ade towell

Take a look at Amaran and Smallrig

I'd be interested to know what feature or capability Fuji could have included that would have prevented the OP from being beyond disappointed and let down.

Yes I remember this - Macgregor a very talented film maker was quite active on DVXuser back in the day

Yes I remember this - Macgregor a very talented film maker was quite active on DVXuser back in the day

I think the low DR with the video on Canon mirrorless cameras is also quite disappointing if you're coming from Panasonic - have gone from Canon R6 to the Panasonic S5ii and the increase in DR is noticeable. Had to use the S5ii alongside a Canon R5 recently and the Canon was struggling to keep up. Not sure if DR has been improved in the R3 but I doubt it  

All well considered points it's just that as you say I think the z8/z9 is the latest and greatest regarding image quality and would be excited to use it - the R5c image to me looks very similar to the R6 I was using a while back, nice but kind of Canon vanilla - more of a sideways step.
Anyway they both shoot lovely footage so can't really go wrong either way

All well considered points it's just that as you say I think the z8/z9 is the latest and greatest regarding image quality and would be excited to use it - the R5c image to me looks very similar to the R6 I was using a while back, nice but kind of Canon vanilla - more of a sideways step.
Anyway they both shoot lovely footage so can't really go wrong either way

Hey I'm only reporting my friends frustrations - but I do think it is a bit ridiculous that they don't have Clog2 on the R5c it is supposed to be part of the Cinema line and would make matching to their other cinema cameras a lot easier.
I have no scientific proof but imagine the reason they don't have Clog2 in the R5c is because it doesn't have the DR to utilise it fully. Maybe they could create a Clog2 lite like Panasonic did with GH5 and Vlog 

From what I’ve seen I think the Z8 and Z9 have the best image and colour separation of all the mirrorlerss cameras, there is something special going on there, the R5c just looks like all the other Canon mirrorless, nice image but lacking a bit in DR and slightly noisier. The sensor tech just seems a bit less cutting edge. Canon have always struggled transferring the DR from still into video on their mirrorless cameras. A real shame as it is there in the rest of the Cinema line from the C70 upwards
For me with the IBIS too the Nikon’s are the clear winner. Their lenses also look like they are better suited to video especially if you use AF being almost silent. I always had trouble finding fast affordable  Canon lenses that weren’t noisy  

From what I’ve seen I think the Z8 and Z9 have the best image and colour separation of all the mirrorlerss cameras, there is something special going on there, the R5c just looks like all the other Canon mirrorless, nice image but lacking a bit in DR and slightly noisier. The sensor tech just seems a bit less cutting edge. Canon have always struggled transferring the DR from still into video on their mirrorless cameras. A real shame as it is there in the rest of the Cinema line from the C70 upwards
For me with the IBIS too the Nikon’s are the clear winner. Their lenses also look like they are better suited to video especially if you use AF being almost silent. I always had trouble finding fast affordable  Canon lenses that weren’t noisy  

From what I’ve seen I think the Z8 and Z9 have the best image and colour separation of all the mirrorlerss cameras, there is something special going on there, the R5c just looks like all the other Canon mirrorless, nice image but lacking a bit in DR and slightly noisier. The sensor tech just seems a bit less cutting edge. Canon have always struggled transferring the DR from still into video on their mirrorless cameras. A real shame as it is there in the rest of the Cinema line from the C70 upwards
For me with the IBIS too the Nikon’s are the clear winner. Their lenses also look like they are better suited to video especially if you use AF being almost silent. I always had trouble finding fast affordable  Canon lenses that weren’t noisy  

Sorry posted at the same time. I always try and buy lenses etc 2nd hand so yes new prices will be much higher.
I think whichever camera you choose will be great there isn't that much between them all. Just feel that the S5ii is the best deal at the moment and size and weight wise it is about right if you plan to use long zoom lenses handheld. And that IBIS is amazing

Sorry posted at the same time. I always try and buy lenses etc 2nd hand so yes new prices will be much higher.
I think whichever camera you choose will be great there isn't that much between them all. Just feel that the S5ii is the best deal at the moment and size and weight wise it is about right if you plan to use long zoom lenses handheld. And that IBIS is amazing

In the UK there are big cash back reductions at the moment S5ii works out at £1299, that's amazing value and there are great deals with lenses included too

Nah it looks like crap. 
 
What’s dated is that this keeps coming up as being an issue that needs to change, that only dinosaurs shoot 24 and we’re all out of touch blah blah.  
 
This argument is decades old now and guess what?
The audience knows. 
 
So far it hasn’t worked in a cinema. Many have tried. Many have spent a lot of money. 
 
AUDIENCES don’t want it for DRAMA. 
 
You may delude yourself that your YouTube channel is empirical evidence of HFR take up but let me know when I can go watch a MOVIE of your YouTube channel in a CINEMA and I’ll let you know if it’s filmic. 
 
If HFR really really truely was better the audience would know. We have had HFR for DECADES with gaming, a whole generation that SHOULD prefer it but they freakin don’t. 
 
Theres nothing at all stopping you making a killing with your HFR on YouTube right now.  Make a movie for YouTube and let us know how it goes.  

Being in a similar dilemma but having actually used both R5/R5C & Z8 here are my thoughts.
R5 pros: Good battery life, IBIS, AF, 8K30p, RAW
cons: h26x, low DR, sub-sampled 4K60p
R5C pros: 8K60p, XF-AVC, dual base ISO, Cine line features (LUT support, assist tools etc), active cooling.
R5C cons: poor battery life (better in latest firmware but still not great), no IBIS
Z8 pros: 8K60p, compressed RAW, ProRes, stacked sensor, lockable IBIS. 2X zoom/crop modes.
Z8 cons: aside from some AF issues nothing major! 
Right now as far as specs, the Z8 is in my opinion the clear winner. Side by side, the IQ on the Nikon is substantially cleaner (less noise) and has superior DR. With ProRes, IBIS and a fast stacked sensor its just a really powerful all-rounder. My only gripe with it is the AF isn't as sticky than Canons and with portrait stills it often misses the eye if you shoot wide open with fast glass.
Color wise, Nikon is more neutral and less contrasty. This is good if you like to grade/paint. Canon is better if you want SOOC results and the skin tones are the best in the game. C-log is more filmic than other logs including N-log but C-log3 on the R5/R5C has less DR than N-log. 
Lens/system wise is where things get specific and personal. Different rendering & price points with native lenses.
But where Z-mount wins is that you can adapt pretty much any glass to it, including EF. RF is a lot more closed so if you wanna adapt, Nikon is the way to go. RF has some fantastic unique lenses but they are so expensive!
FWIW I've been shooting Canon since the 5D mark 1. C100/C200. EOS R, R6. I'm a Canon guy.
I'm seriously considering switching to Nikon after trying out the Z8. The 8K/4K IQ is simply stunning and with ProRes it cuts like butter on my intel iMac Pro. I could adapt all my current lenses: EF, E-mount, Leica M and Nikkor AI-S. And the new S line lenses are pretty great too. 
Either way you can't really go wrong, I got amazing results out of the R5/R5C. You just have to be more careful with exposure because of the limited DR and they aren't low-light champs either. Ergonomics and menus are also better with Canon, its a more intuitive shooting experience. And you can get away with minimum tweaking in post, slap a LUT and you're good if you're on fast turnover.
 

I think the low DR with the video on Canon mirrorless cameras is also quite disappointing if you're coming from Panasonic - have gone from Canon R6 to the Panasonic S5ii and the increase in DR is noticeable. Had to use the S5ii alongside a Canon R5 recently and the Canon was struggling to keep up. Not sure if DR has been improved in the R3 but I doubt it  

The quality of posts in this thread is not necessarily equivalent to the quatity. Dropping youtube videos without any lovely written expression of soul, heart or mind is kinda wordless and to me worthless for a forum. But maybe that is just because of the shiny new product. Older tech ist dicussed with much more love and passion.

Am liking this new blog from a camera operatives perspective - some good breakdowns of well known films already and each week there's new material
https://www.theop.io/the-breakdown

https://www.aputure.com/products/amaran-200x-s/
https://www.aputure.com/products/amaran-300c/
https://www.aputure.com/products/amaran-150c/
Am looking at replacing my trusty but slightly cumbersome 4 and 2 bank flourescent tube lights (daylight and tungsten) with these new LED's from Amaran - the 200x S as my key light and a 150c or 300c as fill and versatile does it all light including colour backgrounds/washes if needs be. I will keep my Dedolight DH4 for hairlight, accents etc
I make documentaries mainly for galleries and museums so do a lot of talking heads, green screen, filming artefacts and also occasionally room settings/interiors
Just wondering if anyone has any experience with these LED's or if there are other lights I should also be considering?
Am often on my own filming lighting and capturing audio - be nice to be able to dial in colour temp, brightness etc all from an app on my phone as I set up, will speed up the process a lot and hopefully create better control of light, nicer images...
From what I've read the 200x S has better accuracy and skin tones than the 150 and 300 so that would be my key light when filming people. Is the 300 worth the extra over the 150 for when I occasionally film in large historical rooms and want to bring out features, am imagining a little more power is always good to have?
I love the soft light I get from the floursecents so would augment the LED's with softbox. Is the light quality similar, would the 200x S with softbox be able to light as much as a 4 bank floursecent? I also like hard light at times so will also use the LED's with barn doors. 
The floursecents would still be useful especially for lighting the green screen, am currently using some old photo lights with no control of spill and harsh hot spots. The floursecents would light the green screen more evenly and with more control hopefully, and use the LEDs to light the talent
Anyway am open to other suggestions and also best ways of transporting these lights, my bag for the floursecents is horrible - huge and falling apart, be nice to be a bit more streamlined whilst also keeping the lights safe. 
 

Had a quick go at the Z8 the other day. Shot some 8K ProRes test footage with a vintage Nikkor AIS lens and the Z 35mm f1.8.
I have mixed feelings about it. For some reason the IBIS was disabled on the AIS lens, not sure if that's the case with all adapted lenses or not but it was rather disapointing (VR and EIS was greyed out). That said, it was pretty glorious seeing that vintage lens in 8K for the first time! 
N-Log is kind of a can of worms. Footage is pretty noisy at ISO800 and yeah the provided Nikon LUTS really do suck, horrible highlight roll-off that kills the DR. The info is there though so you'll get better results going manual.
The menus and button control is probably the worst from any system, sorry Nikon it really does my head in. Also the grip felt sticky which is not cool. The size/weight is just right, love the LCD hinge system and overall build quality.
Just a quick first impression so I guess take what I say with a grain of salt. I do like the camera despite my few gripes and might even try renting it to spend more time with it as again the menu/UI takes a lot of getting used to.

This is great news although may cost me more money if it works the same on the upcoming S5ii firmware upgrade. Wasn’t interested in ProRes RAW but I love working in Resolve and Braw seems to offer a nice simple workflow with all the benefits of RAW on certain projects when needed. Look forward to more of your observations

This is great news although may cost me more money if it works the same on the upcoming S5ii firmware upgrade. Wasn’t interested in ProRes RAW but I love working in Resolve and Braw seems to offer a nice simple workflow with all the benefits of RAW on certain projects when needed. Look forward to more of your observations

I have some more good news and spoiler alert: You may want to get the paid RAW update.

BRAW is now completely fixed it seems. No more sharpening, no more filtering and mushy textures.
Instead more texture, both luma and chroma than recording internally and at least 1-2 stops of more usable latitude since the shadow areas are clean now and highlight recovery seems to give one extra clean stop of highlight range.
 
BRAW with highlight recovery

 
Internal H265/H264/ProRes