quick manual focusing. The menu system is intuitive and easy and the touch screen makes changing settings a dream. The one chief drawback is that the battery life is awful. You shouldn't expect more than 40 minutes on constantly shooting. So I have about 15 LP-E6 batteries handy just in case.
They both compliment the other very well and I will be keeping both for my uses.
 

Fergus & Rachel Teaser.mp4 Fergus & Rachel Teaser.mp4 Fergus & Rachel Teaser.mp4

Just so readers can decide themselves how the cameras match together I'll give you a breakdown of the setups:
Shot 1 - invitation - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95 (ordinarily shot at f/1.4-2.0);
Shot 2 - dress zipping - BMPCC 4K & V 25mm f/0.95;
Shot 3 - engagement ring macro - Canon C200 with Canon 100mm f/2.8L with a Rotolight;
Shot 4 - bride putting on ring -  - BMPCC 4K & V 25mm f/0.95 shot wide open;
Shot 5 - bride reflection - BMPCC 4K & V 25mm f/0.95;
Shot 6 - groom tie (close up) - Canon C200 with Canon 85mm f1.4L IS;
Shot 7 - bride and groom against vines - BMPCC 4K & V 25mm f/0.95;
Shot 8 - bride getting out of car - XT-3 & 18-55mm;
Shot 9 - dance shot - Fuji XT-3 with Fuji 18-55mm f/2.8-4.0 OIS (shot close to 18mm and wide open at f/2.8);
Shot 10 - silhouette - Canon C200 with Canon 35mm f/2.0 IS;
Shot 11 - bridesmaids - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95;
Shot 12 - dance shot - All dance shots are as per shot 9;
Shot 13 - groom kissing bride in field - BMPCC 4K & V 25mm f/0.95;
Shot 14 - walking - XT-3 & 18-55mm;
Shot 15 - dance shot - see shot 9;
Shot 16 - groomsman doing Toyota - XT-3 & 18-55mm;
Shot 17 - silhouette - BMPCC 4K & V 25mm f/0.95 shot wide open;
Shot 18 - bride and groom close up - XT-3 & 18-55mm;
Shot 19 - aerial - DJI Phantom 4;
Shot 20 - bride and groom in field from low angle - BMPCC 4K & V 25mm f/0.95;
Shot 21 - bride and groom and veil - XT-3 & 18-55mm;
Shot 22 - bridal party confetti bang - C200 & 85mm f/1.4L IS wide open;
Shot 23 - bride and groom walking towards camera - XT-3 & 18-55mm;
Shot 24 - bride and groom leaving ceremony with confetti - XT-3 & 18-55mm;
Shot 25 - bride staring over groom's shoulder at camera - BMPCC 4K & V 25mm f/0.95;
Shot 26 - bride and groom walking through long grass - XT-3 & 18-55mm;
Shot 27 - bride and groom resting against vineyard post - XT-3 & 18-55mm;
Shot 28 - ditto
Shot 29 - ceremony kiss - Canon 5D mkIV with Canon 100-400mm f/4.5-5.6L IS II;
Shot 30 - veil shot - XT-3 & 18-55mm;
Shot 31 - dance shot - see shot 9;
Shot 32 - bride and groom walking between vines - C200 & 85mm f/1.4L IS wide open;
Shot 33 - bride and groom dancing on hill - BMPCC 4K & V 25mm f/0.95;
Shot 34 - dance shot - see shot 9;
Shot 35 - bride holding veil - BMPCC 4K & V 25mm f/0.95;
Shot 36 - bride doing gladiator - XT-3 & 18-55mm;
Shot 37 - bride glancing down at window - BMPCC 4K & V 25mm f/0.95;
Shot 38 - hand holding - C200 & 85mm f/1.4L IS wide open;
Shot 39 - groom swinging bride - XT-3 & 18-55mm;
Shot 40 - sparkler exit - XT-3 & 18-55mm shot at 2000 ISO;
Shot 41 - dip - XT-3 & 18-55mm; and
Shot 42 - final - XT-3 & 18-55mm.
Basically all of them had on Southall which is a Delut by James Miller (https://sellfy.com/p/KUuV/).

Just so readers can decide themselves how the cameras match together I'll give you a breakdown of the setups:
Shot 1 - invitation - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95 (ordinarily shot at f/1.4-2.0);
Shot 2 - dress zipping - BMPCC 4K & V 25mm f/0.95;
Shot 3 - engagement ring macro - Canon C200 with Canon 100mm f/2.8L with a Rotolight;
Shot 4 - bride putting on ring -  - BMPCC 4K & V 25mm f/0.95 shot wide open;
Shot 5 - bride reflection - BMPCC 4K & V 25mm f/0.95;
Shot 6 - groom tie (close up) - Canon C200 with Canon 85mm f1.4L IS;
Shot 7 - bride and groom against vines - BMPCC 4K & V 25mm f/0.95;
Shot 8 - bride getting out of car - XT-3 & 18-55mm;
Shot 9 - dance shot - Fuji XT-3 with Fuji 18-55mm f/2.8-4.0 OIS (shot close to 18mm and wide open at f/2.8);
Shot 10 - silhouette - Canon C200 with Canon 35mm f/2.0 IS;
Shot 11 - bridesmaids - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95;
Shot 12 - dance shot - All dance shots are as per shot 9;
Shot 13 - groom kissing bride in field - BMPCC 4K & V 25mm f/0.95;
Shot 14 - walking - XT-3 & 18-55mm;
Shot 15 - dance shot - see shot 9;
Shot 16 - groomsman doing Toyota - XT-3 & 18-55mm;
Shot 17 - silhouette - BMPCC 4K & V 25mm f/0.95 shot wide open;
Shot 18 - bride and groom close up - XT-3 & 18-55mm;
Shot 19 - aerial - DJI Phantom 4;
Shot 20 - bride and groom in field from low angle - BMPCC 4K & V 25mm f/0.95;
Shot 21 - bride and groom and veil - XT-3 & 18-55mm;
Shot 22 - bridal party confetti bang - C200 & 85mm f/1.4L IS wide open;
Shot 23 - bride and groom walking towards camera - XT-3 & 18-55mm;
Shot 24 - bride and groom leaving ceremony with confetti - XT-3 & 18-55mm;
Shot 25 - bride staring over groom's shoulder at camera - BMPCC 4K & V 25mm f/0.95;
Shot 26 - bride and groom walking through long grass - XT-3 & 18-55mm;
Shot 27 - bride and groom resting against vineyard post - XT-3 & 18-55mm;
Shot 28 - ditto
Shot 29 - ceremony kiss - Canon 5D mkIV with Canon 100-400mm f/4.5-5.6L IS II;
Shot 30 - veil shot - XT-3 & 18-55mm;
Shot 31 - dance shot - see shot 9;
Shot 32 - bride and groom walking between vines - C200 & 85mm f/1.4L IS wide open;
Shot 33 - bride and groom dancing on hill - BMPCC 4K & V 25mm f/0.95;
Shot 34 - dance shot - see shot 9;
Shot 35 - bride holding veil - BMPCC 4K & V 25mm f/0.95;
Shot 36 - bride doing gladiator - XT-3 & 18-55mm;
Shot 37 - bride glancing down at window - BMPCC 4K & V 25mm f/0.95;
Shot 38 - hand holding - C200 & 85mm f/1.4L IS wide open;
Shot 39 - groom swinging bride - XT-3 & 18-55mm;
Shot 40 - sparkler exit - XT-3 & 18-55mm shot at 2000 ISO;
Shot 41 - dip - XT-3 & 18-55mm; and
Shot 42 - final - XT-3 & 18-55mm.
Basically all of them had on Southall which is a Delut by James Miller (https://sellfy.com/p/KUuV/).

Just so readers can decide themselves how the cameras match together I'll give you a breakdown of the setups:
Shot 1 - invitation - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95 (ordinarily shot at f/1.4-2.0);
Shot 2 - dress zipping - BMPCC 4K & V 25mm f/0.95;
Shot 3 - engagement ring macro - Canon C200 with Canon 100mm f/2.8L with a Rotolight;
Shot 4 - bride putting on ring -  - BMPCC 4K & V 25mm f/0.95 shot wide open;
Shot 5 - bride reflection - BMPCC 4K & V 25mm f/0.95;
Shot 6 - groom tie (close up) - Canon C200 with Canon 85mm f1.4L IS;
Shot 7 - bride and groom against vines - BMPCC 4K & V 25mm f/0.95;
Shot 8 - bride getting out of car - XT-3 & 18-55mm;
Shot 9 - dance shot - Fuji XT-3 with Fuji 18-55mm f/2.8-4.0 OIS (shot close to 18mm and wide open at f/2.8);
Shot 10 - silhouette - Canon C200 with Canon 35mm f/2.0 IS;
Shot 11 - bridesmaids - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95;
Shot 12 - dance shot - All dance shots are as per shot 9;
Shot 13 - groom kissing bride in field - BMPCC 4K & V 25mm f/0.95;
Shot 14 - walking - XT-3 & 18-55mm;
Shot 15 - dance shot - see shot 9;
Shot 16 - groomsman doing Toyota - XT-3 & 18-55mm;
Shot 17 - silhouette - BMPCC 4K & V 25mm f/0.95 shot wide open;
Shot 18 - bride and groom close up - XT-3 & 18-55mm;
Shot 19 - aerial - DJI Phantom 4;
Shot 20 - bride and groom in field from low angle - BMPCC 4K & V 25mm f/0.95;
Shot 21 - bride and groom and veil - XT-3 & 18-55mm;
Shot 22 - bridal party confetti bang - C200 & 85mm f/1.4L IS wide open;
Shot 23 - bride and groom walking towards camera - XT-3 & 18-55mm;
Shot 24 - bride and groom leaving ceremony with confetti - XT-3 & 18-55mm;
Shot 25 - bride staring over groom's shoulder at camera - BMPCC 4K & V 25mm f/0.95;
Shot 26 - bride and groom walking through long grass - XT-3 & 18-55mm;
Shot 27 - bride and groom resting against vineyard post - XT-3 & 18-55mm;
Shot 28 - ditto
Shot 29 - ceremony kiss - Canon 5D mkIV with Canon 100-400mm f/4.5-5.6L IS II;
Shot 30 - veil shot - XT-3 & 18-55mm;
Shot 31 - dance shot - see shot 9;
Shot 32 - bride and groom walking between vines - C200 & 85mm f/1.4L IS wide open;
Shot 33 - bride and groom dancing on hill - BMPCC 4K & V 25mm f/0.95;
Shot 34 - dance shot - see shot 9;
Shot 35 - bride holding veil - BMPCC 4K & V 25mm f/0.95;
Shot 36 - bride doing gladiator - XT-3 & 18-55mm;
Shot 37 - bride glancing down at window - BMPCC 4K & V 25mm f/0.95;
Shot 38 - hand holding - C200 & 85mm f/1.4L IS wide open;
Shot 39 - groom swinging bride - XT-3 & 18-55mm;
Shot 40 - sparkler exit - XT-3 & 18-55mm shot at 2000 ISO;
Shot 41 - dip - XT-3 & 18-55mm; and
Shot 42 - final - XT-3 & 18-55mm.
Basically all of them had on Southall which is a Delut by James Miller (https://sellfy.com/p/KUuV/).

Just so readers can decide themselves how the cameras match together I'll give you a breakdown of the setups:
Shot 1 - invitation - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95 (ordinarily shot at f/1.4-2.0);
Shot 2 - dress zipping - BMPCC 4K & V 25mm f/0.95;
Shot 3 - engagement ring macro - Canon C200 with Canon 100mm f/2.8L with a Rotolight;
Shot 4 - bride putting on ring -  - BMPCC 4K & V 25mm f/0.95 shot wide open;
Shot 5 - bride reflection - BMPCC 4K & V 25mm f/0.95;
Shot 6 - groom tie (close up) - Canon C200 with Canon 85mm f1.4L IS;
Shot 7 - bride and groom against vines - BMPCC 4K & V 25mm f/0.95;
Shot 8 - bride getting out of car - XT-3 & 18-55mm;
Shot 9 - dance shot - Fuji XT-3 with Fuji 18-55mm f/2.8-4.0 OIS (shot close to 18mm and wide open at f/2.8);
Shot 10 - silhouette - Canon C200 with Canon 35mm f/2.0 IS;
Shot 11 - bridesmaids - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95;
Shot 12 - dance shot - All dance shots are as per shot 9;
Shot 13 - groom kissing bride in field - BMPCC 4K & V 25mm f/0.95;
Shot 14 - walking - XT-3 & 18-55mm;
Shot 15 - dance shot - see shot 9;
Shot 16 - groomsman doing Toyota - XT-3 & 18-55mm;
Shot 17 - silhouette - BMPCC 4K & V 25mm f/0.95 shot wide open;
Shot 18 - bride and groom close up - XT-3 & 18-55mm;
Shot 19 - aerial - DJI Phantom 4;
Shot 20 - bride and groom in field from low angle - BMPCC 4K & V 25mm f/0.95;
Shot 21 - bride and groom and veil - XT-3 & 18-55mm;
Shot 22 - bridal party confetti bang - C200 & 85mm f/1.4L IS wide open;
Shot 23 - bride and groom walking towards camera - XT-3 & 18-55mm;
Shot 24 - bride and groom leaving ceremony with confetti - XT-3 & 18-55mm;
Shot 25 - bride staring over groom's shoulder at camera - BMPCC 4K & V 25mm f/0.95;
Shot 26 - bride and groom walking through long grass - XT-3 & 18-55mm;
Shot 27 - bride and groom resting against vineyard post - XT-3 & 18-55mm;
Shot 28 - ditto
Shot 29 - ceremony kiss - Canon 5D mkIV with Canon 100-400mm f/4.5-5.6L IS II;
Shot 30 - veil shot - XT-3 & 18-55mm;
Shot 31 - dance shot - see shot 9;
Shot 32 - bride and groom walking between vines - C200 & 85mm f/1.4L IS wide open;
Shot 33 - bride and groom dancing on hill - BMPCC 4K & V 25mm f/0.95;
Shot 34 - dance shot - see shot 9;
Shot 35 - bride holding veil - BMPCC 4K & V 25mm f/0.95;
Shot 36 - bride doing gladiator - XT-3 & 18-55mm;
Shot 37 - bride glancing down at window - BMPCC 4K & V 25mm f/0.95;
Shot 38 - hand holding - C200 & 85mm f/1.4L IS wide open;
Shot 39 - groom swinging bride - XT-3 & 18-55mm;
Shot 40 - sparkler exit - XT-3 & 18-55mm shot at 2000 ISO;
Shot 41 - dip - XT-3 & 18-55mm; and
Shot 42 - final - XT-3 & 18-55mm.
Basically all of them had on Southall which is a Delut by James Miller (https://sellfy.com/p/KUuV/).

Just so readers can decide themselves how the cameras match together I'll give you a breakdown of the setups:
Shot 1 - invitation - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95 (ordinarily shot at f/1.4-2.0);
Shot 2 - dress zipping - BMPCC 4K & V 25mm f/0.95;
Shot 3 - engagement ring macro - Canon C200 with Canon 100mm f/2.8L with a Rotolight;
Shot 4 - bride putting on ring -  - BMPCC 4K & V 25mm f/0.95 shot wide open;
Shot 5 - bride reflection - BMPCC 4K & V 25mm f/0.95;
Shot 6 - groom tie (close up) - Canon C200 with Canon 85mm f1.4L IS;
Shot 7 - bride and groom against vines - BMPCC 4K & V 25mm f/0.95;
Shot 8 - bride getting out of car - XT-3 & 18-55mm;
Shot 9 - dance shot - Fuji XT-3 with Fuji 18-55mm f/2.8-4.0 OIS (shot close to 18mm and wide open at f/2.8);
Shot 10 - silhouette - Canon C200 with Canon 35mm f/2.0 IS;
Shot 11 - bridesmaids - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95;
Shot 12 - dance shot - All dance shots are as per shot 9;
Shot 13 - groom kissing bride in field - BMPCC 4K & V 25mm f/0.95;
Shot 14 - walking - XT-3 & 18-55mm;
Shot 15 - dance shot - see shot 9;
Shot 16 - groomsman doing Toyota - XT-3 & 18-55mm;
Shot 17 - silhouette - BMPCC 4K & V 25mm f/0.95 shot wide open;
Shot 18 - bride and groom close up - XT-3 & 18-55mm;
Shot 19 - aerial - DJI Phantom 4;
Shot 20 - bride and groom in field from low angle - BMPCC 4K & V 25mm f/0.95;
Shot 21 - bride and groom and veil - XT-3 & 18-55mm;
Shot 22 - bridal party confetti bang - C200 & 85mm f/1.4L IS wide open;
Shot 23 - bride and groom walking towards camera - XT-3 & 18-55mm;
Shot 24 - bride and groom leaving ceremony with confetti - XT-3 & 18-55mm;
Shot 25 - bride staring over groom's shoulder at camera - BMPCC 4K & V 25mm f/0.95;
Shot 26 - bride and groom walking through long grass - XT-3 & 18-55mm;
Shot 27 - bride and groom resting against vineyard post - XT-3 & 18-55mm;
Shot 28 - ditto
Shot 29 - ceremony kiss - Canon 5D mkIV with Canon 100-400mm f/4.5-5.6L IS II;
Shot 30 - veil shot - XT-3 & 18-55mm;
Shot 31 - dance shot - see shot 9;
Shot 32 - bride and groom walking between vines - C200 & 85mm f/1.4L IS wide open;
Shot 33 - bride and groom dancing on hill - BMPCC 4K & V 25mm f/0.95;
Shot 34 - dance shot - see shot 9;
Shot 35 - bride holding veil - BMPCC 4K & V 25mm f/0.95;
Shot 36 - bride doing gladiator - XT-3 & 18-55mm;
Shot 37 - bride glancing down at window - BMPCC 4K & V 25mm f/0.95;
Shot 38 - hand holding - C200 & 85mm f/1.4L IS wide open;
Shot 39 - groom swinging bride - XT-3 & 18-55mm;
Shot 40 - sparkler exit - XT-3 & 18-55mm shot at 2000 ISO;
Shot 41 - dip - XT-3 & 18-55mm; and
Shot 42 - final - XT-3 & 18-55mm.
Basically all of them had on Southall which is a Delut by James Miller (https://sellfy.com/p/KUuV/).

Just so readers can decide themselves how the cameras match together I'll give you a breakdown of the setups:
Shot 1 - invitation - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95 (ordinarily shot at f/1.4-2.0);
Shot 2 - dress zipping - BMPCC 4K & V 25mm f/0.95;
Shot 3 - engagement ring macro - Canon C200 with Canon 100mm f/2.8L with a Rotolight;
Shot 4 - bride putting on ring -  - BMPCC 4K & V 25mm f/0.95 shot wide open;
Shot 5 - bride reflection - BMPCC 4K & V 25mm f/0.95;
Shot 6 - groom tie (close up) - Canon C200 with Canon 85mm f1.4L IS;
Shot 7 - bride and groom against vines - BMPCC 4K & V 25mm f/0.95;
Shot 8 - bride getting out of car - XT-3 & 18-55mm;
Shot 9 - dance shot - Fuji XT-3 with Fuji 18-55mm f/2.8-4.0 OIS (shot close to 18mm and wide open at f/2.8);
Shot 10 - silhouette - Canon C200 with Canon 35mm f/2.0 IS;
Shot 11 - bridesmaids - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95;
Shot 12 - dance shot - All dance shots are as per shot 9;
Shot 13 - groom kissing bride in field - BMPCC 4K & V 25mm f/0.95;
Shot 14 - walking - XT-3 & 18-55mm;
Shot 15 - dance shot - see shot 9;
Shot 16 - groomsman doing Toyota - XT-3 & 18-55mm;
Shot 17 - silhouette - BMPCC 4K & V 25mm f/0.95 shot wide open;
Shot 18 - bride and groom close up - XT-3 & 18-55mm;
Shot 19 - aerial - DJI Phantom 4;
Shot 20 - bride and groom in field from low angle - BMPCC 4K & V 25mm f/0.95;
Shot 21 - bride and groom and veil - XT-3 & 18-55mm;
Shot 22 - bridal party confetti bang - C200 & 85mm f/1.4L IS wide open;
Shot 23 - bride and groom walking towards camera - XT-3 & 18-55mm;
Shot 24 - bride and groom leaving ceremony with confetti - XT-3 & 18-55mm;
Shot 25 - bride staring over groom's shoulder at camera - BMPCC 4K & V 25mm f/0.95;
Shot 26 - bride and groom walking through long grass - XT-3 & 18-55mm;
Shot 27 - bride and groom resting against vineyard post - XT-3 & 18-55mm;
Shot 28 - ditto
Shot 29 - ceremony kiss - Canon 5D mkIV with Canon 100-400mm f/4.5-5.6L IS II;
Shot 30 - veil shot - XT-3 & 18-55mm;
Shot 31 - dance shot - see shot 9;
Shot 32 - bride and groom walking between vines - C200 & 85mm f/1.4L IS wide open;
Shot 33 - bride and groom dancing on hill - BMPCC 4K & V 25mm f/0.95;
Shot 34 - dance shot - see shot 9;
Shot 35 - bride holding veil - BMPCC 4K & V 25mm f/0.95;
Shot 36 - bride doing gladiator - XT-3 & 18-55mm;
Shot 37 - bride glancing down at window - BMPCC 4K & V 25mm f/0.95;
Shot 38 - hand holding - C200 & 85mm f/1.4L IS wide open;
Shot 39 - groom swinging bride - XT-3 & 18-55mm;
Shot 40 - sparkler exit - XT-3 & 18-55mm shot at 2000 ISO;
Shot 41 - dip - XT-3 & 18-55mm; and
Shot 42 - final - XT-3 & 18-55mm.
Basically all of them had on Southall which is a Delut by James Miller (https://sellfy.com/p/KUuV/).

Just so readers can decide themselves how the cameras match together I'll give you a breakdown of the setups:
Shot 1 - invitation - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95 (ordinarily shot at f/1.4-2.0);
Shot 2 - dress zipping - BMPCC 4K & V 25mm f/0.95;
Shot 3 - engagement ring macro - Canon C200 with Canon 100mm f/2.8L with a Rotolight;
Shot 4 - bride putting on ring -  - BMPCC 4K & V 25mm f/0.95 shot wide open;
Shot 5 - bride reflection - BMPCC 4K & V 25mm f/0.95;
Shot 6 - groom tie (close up) - Canon C200 with Canon 85mm f1.4L IS;
Shot 7 - bride and groom against vines - BMPCC 4K & V 25mm f/0.95;
Shot 8 - bride getting out of car - XT-3 & 18-55mm;
Shot 9 - dance shot - Fuji XT-3 with Fuji 18-55mm f/2.8-4.0 OIS (shot close to 18mm and wide open at f/2.8);
Shot 10 - silhouette - Canon C200 with Canon 35mm f/2.0 IS;
Shot 11 - bridesmaids - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95;
Shot 12 - dance shot - All dance shots are as per shot 9;
Shot 13 - groom kissing bride in field - BMPCC 4K & V 25mm f/0.95;
Shot 14 - walking - XT-3 & 18-55mm;
Shot 15 - dance shot - see shot 9;
Shot 16 - groomsman doing Toyota - XT-3 & 18-55mm;
Shot 17 - silhouette - BMPCC 4K & V 25mm f/0.95 shot wide open;
Shot 18 - bride and groom close up - XT-3 & 18-55mm;
Shot 19 - aerial - DJI Phantom 4;
Shot 20 - bride and groom in field from low angle - BMPCC 4K & V 25mm f/0.95;
Shot 21 - bride and groom and veil - XT-3 & 18-55mm;
Shot 22 - bridal party confetti bang - C200 & 85mm f/1.4L IS wide open;
Shot 23 - bride and groom walking towards camera - XT-3 & 18-55mm;
Shot 24 - bride and groom leaving ceremony with confetti - XT-3 & 18-55mm;
Shot 25 - bride staring over groom's shoulder at camera - BMPCC 4K & V 25mm f/0.95;
Shot 26 - bride and groom walking through long grass - XT-3 & 18-55mm;
Shot 27 - bride and groom resting against vineyard post - XT-3 & 18-55mm;
Shot 28 - ditto
Shot 29 - ceremony kiss - Canon 5D mkIV with Canon 100-400mm f/4.5-5.6L IS II;
Shot 30 - veil shot - XT-3 & 18-55mm;
Shot 31 - dance shot - see shot 9;
Shot 32 - bride and groom walking between vines - C200 & 85mm f/1.4L IS wide open;
Shot 33 - bride and groom dancing on hill - BMPCC 4K & V 25mm f/0.95;
Shot 34 - dance shot - see shot 9;
Shot 35 - bride holding veil - BMPCC 4K & V 25mm f/0.95;
Shot 36 - bride doing gladiator - XT-3 & 18-55mm;
Shot 37 - bride glancing down at window - BMPCC 4K & V 25mm f/0.95;
Shot 38 - hand holding - C200 & 85mm f/1.4L IS wide open;
Shot 39 - groom swinging bride - XT-3 & 18-55mm;
Shot 40 - sparkler exit - XT-3 & 18-55mm shot at 2000 ISO;
Shot 41 - dip - XT-3 & 18-55mm; and
Shot 42 - final - XT-3 & 18-55mm.
Basically all of them had on Southall which is a Delut by James Miller (https://sellfy.com/p/KUuV/).

ser from Saturday's wedding.
The predominant camera is the X-T3 on the gimbal.
There's also quite a few shots in there from the Pocket 4K, a couple of from our trusty C200 (taking a back seat to the other cameras) and one from the 5D mkIV.
Impressions of the two cameras after two weddings:
1. The X-T3 is the perfect camera for the Zhiyun Crane 2. It is perfectly balanced even before turning the gimbal on. This wedding I used it entirely with my new 18-55mm at the wide end as I wanted the IS. The 
2. The Blackmagic Pocket 4K is something else. Utterly magnificent. With the Voigtlander 25mm constantly on this camera it produces an image that is unmatched by any of the other cameras I own. You just need to be in a position that allows you time to compose and focus. Thankfully the Voigtlander is great for quick manual focusing. The menu system is intuitive and easy and the touch screen makes changing settings a dream. The one chief drawback is that the battery life is awful. You shouldn't expect more than 40 minutes on constantly shooting. So I have about 15 LP-E6 batteries handy just in case.
They both compliment the other very well and I will be keeping both for my uses.
 

Fergus & Rachel Teaser.mp4 Fergus & Rachel Teaser.mp4 Fergus & Rachel Teaser.mp4

ser from Saturday's wedding.
The predominant camera is the X-T3 on the gimbal.
There's also quite a few shots in there from the Pocket 4K, a couple of from our trusty C200 (taking a back seat to the other cameras) and one from the 5D mkIV.
Impressions of the two cameras after two weddings:
1. The X-T3 is the perfect camera for the Zhiyun Crane 2. It is perfectly balanced even before turning the gimbal on. This wedding I used it entirely with my new 18-55mm at the wide end as I wanted the IS. The 
2. The Blackmagic Pocket 4K is something else. Utterly magnificent. With the Voigtlander 25mm constantly on this camera it produces an image that is unmatched by any of the other cameras I own. You just need to be in a position that allows you time to compose and focus. Thankfully the Voigtlander is great for quick manual focusing. The menu system is intuitive and easy and the touch screen makes changing settings a dream. The one chief drawback is that the battery life is awful. You shouldn't expect more than 40 minutes on constantly shooting. So I have about 15 LP-E6 batteries handy just in case.
They both compliment the other very well and I will be keeping both for my uses.
 

Fergus & Rachel Teaser.mp4 Fergus & Rachel Teaser.mp4 Fergus & Rachel Teaser.mp4

Just received my Pocket 4K, incidentally the day following receiving my XT-3.
Got a wedding to shoot on Saturday so good timing.
 

Just received my Pocket 4K, incidentally the day following receiving my XT-3.
Got a wedding to shoot on Saturday so good timing.
 

Just received my Pocket 4K, incidentally the day following receiving my XT-3.
Got a wedding to shoot on Saturday so good timing.
 

Just received my Pocket 4K, incidentally the day following receiving my XT-3.
Got a wedding to shoot on Saturday so good timing.
 

Weird, after watching the video I decided that the skin tones were way too unnatural and unflattering to me.

I actually commend Sony for this. Their color science in the original fs5 was beyond terrible. The skin tones in this video, however, look fantastic. I know it is early yet but the skin tones appear to be superior to the EVA1 and the c200 and I am a Canon apologist. 
Externally, you have all the framerates you require, so if you don't mind removing the top handle and running an atomos, I think this thing could surpass most cameras in this price point in terms of IQ. The skin tones really do look gorgeous. 
I am surprised by Sony because they usually cater to the specs crowd, but this targets those of us who care about the image quality more than anything, which is a nice change of pace.  

Either Sony releases a comparable camera form factor that delivers UHD at 60p or they have conceded that they can't compete with the GH5.
Doubt that they will make such a concession.

I have a C200. Absolutely stunning camera.
Didn't even consider the EVA1 or watch any reviews so can't compare.

I have a C200. Absolutely stunning camera.
Didn't even consider the EVA1 or watch any reviews so can't compare.

Well I, for one, will be using the raw codec almost exclusively on this camera. Thus I am not really concerned about what you perceive as this camera's biggest weakness.