Kubrickian

I can't take advice from anyone with the broccoli haircut 

I can't take advice from anyone with the broccoli haircut 

(Not used either the camera or Rodelink, so this is theoretical based on looking at the data as an electronics engineer)
Based the datasheet info for the Rodelink receiver:
...i.e. an unbalanced output, so either do what Kubrickian suggested (plug it into the 3.5mm input on the body), or try an 'unbalanced' 3.5mm to mini-XLR adaptor (the one you linked to is described as a 'balanced' adaptor which are wired differently).
Balanced adaptors are usually wired like this - https://m.media-amazon.com/images/I/51eO1-tF2uL._SX522_.jpg
Unbalanced adaptors are usually wired like this - https://m.media-amazon.com/images/I/61ysy5S3oiL._AC_SX466_.jpg

https://helpx.adobe.com/premiere-pro/using/color-management.html

There’s always a discrepancy between premiere renders and how Macs display them. The gamma will be lifted. It’s an apple / adobe disconnect. I don’t expect it ever to be fixed tbh 

How about a Tascam DR10 https://tascam.com/us/product/dr-10l/top

A very majestic score for the lion shagging. 

Here is a quick HDMI lag solution for S5mk2 from Gerald:
S5 II Update: Regarding the HDMI lag, there is an option in the menu to turn off "Sound Output (HDMI)". Doing so will prevent audio from going to the external device, but will significantly improve the delay issue. Night and day difference. Not ideal, but might help some users.
 

I did finally edit a first version of the SA video.

Canon R5c, DJI RS3 Pro, RF 70-200 2.8, RF 100-500, RF 400 2.8, EF 24-70 2.8. All shoot 8K RAW 50fps other than the Cheetahs running that are at 4k 100fps.
 
 

If I keep arguing about camera specs, I'll never have to create something memorable 
 

If I keep arguing about camera specs, I'll never have to create something memorable 
 

Check the high-speed and f-log / picture style to card / HDMI settings. 

Here is my shot at this
Gears:
GH5 for the video Canon 6D for the timelapse Mavic Air and Mavic 2 Zoom for the aerial shots. The audio was entirely designed by my friends at https://www.boxoftoysaudio.com/
They are based in UK if you need audio music composition and SFX. Great pros.
I hope everyone here is safe and stay that way. Cheers.
 

https://variety.com/2020/film/actors/seventh-seal-star-wars-actor-max-von-sydow-dies-at-90-1203527411/
https://www.indiewire.com/2020/03/max-von-sydow-dies-at-90-tribute-obituary-1202216344/
https://www.bbc.com/news/entertainment-arts-51804924

Succession on HBO. Shot on film 

i tell the truth.But I encourage to continue try.
I haven't even mentioned   the colors. The way of shooting it's the main problem.
 

To be honest it's not even average.
You have to study a lot and most important see great videos and search the way they did those.
Catching a camera that is capable of decent to great image doesn't mean you are capable too.
Don't give up and keep going.
 
 

Hey guys I got my bmpcc6k last wk and finally got to take it out this wknd to do some test shots. Here are some screen grabs. I shot in Braw 6k & 2.8k mixing 23.98, 50 and 120 fps. Lens was canon 24-70mm L series. Also I had no ND so I had to stop down a lot and mess with the ISO to expose. 
 
These stills I colored in Lightroom. I’ll have the video edited and colored within the next wk or so. I’m really loving the look.
 
Also below are the raw files with the colored ones side by side. I’m not a colorist but I tried my best to bring out the colors. 
 


























 
 
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still running and gunning with my pocketsize handheld setup (100fps fw update is all i needed )
 

I haven’t watched it yet either but here’s my guess... the Alexa’s 2K looks better than the BM’s 6K and whatever the Red Raven shoots at.
Ok, I just watched the first couple minutes and became quickly bored when I saw that he wasn’t even using the same lens on each camera. 

There's no reason it won't. EFs are made for APSC sensors, which this is. The only reason they don't work on speed boosters is because the glass in the booster stops the lens from clicking into onto the mount. On the P6k, there's no glass between the mount and the sensor, so nothing to get in the way.

You don't need to, just understand the principal behind what I'm saying.

Here is a music video shot for the musicbed challenge. On this project my assistant is the director and I help her. Shot on my XT3; F-log, 4K DCI, 24fps, 400 Mbps, All-I.
https://challenge.musicbed.com/submissions/the-rise/rHvFZz

One of the most influences of the contemporary arts, mainly in the realm of the sounds but also to the world of the pictures, in these last 60 years, left us Yesterday July 6 in Rio de Janeiro. His legacy stays fortunately alive... Master of whisper and variations of a single note (E : -)
 
https://variety.com/2019/music/news/joao-gilberto-father-of-bassa-nova-dies-at-88-1203260543/
https://www.foxnews.com/entertainment/brazilian-bossa-nova-pioneer-joao-gilberto-dies-at-88
https://www.nytimes.com/2019/07/06/arts/music/joao-gilberto-dead-bossa-nova.html
 

 
 
 
 
 
 
 
 
This is where everything started:
 

There's other T3 drives with those speeds. I think it's a way faster bus than USB 3.1 https://www.bhphotovideo.com/c/product/1431353-REG/samsung_mu_pb1t0b_am_1tb_x5_portable_ssd.html