Adam Kuźniar

40 minutes ago, plucas said:

The 7-year old 1DC can shoot 4K with only a 1.3X crop. With a new sensor and dual DIGIC 9s, I'd back the 1DXiii to pull off full frame 4K at least in 24p.

I think he meant 4k60, not 4k in 25/30 

It's all because of your name @Snowbro, you're just too cold for the camera.

A couple of screen-grabs from a recent Sofar Concert I shot. Shot with the 70-200 2.8, all in 4k 10bit HLG, graded with Filmconvert Nitrate in a couple of minutes. 

I can take 5 different gimbal shots before you set up the slider. Sure, if you have the time then it will look better, but I often don't.

9 hours ago, BjornT said:

 

Picture 1 is raw, picture 2 is filmconvert nitrate applied with 5207 stock (only adjustment is grain turned off), picture 3 is nitrate with lumetri color applied before filmconvert. Used white balance color picker to white balance off her top.

Shot in HLG 4K with a tiffen black satin 1 filter and slr magic variable nd filter attached. 5600k in camera. GH5 and HLG profile picked in filmconvert obviously.

 

 

mind sharing your lumetri adjustments ? 

@BjornT Ah shit yeah I didn't update! Thanks for reminding me 

2 hours ago, BjornT said:

Thank you!

Made this the other day. Shot in HLG using the leica 12-60 and a few shots with sigma 18-35. Graded it with filmconvert nitrate in Premiere Pro and I am not kidding when I say it only took ten minutes for the grade. Very impressive plugin.

 

 

 

wait what, fuck me, I use FC too but mine doesn't look that good after ten minutes  

21 hours ago, Mokara said:

Ya, but the BM camera is supposed to fill the video camera mode of a hybrid, and is used in that role mostly. So his comments about the ergonomics and general usability are valid.

I disagree that it's a hybrid. Just because it has a form factor more similar to a photo camera doesn't mean it's a hybrid.

40 minutes ago, hmcindie said:

BMCC sounded like a slog to use (20min batteries, have to be rigged around etc)

Oh man I hope you never have to shoot with any cinema camera (which the Pocket is) because they all HAVE to be rigged to be used. Damn, that Alexa Mini must be so shit because it doesn't even have a battery slot.

40 minutes ago, hmcindie said:

I kept smashing all kinds of buttons just keeping that thing in my hand

That's user error, not the camera's fault.

40 minutes ago, hmcindie said:

Used a lot of 2.8k 120fps and that was a huuuge crop making the 1.7 crop on the R seem like nothing

Yeah but the difference is you get that crop in resolution and frame rate that the R can't even dream of achieving. 

In general I just feel like you went in with the "pocket sux and lemme prove that" approach and it influenced your experiences. R sounds like a much better choice for your workflow though and I can agree with that.

2 hours ago, newfoundmass said:

If you're ever interested I know of places in Southern Europe where you can see this! Might be an interesting documentary subject!

My guess goes to Czech Republic, Czechs are crazy people

This is one of the best Vazen 40mm 2x sample I've seen yet

16 hours ago, Vision said:

Yah i need to dig in to that more thank you Cinegain??

Yep it's super useful. What I did is setup a scene, take a picture, put on the filter and then flip between image preview and shooting mode and try to match them more or less  After that you just remember the values and it's fast to put them back on later

TBH on the GH5 I just figured out what's the exact tint difference and then I put it in the camera and bam, problem gone. 

12 hours ago, kye said:

Will this be solely the IBIS?  or is this from trying to stabilise it in post?  IIRC these stabilisation artefacts happen from the combination?

I wonder if there's a plugin that will be able to un-do these things?  It should be relatively easy as it's just parts of the frame stretching without other parts stretching.

That's 100% coming from IBIS working on an ultra wide angle shot. Same happens on the GH5 with a 7mm lens.

Once you go to like a 24mm FF equivalent it's fully gone.

2 hours ago, kye said:

Latest video from Kraig Adams is shot on S1H...  very nice.

 

I was just about to post it! Looks super duper nice

7 hours ago, IronFilm said:

Does an AF anamorphic lens even exist??

I guess any AF lens with an anamorphic adapter could count? 

Guys, I see you got lost, the Nursing Home is down the street to the left.

Oh surely it will shoot 6k. But in 15fps, with autofocus and manual exposure disabled. And the IBIS will only work with 3 supported lenses and only when shooting 480p upside down.

36 minutes ago, zerocool22 said:

FS7 is not quite lightweight, I need to run 8 hours straight with a ronin s on it. 

ah shit sorry didnt read the post too thoroughly

a7 iii + 28-75 2.8 

GH5, 18-35 or 24-105 on speedbooster 

Alternatively FS7 + 24-105 on speedbooster 

Another cool video using GHAlexa

6 hours ago, tweak said:

real

?????

When is using salt and pepper in cooking considered cheating? I mean it completely changes the taste of the dish! 

Tamron will announce the new 70-180mm f/2.8 FE zoom in October!

Honestly Tamron makes Sony so much more appealing to me. Previously I was put off by the price of the Sony lenses

So what, I can do that too!