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spinkscapes

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  1. Like
    spinkscapes got a reaction from TurboRat in X-T3 or Pocket 4K?   
    Just so readers can decide themselves how the cameras match together I'll give you a breakdown of the setups:
    Shot 1 - invitation - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95 (ordinarily shot at f/1.4-2.0);
    Shot 2 - dress zipping - BMPCC 4K & V 25mm f/0.95;
    Shot 3 - engagement ring macro - Canon C200 with Canon 100mm f/2.8L with a Rotolight;
    Shot 4 - bride putting on ring -  - BMPCC 4K & V 25mm f/0.95 shot wide open;
    Shot 5 - bride reflection - BMPCC 4K & V 25mm f/0.95;
    Shot 6 - groom tie (close up) - Canon C200 with Canon 85mm f1.4L IS;
    Shot 7 - bride and groom against vines - BMPCC 4K & V 25mm f/0.95;
    Shot 8 - bride getting out of car - XT-3 & 18-55mm;
    Shot 9 - dance shot - Fuji XT-3 with Fuji 18-55mm f/2.8-4.0 OIS (shot close to 18mm and wide open at f/2.8);
    Shot 10 - silhouette - Canon C200 with Canon 35mm f/2.0 IS;
    Shot 11 - bridesmaids - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95;
    Shot 12 - dance shot - All dance shots are as per shot 9;
    Shot 13 - groom kissing bride in field - BMPCC 4K & V 25mm f/0.95;
    Shot 14 - walking - XT-3 & 18-55mm;
    Shot 15 - dance shot - see shot 9;
    Shot 16 - groomsman doing Toyota - XT-3 & 18-55mm;
    Shot 17 - silhouette - BMPCC 4K & V 25mm f/0.95 shot wide open;
    Shot 18 - bride and groom close up - XT-3 & 18-55mm;
    Shot 19 - aerial - DJI Phantom 4;
    Shot 20 - bride and groom in field from low angle - BMPCC 4K & V 25mm f/0.95;
    Shot 21 - bride and groom and veil - XT-3 & 18-55mm;
    Shot 22 - bridal party confetti bang - C200 & 85mm f/1.4L IS wide open;
    Shot 23 - bride and groom walking towards camera - XT-3 & 18-55mm;
    Shot 24 - bride and groom leaving ceremony with confetti - XT-3 & 18-55mm;
    Shot 25 - bride staring over groom's shoulder at camera - BMPCC 4K & V 25mm f/0.95;
    Shot 26 - bride and groom walking through long grass - XT-3 & 18-55mm;
    Shot 27 - bride and groom resting against vineyard post - XT-3 & 18-55mm;
    Shot 28 - ditto
    Shot 29 - ceremony kiss - Canon 5D mkIV with Canon 100-400mm f/4.5-5.6L IS II;
    Shot 30 - veil shot - XT-3 & 18-55mm;
    Shot 31 - dance shot - see shot 9;
    Shot 32 - bride and groom walking between vines - C200 & 85mm f/1.4L IS wide open;
    Shot 33 - bride and groom dancing on hill - BMPCC 4K & V 25mm f/0.95;
    Shot 34 - dance shot - see shot 9;
    Shot 35 - bride holding veil - BMPCC 4K & V 25mm f/0.95;
    Shot 36 - bride doing gladiator - XT-3 & 18-55mm;
    Shot 37 - bride glancing down at window - BMPCC 4K & V 25mm f/0.95;
    Shot 38 - hand holding - C200 & 85mm f/1.4L IS wide open;
    Shot 39 - groom swinging bride - XT-3 & 18-55mm;
    Shot 40 - sparkler exit - XT-3 & 18-55mm shot at 2000 ISO;
    Shot 41 - dip - XT-3 & 18-55mm; and
    Shot 42 - final - XT-3 & 18-55mm.
    Basically all of them had on Southall which is a Delut by James Miller (https://sellfy.com/p/KUuV/).
  2. Thanks
    spinkscapes got a reaction from IronFilm in X-T3 or Pocket 4K?   
    Just so readers can decide themselves how the cameras match together I'll give you a breakdown of the setups:
    Shot 1 - invitation - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95 (ordinarily shot at f/1.4-2.0);
    Shot 2 - dress zipping - BMPCC 4K & V 25mm f/0.95;
    Shot 3 - engagement ring macro - Canon C200 with Canon 100mm f/2.8L with a Rotolight;
    Shot 4 - bride putting on ring -  - BMPCC 4K & V 25mm f/0.95 shot wide open;
    Shot 5 - bride reflection - BMPCC 4K & V 25mm f/0.95;
    Shot 6 - groom tie (close up) - Canon C200 with Canon 85mm f1.4L IS;
    Shot 7 - bride and groom against vines - BMPCC 4K & V 25mm f/0.95;
    Shot 8 - bride getting out of car - XT-3 & 18-55mm;
    Shot 9 - dance shot - Fuji XT-3 with Fuji 18-55mm f/2.8-4.0 OIS (shot close to 18mm and wide open at f/2.8);
    Shot 10 - silhouette - Canon C200 with Canon 35mm f/2.0 IS;
    Shot 11 - bridesmaids - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95;
    Shot 12 - dance shot - All dance shots are as per shot 9;
    Shot 13 - groom kissing bride in field - BMPCC 4K & V 25mm f/0.95;
    Shot 14 - walking - XT-3 & 18-55mm;
    Shot 15 - dance shot - see shot 9;
    Shot 16 - groomsman doing Toyota - XT-3 & 18-55mm;
    Shot 17 - silhouette - BMPCC 4K & V 25mm f/0.95 shot wide open;
    Shot 18 - bride and groom close up - XT-3 & 18-55mm;
    Shot 19 - aerial - DJI Phantom 4;
    Shot 20 - bride and groom in field from low angle - BMPCC 4K & V 25mm f/0.95;
    Shot 21 - bride and groom and veil - XT-3 & 18-55mm;
    Shot 22 - bridal party confetti bang - C200 & 85mm f/1.4L IS wide open;
    Shot 23 - bride and groom walking towards camera - XT-3 & 18-55mm;
    Shot 24 - bride and groom leaving ceremony with confetti - XT-3 & 18-55mm;
    Shot 25 - bride staring over groom's shoulder at camera - BMPCC 4K & V 25mm f/0.95;
    Shot 26 - bride and groom walking through long grass - XT-3 & 18-55mm;
    Shot 27 - bride and groom resting against vineyard post - XT-3 & 18-55mm;
    Shot 28 - ditto
    Shot 29 - ceremony kiss - Canon 5D mkIV with Canon 100-400mm f/4.5-5.6L IS II;
    Shot 30 - veil shot - XT-3 & 18-55mm;
    Shot 31 - dance shot - see shot 9;
    Shot 32 - bride and groom walking between vines - C200 & 85mm f/1.4L IS wide open;
    Shot 33 - bride and groom dancing on hill - BMPCC 4K & V 25mm f/0.95;
    Shot 34 - dance shot - see shot 9;
    Shot 35 - bride holding veil - BMPCC 4K & V 25mm f/0.95;
    Shot 36 - bride doing gladiator - XT-3 & 18-55mm;
    Shot 37 - bride glancing down at window - BMPCC 4K & V 25mm f/0.95;
    Shot 38 - hand holding - C200 & 85mm f/1.4L IS wide open;
    Shot 39 - groom swinging bride - XT-3 & 18-55mm;
    Shot 40 - sparkler exit - XT-3 & 18-55mm shot at 2000 ISO;
    Shot 41 - dip - XT-3 & 18-55mm; and
    Shot 42 - final - XT-3 & 18-55mm.
    Basically all of them had on Southall which is a Delut by James Miller (https://sellfy.com/p/KUuV/).
  3. Like
    spinkscapes got a reaction from graphicnatured in X-T3 or Pocket 4K?   
    ser from Saturday's wedding.
    The predominant camera is the X-T3 on the gimbal.
    There's also quite a few shots in there from the Pocket 4K, a couple of from our trusty C200 (taking a back seat to the other cameras) and one from the 5D mkIV.
    Impressions of the two cameras after two weddings:
    1. The X-T3 is the perfect camera for the Zhiyun Crane 2. It is perfectly balanced even before turning the gimbal on. This wedding I used it entirely with my new 18-55mm at the wide end as I wanted the IS. The 
    2. The Blackmagic Pocket 4K is something else. Utterly magnificent. With the Voigtlander 25mm constantly on this camera it produces an image that is unmatched by any of the other cameras I own. You just need to be in a position that allows you time to compose and focus. Thankfully the Voigtlander is great for quick manual focusing. The menu system is intuitive and easy and the touch screen makes changing settings a dream. The one chief drawback is that the battery life is awful. You shouldn't expect more than 40 minutes on constantly shooting. So I have about 15 LP-E6 batteries handy just in case.
    They both compliment the other very well and I will be keeping both for my uses.
     

    Fergus & Rachel Teaser.mp4 Fergus & Rachel Teaser.mp4 Fergus & Rachel Teaser.mp4
  4. Like
    spinkscapes got a reaction from proteanstar in X-T3 or Pocket 4K?   
    Just so readers can decide themselves how the cameras match together I'll give you a breakdown of the setups:
    Shot 1 - invitation - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95 (ordinarily shot at f/1.4-2.0);
    Shot 2 - dress zipping - BMPCC 4K & V 25mm f/0.95;
    Shot 3 - engagement ring macro - Canon C200 with Canon 100mm f/2.8L with a Rotolight;
    Shot 4 - bride putting on ring -  - BMPCC 4K & V 25mm f/0.95 shot wide open;
    Shot 5 - bride reflection - BMPCC 4K & V 25mm f/0.95;
    Shot 6 - groom tie (close up) - Canon C200 with Canon 85mm f1.4L IS;
    Shot 7 - bride and groom against vines - BMPCC 4K & V 25mm f/0.95;
    Shot 8 - bride getting out of car - XT-3 & 18-55mm;
    Shot 9 - dance shot - Fuji XT-3 with Fuji 18-55mm f/2.8-4.0 OIS (shot close to 18mm and wide open at f/2.8);
    Shot 10 - silhouette - Canon C200 with Canon 35mm f/2.0 IS;
    Shot 11 - bridesmaids - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95;
    Shot 12 - dance shot - All dance shots are as per shot 9;
    Shot 13 - groom kissing bride in field - BMPCC 4K & V 25mm f/0.95;
    Shot 14 - walking - XT-3 & 18-55mm;
    Shot 15 - dance shot - see shot 9;
    Shot 16 - groomsman doing Toyota - XT-3 & 18-55mm;
    Shot 17 - silhouette - BMPCC 4K & V 25mm f/0.95 shot wide open;
    Shot 18 - bride and groom close up - XT-3 & 18-55mm;
    Shot 19 - aerial - DJI Phantom 4;
    Shot 20 - bride and groom in field from low angle - BMPCC 4K & V 25mm f/0.95;
    Shot 21 - bride and groom and veil - XT-3 & 18-55mm;
    Shot 22 - bridal party confetti bang - C200 & 85mm f/1.4L IS wide open;
    Shot 23 - bride and groom walking towards camera - XT-3 & 18-55mm;
    Shot 24 - bride and groom leaving ceremony with confetti - XT-3 & 18-55mm;
    Shot 25 - bride staring over groom's shoulder at camera - BMPCC 4K & V 25mm f/0.95;
    Shot 26 - bride and groom walking through long grass - XT-3 & 18-55mm;
    Shot 27 - bride and groom resting against vineyard post - XT-3 & 18-55mm;
    Shot 28 - ditto
    Shot 29 - ceremony kiss - Canon 5D mkIV with Canon 100-400mm f/4.5-5.6L IS II;
    Shot 30 - veil shot - XT-3 & 18-55mm;
    Shot 31 - dance shot - see shot 9;
    Shot 32 - bride and groom walking between vines - C200 & 85mm f/1.4L IS wide open;
    Shot 33 - bride and groom dancing on hill - BMPCC 4K & V 25mm f/0.95;
    Shot 34 - dance shot - see shot 9;
    Shot 35 - bride holding veil - BMPCC 4K & V 25mm f/0.95;
    Shot 36 - bride doing gladiator - XT-3 & 18-55mm;
    Shot 37 - bride glancing down at window - BMPCC 4K & V 25mm f/0.95;
    Shot 38 - hand holding - C200 & 85mm f/1.4L IS wide open;
    Shot 39 - groom swinging bride - XT-3 & 18-55mm;
    Shot 40 - sparkler exit - XT-3 & 18-55mm shot at 2000 ISO;
    Shot 41 - dip - XT-3 & 18-55mm; and
    Shot 42 - final - XT-3 & 18-55mm.
    Basically all of them had on Southall which is a Delut by James Miller (https://sellfy.com/p/KUuV/).
  5. Like
    spinkscapes got a reaction from Adept in X-T3 or Pocket 4K?   
    Just so readers can decide themselves how the cameras match together I'll give you a breakdown of the setups:
    Shot 1 - invitation - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95 (ordinarily shot at f/1.4-2.0);
    Shot 2 - dress zipping - BMPCC 4K & V 25mm f/0.95;
    Shot 3 - engagement ring macro - Canon C200 with Canon 100mm f/2.8L with a Rotolight;
    Shot 4 - bride putting on ring -  - BMPCC 4K & V 25mm f/0.95 shot wide open;
    Shot 5 - bride reflection - BMPCC 4K & V 25mm f/0.95;
    Shot 6 - groom tie (close up) - Canon C200 with Canon 85mm f1.4L IS;
    Shot 7 - bride and groom against vines - BMPCC 4K & V 25mm f/0.95;
    Shot 8 - bride getting out of car - XT-3 & 18-55mm;
    Shot 9 - dance shot - Fuji XT-3 with Fuji 18-55mm f/2.8-4.0 OIS (shot close to 18mm and wide open at f/2.8);
    Shot 10 - silhouette - Canon C200 with Canon 35mm f/2.0 IS;
    Shot 11 - bridesmaids - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95;
    Shot 12 - dance shot - All dance shots are as per shot 9;
    Shot 13 - groom kissing bride in field - BMPCC 4K & V 25mm f/0.95;
    Shot 14 - walking - XT-3 & 18-55mm;
    Shot 15 - dance shot - see shot 9;
    Shot 16 - groomsman doing Toyota - XT-3 & 18-55mm;
    Shot 17 - silhouette - BMPCC 4K & V 25mm f/0.95 shot wide open;
    Shot 18 - bride and groom close up - XT-3 & 18-55mm;
    Shot 19 - aerial - DJI Phantom 4;
    Shot 20 - bride and groom in field from low angle - BMPCC 4K & V 25mm f/0.95;
    Shot 21 - bride and groom and veil - XT-3 & 18-55mm;
    Shot 22 - bridal party confetti bang - C200 & 85mm f/1.4L IS wide open;
    Shot 23 - bride and groom walking towards camera - XT-3 & 18-55mm;
    Shot 24 - bride and groom leaving ceremony with confetti - XT-3 & 18-55mm;
    Shot 25 - bride staring over groom's shoulder at camera - BMPCC 4K & V 25mm f/0.95;
    Shot 26 - bride and groom walking through long grass - XT-3 & 18-55mm;
    Shot 27 - bride and groom resting against vineyard post - XT-3 & 18-55mm;
    Shot 28 - ditto
    Shot 29 - ceremony kiss - Canon 5D mkIV with Canon 100-400mm f/4.5-5.6L IS II;
    Shot 30 - veil shot - XT-3 & 18-55mm;
    Shot 31 - dance shot - see shot 9;
    Shot 32 - bride and groom walking between vines - C200 & 85mm f/1.4L IS wide open;
    Shot 33 - bride and groom dancing on hill - BMPCC 4K & V 25mm f/0.95;
    Shot 34 - dance shot - see shot 9;
    Shot 35 - bride holding veil - BMPCC 4K & V 25mm f/0.95;
    Shot 36 - bride doing gladiator - XT-3 & 18-55mm;
    Shot 37 - bride glancing down at window - BMPCC 4K & V 25mm f/0.95;
    Shot 38 - hand holding - C200 & 85mm f/1.4L IS wide open;
    Shot 39 - groom swinging bride - XT-3 & 18-55mm;
    Shot 40 - sparkler exit - XT-3 & 18-55mm shot at 2000 ISO;
    Shot 41 - dip - XT-3 & 18-55mm; and
    Shot 42 - final - XT-3 & 18-55mm.
    Basically all of them had on Southall which is a Delut by James Miller (https://sellfy.com/p/KUuV/).
  6. Like
    spinkscapes got a reaction from webrunner5 in X-T3 or Pocket 4K?   
    Just so readers can decide themselves how the cameras match together I'll give you a breakdown of the setups:
    Shot 1 - invitation - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95 (ordinarily shot at f/1.4-2.0);
    Shot 2 - dress zipping - BMPCC 4K & V 25mm f/0.95;
    Shot 3 - engagement ring macro - Canon C200 with Canon 100mm f/2.8L with a Rotolight;
    Shot 4 - bride putting on ring -  - BMPCC 4K & V 25mm f/0.95 shot wide open;
    Shot 5 - bride reflection - BMPCC 4K & V 25mm f/0.95;
    Shot 6 - groom tie (close up) - Canon C200 with Canon 85mm f1.4L IS;
    Shot 7 - bride and groom against vines - BMPCC 4K & V 25mm f/0.95;
    Shot 8 - bride getting out of car - XT-3 & 18-55mm;
    Shot 9 - dance shot - Fuji XT-3 with Fuji 18-55mm f/2.8-4.0 OIS (shot close to 18mm and wide open at f/2.8);
    Shot 10 - silhouette - Canon C200 with Canon 35mm f/2.0 IS;
    Shot 11 - bridesmaids - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95;
    Shot 12 - dance shot - All dance shots are as per shot 9;
    Shot 13 - groom kissing bride in field - BMPCC 4K & V 25mm f/0.95;
    Shot 14 - walking - XT-3 & 18-55mm;
    Shot 15 - dance shot - see shot 9;
    Shot 16 - groomsman doing Toyota - XT-3 & 18-55mm;
    Shot 17 - silhouette - BMPCC 4K & V 25mm f/0.95 shot wide open;
    Shot 18 - bride and groom close up - XT-3 & 18-55mm;
    Shot 19 - aerial - DJI Phantom 4;
    Shot 20 - bride and groom in field from low angle - BMPCC 4K & V 25mm f/0.95;
    Shot 21 - bride and groom and veil - XT-3 & 18-55mm;
    Shot 22 - bridal party confetti bang - C200 & 85mm f/1.4L IS wide open;
    Shot 23 - bride and groom walking towards camera - XT-3 & 18-55mm;
    Shot 24 - bride and groom leaving ceremony with confetti - XT-3 & 18-55mm;
    Shot 25 - bride staring over groom's shoulder at camera - BMPCC 4K & V 25mm f/0.95;
    Shot 26 - bride and groom walking through long grass - XT-3 & 18-55mm;
    Shot 27 - bride and groom resting against vineyard post - XT-3 & 18-55mm;
    Shot 28 - ditto
    Shot 29 - ceremony kiss - Canon 5D mkIV with Canon 100-400mm f/4.5-5.6L IS II;
    Shot 30 - veil shot - XT-3 & 18-55mm;
    Shot 31 - dance shot - see shot 9;
    Shot 32 - bride and groom walking between vines - C200 & 85mm f/1.4L IS wide open;
    Shot 33 - bride and groom dancing on hill - BMPCC 4K & V 25mm f/0.95;
    Shot 34 - dance shot - see shot 9;
    Shot 35 - bride holding veil - BMPCC 4K & V 25mm f/0.95;
    Shot 36 - bride doing gladiator - XT-3 & 18-55mm;
    Shot 37 - bride glancing down at window - BMPCC 4K & V 25mm f/0.95;
    Shot 38 - hand holding - C200 & 85mm f/1.4L IS wide open;
    Shot 39 - groom swinging bride - XT-3 & 18-55mm;
    Shot 40 - sparkler exit - XT-3 & 18-55mm shot at 2000 ISO;
    Shot 41 - dip - XT-3 & 18-55mm; and
    Shot 42 - final - XT-3 & 18-55mm.
    Basically all of them had on Southall which is a Delut by James Miller (https://sellfy.com/p/KUuV/).
  7. Thanks
    spinkscapes got a reaction from Emanuel in X-T3 or Pocket 4K?   
    Just so readers can decide themselves how the cameras match together I'll give you a breakdown of the setups:
    Shot 1 - invitation - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95 (ordinarily shot at f/1.4-2.0);
    Shot 2 - dress zipping - BMPCC 4K & V 25mm f/0.95;
    Shot 3 - engagement ring macro - Canon C200 with Canon 100mm f/2.8L with a Rotolight;
    Shot 4 - bride putting on ring -  - BMPCC 4K & V 25mm f/0.95 shot wide open;
    Shot 5 - bride reflection - BMPCC 4K & V 25mm f/0.95;
    Shot 6 - groom tie (close up) - Canon C200 with Canon 85mm f1.4L IS;
    Shot 7 - bride and groom against vines - BMPCC 4K & V 25mm f/0.95;
    Shot 8 - bride getting out of car - XT-3 & 18-55mm;
    Shot 9 - dance shot - Fuji XT-3 with Fuji 18-55mm f/2.8-4.0 OIS (shot close to 18mm and wide open at f/2.8);
    Shot 10 - silhouette - Canon C200 with Canon 35mm f/2.0 IS;
    Shot 11 - bridesmaids - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95;
    Shot 12 - dance shot - All dance shots are as per shot 9;
    Shot 13 - groom kissing bride in field - BMPCC 4K & V 25mm f/0.95;
    Shot 14 - walking - XT-3 & 18-55mm;
    Shot 15 - dance shot - see shot 9;
    Shot 16 - groomsman doing Toyota - XT-3 & 18-55mm;
    Shot 17 - silhouette - BMPCC 4K & V 25mm f/0.95 shot wide open;
    Shot 18 - bride and groom close up - XT-3 & 18-55mm;
    Shot 19 - aerial - DJI Phantom 4;
    Shot 20 - bride and groom in field from low angle - BMPCC 4K & V 25mm f/0.95;
    Shot 21 - bride and groom and veil - XT-3 & 18-55mm;
    Shot 22 - bridal party confetti bang - C200 & 85mm f/1.4L IS wide open;
    Shot 23 - bride and groom walking towards camera - XT-3 & 18-55mm;
    Shot 24 - bride and groom leaving ceremony with confetti - XT-3 & 18-55mm;
    Shot 25 - bride staring over groom's shoulder at camera - BMPCC 4K & V 25mm f/0.95;
    Shot 26 - bride and groom walking through long grass - XT-3 & 18-55mm;
    Shot 27 - bride and groom resting against vineyard post - XT-3 & 18-55mm;
    Shot 28 - ditto
    Shot 29 - ceremony kiss - Canon 5D mkIV with Canon 100-400mm f/4.5-5.6L IS II;
    Shot 30 - veil shot - XT-3 & 18-55mm;
    Shot 31 - dance shot - see shot 9;
    Shot 32 - bride and groom walking between vines - C200 & 85mm f/1.4L IS wide open;
    Shot 33 - bride and groom dancing on hill - BMPCC 4K & V 25mm f/0.95;
    Shot 34 - dance shot - see shot 9;
    Shot 35 - bride holding veil - BMPCC 4K & V 25mm f/0.95;
    Shot 36 - bride doing gladiator - XT-3 & 18-55mm;
    Shot 37 - bride glancing down at window - BMPCC 4K & V 25mm f/0.95;
    Shot 38 - hand holding - C200 & 85mm f/1.4L IS wide open;
    Shot 39 - groom swinging bride - XT-3 & 18-55mm;
    Shot 40 - sparkler exit - XT-3 & 18-55mm shot at 2000 ISO;
    Shot 41 - dip - XT-3 & 18-55mm; and
    Shot 42 - final - XT-3 & 18-55mm.
    Basically all of them had on Southall which is a Delut by James Miller (https://sellfy.com/p/KUuV/).
  8. Like
    spinkscapes got a reaction from seanzzxx in X-T3 or Pocket 4K?   
    Just so readers can decide themselves how the cameras match together I'll give you a breakdown of the setups:
    Shot 1 - invitation - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95 (ordinarily shot at f/1.4-2.0);
    Shot 2 - dress zipping - BMPCC 4K & V 25mm f/0.95;
    Shot 3 - engagement ring macro - Canon C200 with Canon 100mm f/2.8L with a Rotolight;
    Shot 4 - bride putting on ring -  - BMPCC 4K & V 25mm f/0.95 shot wide open;
    Shot 5 - bride reflection - BMPCC 4K & V 25mm f/0.95;
    Shot 6 - groom tie (close up) - Canon C200 with Canon 85mm f1.4L IS;
    Shot 7 - bride and groom against vines - BMPCC 4K & V 25mm f/0.95;
    Shot 8 - bride getting out of car - XT-3 & 18-55mm;
    Shot 9 - dance shot - Fuji XT-3 with Fuji 18-55mm f/2.8-4.0 OIS (shot close to 18mm and wide open at f/2.8);
    Shot 10 - silhouette - Canon C200 with Canon 35mm f/2.0 IS;
    Shot 11 - bridesmaids - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95;
    Shot 12 - dance shot - All dance shots are as per shot 9;
    Shot 13 - groom kissing bride in field - BMPCC 4K & V 25mm f/0.95;
    Shot 14 - walking - XT-3 & 18-55mm;
    Shot 15 - dance shot - see shot 9;
    Shot 16 - groomsman doing Toyota - XT-3 & 18-55mm;
    Shot 17 - silhouette - BMPCC 4K & V 25mm f/0.95 shot wide open;
    Shot 18 - bride and groom close up - XT-3 & 18-55mm;
    Shot 19 - aerial - DJI Phantom 4;
    Shot 20 - bride and groom in field from low angle - BMPCC 4K & V 25mm f/0.95;
    Shot 21 - bride and groom and veil - XT-3 & 18-55mm;
    Shot 22 - bridal party confetti bang - C200 & 85mm f/1.4L IS wide open;
    Shot 23 - bride and groom walking towards camera - XT-3 & 18-55mm;
    Shot 24 - bride and groom leaving ceremony with confetti - XT-3 & 18-55mm;
    Shot 25 - bride staring over groom's shoulder at camera - BMPCC 4K & V 25mm f/0.95;
    Shot 26 - bride and groom walking through long grass - XT-3 & 18-55mm;
    Shot 27 - bride and groom resting against vineyard post - XT-3 & 18-55mm;
    Shot 28 - ditto
    Shot 29 - ceremony kiss - Canon 5D mkIV with Canon 100-400mm f/4.5-5.6L IS II;
    Shot 30 - veil shot - XT-3 & 18-55mm;
    Shot 31 - dance shot - see shot 9;
    Shot 32 - bride and groom walking between vines - C200 & 85mm f/1.4L IS wide open;
    Shot 33 - bride and groom dancing on hill - BMPCC 4K & V 25mm f/0.95;
    Shot 34 - dance shot - see shot 9;
    Shot 35 - bride holding veil - BMPCC 4K & V 25mm f/0.95;
    Shot 36 - bride doing gladiator - XT-3 & 18-55mm;
    Shot 37 - bride glancing down at window - BMPCC 4K & V 25mm f/0.95;
    Shot 38 - hand holding - C200 & 85mm f/1.4L IS wide open;
    Shot 39 - groom swinging bride - XT-3 & 18-55mm;
    Shot 40 - sparkler exit - XT-3 & 18-55mm shot at 2000 ISO;
    Shot 41 - dip - XT-3 & 18-55mm; and
    Shot 42 - final - XT-3 & 18-55mm.
    Basically all of them had on Southall which is a Delut by James Miller (https://sellfy.com/p/KUuV/).
  9. Thanks
    spinkscapes got a reaction from Kisaha in X-T3 or Pocket 4K?   
    Just so readers can decide themselves how the cameras match together I'll give you a breakdown of the setups:
    Shot 1 - invitation - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95 (ordinarily shot at f/1.4-2.0);
    Shot 2 - dress zipping - BMPCC 4K & V 25mm f/0.95;
    Shot 3 - engagement ring macro - Canon C200 with Canon 100mm f/2.8L with a Rotolight;
    Shot 4 - bride putting on ring -  - BMPCC 4K & V 25mm f/0.95 shot wide open;
    Shot 5 - bride reflection - BMPCC 4K & V 25mm f/0.95;
    Shot 6 - groom tie (close up) - Canon C200 with Canon 85mm f1.4L IS;
    Shot 7 - bride and groom against vines - BMPCC 4K & V 25mm f/0.95;
    Shot 8 - bride getting out of car - XT-3 & 18-55mm;
    Shot 9 - dance shot - Fuji XT-3 with Fuji 18-55mm f/2.8-4.0 OIS (shot close to 18mm and wide open at f/2.8);
    Shot 10 - silhouette - Canon C200 with Canon 35mm f/2.0 IS;
    Shot 11 - bridesmaids - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95;
    Shot 12 - dance shot - All dance shots are as per shot 9;
    Shot 13 - groom kissing bride in field - BMPCC 4K & V 25mm f/0.95;
    Shot 14 - walking - XT-3 & 18-55mm;
    Shot 15 - dance shot - see shot 9;
    Shot 16 - groomsman doing Toyota - XT-3 & 18-55mm;
    Shot 17 - silhouette - BMPCC 4K & V 25mm f/0.95 shot wide open;
    Shot 18 - bride and groom close up - XT-3 & 18-55mm;
    Shot 19 - aerial - DJI Phantom 4;
    Shot 20 - bride and groom in field from low angle - BMPCC 4K & V 25mm f/0.95;
    Shot 21 - bride and groom and veil - XT-3 & 18-55mm;
    Shot 22 - bridal party confetti bang - C200 & 85mm f/1.4L IS wide open;
    Shot 23 - bride and groom walking towards camera - XT-3 & 18-55mm;
    Shot 24 - bride and groom leaving ceremony with confetti - XT-3 & 18-55mm;
    Shot 25 - bride staring over groom's shoulder at camera - BMPCC 4K & V 25mm f/0.95;
    Shot 26 - bride and groom walking through long grass - XT-3 & 18-55mm;
    Shot 27 - bride and groom resting against vineyard post - XT-3 & 18-55mm;
    Shot 28 - ditto
    Shot 29 - ceremony kiss - Canon 5D mkIV with Canon 100-400mm f/4.5-5.6L IS II;
    Shot 30 - veil shot - XT-3 & 18-55mm;
    Shot 31 - dance shot - see shot 9;
    Shot 32 - bride and groom walking between vines - C200 & 85mm f/1.4L IS wide open;
    Shot 33 - bride and groom dancing on hill - BMPCC 4K & V 25mm f/0.95;
    Shot 34 - dance shot - see shot 9;
    Shot 35 - bride holding veil - BMPCC 4K & V 25mm f/0.95;
    Shot 36 - bride doing gladiator - XT-3 & 18-55mm;
    Shot 37 - bride glancing down at window - BMPCC 4K & V 25mm f/0.95;
    Shot 38 - hand holding - C200 & 85mm f/1.4L IS wide open;
    Shot 39 - groom swinging bride - XT-3 & 18-55mm;
    Shot 40 - sparkler exit - XT-3 & 18-55mm shot at 2000 ISO;
    Shot 41 - dip - XT-3 & 18-55mm; and
    Shot 42 - final - XT-3 & 18-55mm.
    Basically all of them had on Southall which is a Delut by James Miller (https://sellfy.com/p/KUuV/).
  10. Like
    spinkscapes got a reaction from omega1978 in X-T3 or Pocket 4K?   
    Just so readers can decide themselves how the cameras match together I'll give you a breakdown of the setups:
    Shot 1 - invitation - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95 (ordinarily shot at f/1.4-2.0);
    Shot 2 - dress zipping - BMPCC 4K & V 25mm f/0.95;
    Shot 3 - engagement ring macro - Canon C200 with Canon 100mm f/2.8L with a Rotolight;
    Shot 4 - bride putting on ring -  - BMPCC 4K & V 25mm f/0.95 shot wide open;
    Shot 5 - bride reflection - BMPCC 4K & V 25mm f/0.95;
    Shot 6 - groom tie (close up) - Canon C200 with Canon 85mm f1.4L IS;
    Shot 7 - bride and groom against vines - BMPCC 4K & V 25mm f/0.95;
    Shot 8 - bride getting out of car - XT-3 & 18-55mm;
    Shot 9 - dance shot - Fuji XT-3 with Fuji 18-55mm f/2.8-4.0 OIS (shot close to 18mm and wide open at f/2.8);
    Shot 10 - silhouette - Canon C200 with Canon 35mm f/2.0 IS;
    Shot 11 - bridesmaids - Blackmagic Pocket 4K with Voigtlander 25mm f/0.95;
    Shot 12 - dance shot - All dance shots are as per shot 9;
    Shot 13 - groom kissing bride in field - BMPCC 4K & V 25mm f/0.95;
    Shot 14 - walking - XT-3 & 18-55mm;
    Shot 15 - dance shot - see shot 9;
    Shot 16 - groomsman doing Toyota - XT-3 & 18-55mm;
    Shot 17 - silhouette - BMPCC 4K & V 25mm f/0.95 shot wide open;
    Shot 18 - bride and groom close up - XT-3 & 18-55mm;
    Shot 19 - aerial - DJI Phantom 4;
    Shot 20 - bride and groom in field from low angle - BMPCC 4K & V 25mm f/0.95;
    Shot 21 - bride and groom and veil - XT-3 & 18-55mm;
    Shot 22 - bridal party confetti bang - C200 & 85mm f/1.4L IS wide open;
    Shot 23 - bride and groom walking towards camera - XT-3 & 18-55mm;
    Shot 24 - bride and groom leaving ceremony with confetti - XT-3 & 18-55mm;
    Shot 25 - bride staring over groom's shoulder at camera - BMPCC 4K & V 25mm f/0.95;
    Shot 26 - bride and groom walking through long grass - XT-3 & 18-55mm;
    Shot 27 - bride and groom resting against vineyard post - XT-3 & 18-55mm;
    Shot 28 - ditto
    Shot 29 - ceremony kiss - Canon 5D mkIV with Canon 100-400mm f/4.5-5.6L IS II;
    Shot 30 - veil shot - XT-3 & 18-55mm;
    Shot 31 - dance shot - see shot 9;
    Shot 32 - bride and groom walking between vines - C200 & 85mm f/1.4L IS wide open;
    Shot 33 - bride and groom dancing on hill - BMPCC 4K & V 25mm f/0.95;
    Shot 34 - dance shot - see shot 9;
    Shot 35 - bride holding veil - BMPCC 4K & V 25mm f/0.95;
    Shot 36 - bride doing gladiator - XT-3 & 18-55mm;
    Shot 37 - bride glancing down at window - BMPCC 4K & V 25mm f/0.95;
    Shot 38 - hand holding - C200 & 85mm f/1.4L IS wide open;
    Shot 39 - groom swinging bride - XT-3 & 18-55mm;
    Shot 40 - sparkler exit - XT-3 & 18-55mm shot at 2000 ISO;
    Shot 41 - dip - XT-3 & 18-55mm; and
    Shot 42 - final - XT-3 & 18-55mm.
    Basically all of them had on Southall which is a Delut by James Miller (https://sellfy.com/p/KUuV/).
  11. Like
    spinkscapes got a reaction from thephoenix in X-T3 or Pocket 4K?   
    ser from Saturday's wedding.
    The predominant camera is the X-T3 on the gimbal.
    There's also quite a few shots in there from the Pocket 4K, a couple of from our trusty C200 (taking a back seat to the other cameras) and one from the 5D mkIV.
    Impressions of the two cameras after two weddings:
    1. The X-T3 is the perfect camera for the Zhiyun Crane 2. It is perfectly balanced even before turning the gimbal on. This wedding I used it entirely with my new 18-55mm at the wide end as I wanted the IS. The 
    2. The Blackmagic Pocket 4K is something else. Utterly magnificent. With the Voigtlander 25mm constantly on this camera it produces an image that is unmatched by any of the other cameras I own. You just need to be in a position that allows you time to compose and focus. Thankfully the Voigtlander is great for quick manual focusing. The menu system is intuitive and easy and the touch screen makes changing settings a dream. The one chief drawback is that the battery life is awful. You shouldn't expect more than 40 minutes on constantly shooting. So I have about 15 LP-E6 batteries handy just in case.
    They both compliment the other very well and I will be keeping both for my uses.
     

    Fergus & Rachel Teaser.mp4 Fergus & Rachel Teaser.mp4 Fergus & Rachel Teaser.mp4
  12. Like
    spinkscapes got a reaction from TurboRat in X-T3 or Pocket 4K?   
    ser from Saturday's wedding.
    The predominant camera is the X-T3 on the gimbal.
    There's also quite a few shots in there from the Pocket 4K, a couple of from our trusty C200 (taking a back seat to the other cameras) and one from the 5D mkIV.
    Impressions of the two cameras after two weddings:
    1. The X-T3 is the perfect camera for the Zhiyun Crane 2. It is perfectly balanced even before turning the gimbal on. This wedding I used it entirely with my new 18-55mm at the wide end as I wanted the IS. The 
    2. The Blackmagic Pocket 4K is something else. Utterly magnificent. With the Voigtlander 25mm constantly on this camera it produces an image that is unmatched by any of the other cameras I own. You just need to be in a position that allows you time to compose and focus. Thankfully the Voigtlander is great for quick manual focusing. The menu system is intuitive and easy and the touch screen makes changing settings a dream. The one chief drawback is that the battery life is awful. You shouldn't expect more than 40 minutes on constantly shooting. So I have about 15 LP-E6 batteries handy just in case.
    They both compliment the other very well and I will be keeping both for my uses.
     

    Fergus & Rachel Teaser.mp4 Fergus & Rachel Teaser.mp4 Fergus & Rachel Teaser.mp4
  13. Like
    spinkscapes got a reaction from deezid in Blackmagic Pocket Cinema Camera 4K   
    Just received my Pocket 4K, incidentally the day following receiving my XT-3.
    Got a wedding to shoot on Saturday so good timing.
     

  14. Like
    spinkscapes got a reaction from AlexTrinder96 in Blackmagic Pocket Cinema Camera 4K   
    Just received my Pocket 4K, incidentally the day following receiving my XT-3.
    Got a wedding to shoot on Saturday so good timing.
     

  15. Like
    spinkscapes got a reaction from Snuff in Blackmagic Pocket Cinema Camera 4K   
    Just received my Pocket 4K, incidentally the day following receiving my XT-3.
    Got a wedding to shoot on Saturday so good timing.
     

  16. Like
    spinkscapes got a reaction from MurtlandPhoto in Blackmagic Pocket Cinema Camera 4K   
    Just received my Pocket 4K, incidentally the day following receiving my XT-3.
    Got a wedding to shoot on Saturday so good timing.
     

  17. Like
    spinkscapes got a reaction from bamigoreng in Sony FS5 II announced with 4K 120fps RAW recording at NAB 2018   
    Weird, after watching the video I decided that the skin tones were way too unnatural and unflattering to me.
  18. Haha
    spinkscapes reacted to Yurolov in Sony FS5 II announced with 4K 120fps RAW recording at NAB 2018   
    I actually commend Sony for this. Their color science in the original fs5 was beyond terrible. The skin tones in this video, however, look fantastic. I know it is early yet but the skin tones appear to be superior to the EVA1 and the c200 and I am a Canon apologist. 
    Externally, you have all the framerates you require, so if you don't mind removing the top handle and running an atomos, I think this thing could surpass most cameras in this price point in terms of IQ. The skin tones really do look gorgeous. 
    I am surprised by Sony because they usually cater to the specs crowd, but this targets those of us who care about the image quality more than anything, which is a nice change of pace.  
  19. Like
    spinkscapes got a reaction from webrunner5 in Sony a7 III discussion   
    Either Sony releases a comparable camera form factor that delivers UHD at 60p or they have conceded that they can't compete with the GH5.
    Doubt that they will make such a concession.
  20. Thanks
    spinkscapes got a reaction from BTM_Pix in Zacuto: C200 vs EVA1 - Camera Shootout   
    I have a C200. Absolutely stunning camera.
    Didn't even consider the EVA1 or watch any reviews so can't compare.
  21. Like
    spinkscapes got a reaction from Kisaha in Zacuto: C200 vs EVA1 - Camera Shootout   
    I have a C200. Absolutely stunning camera.
    Didn't even consider the EVA1 or watch any reviews so can't compare.
  22. Like
    spinkscapes got a reaction from zerocool22 in Canon C200 vs Panasonic GH5, a preview   
    Well I, for one, will be using the raw codec almost exclusively on this camera. Thus I am not really concerned about what you perceive as this camera's biggest weakness.
  23. Like
    spinkscapes got a reaction from TwoScoops in Some thoughts from watching Planet Earth 2   
    It's been a while since I've seen such brilliant acting associated with the BBC.
  24. Like
    spinkscapes got a reaction from Orangenz in Some thoughts from watching Planet Earth 2   
    It's been a while since I've seen such brilliant acting associated with the BBC.
  25. Like
    spinkscapes got a reaction from Werner H. Graf in what are your favorite lenses for your nx?   
    Really enjoying some Contax Zeiss on my two NX's.
    Particularly the CZ 100mm f/2.0 gives a punchy, lovely image.
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