Turboguard

This is the aspect ratio I've decided to do for my next short. Wide is great! Oh and it's mobile platform only release!

This is the aspect ratio I've decided to do for my next short. Wide is great! Oh and it's mobile platform only release!

Before tax: Moeney
After taxes: Less money
Location: NYC
Type of jobs that you do: Advertising, Music Video, Short film
Stick to your guns. You asking if it's "worth" it, isn't going to get you anywhere, if you really want to do it, you will and that drive will get you your worth in cash.

Before tax: Moeney
After taxes: Less money
Location: NYC
Type of jobs that you do: Advertising, Music Video, Short film
Stick to your guns. You asking if it's "worth" it, isn't going to get you anywhere, if you really want to do it, you will and that drive will get you your worth in cash.

I’ve not tested, but I expect the main effect would be a crash - same most features Adobe introduce. 

I don't know if I can add anything useful here but this is my set up and I can run a full day on 3 Sony batteries. I also use the black 1TB T5's for consistent look.
I LOVE this set up!
(don't mind the apple plug, I took this for my instagram back in december for my Instagram)
(Also, I know the cog is on the zoom, so no need to point that out 😂)

All I really do on this project is mess around with the RAW settings, slap the FilmConvert on and call it a day and I don't really want to buy another version just for Resolve. 
Plus I'm so much faster editing multicam shoots in Premiere than I am in Resolve and if I can keep the entire project to one program I will

Although I'm not the person you asked, I often edit in Premiere and on those projects, I find it much easier to grade in Lumetri rather than round tripping. This way, you can do a rough edit, rough grade, fine tune the edit, adjust the grade, tweak the audio, tweak the grade, add titles, tweak the grade leave it over night, tweak the grade with fresh eyes and then export. 
I'm sure it's different for everyone, and workflows differ, but rarely am I totally happy with my first grade, and even if I think I am happy with it, watching the project again will prove myself wrong. If I had to roundtrip for every pass I'd waste even more time for not very much gain.
For this reason, when I can I also edit in Resolve, but due to client criteria, that's not always possible. I'm also much quicker with Premiere than I am with Resolve and when your workflow wastes as much time as mine, claiming back as many seconds as you can really helps.

Shot on P4K with Crane 3 Lab.
 

Take the GH5s off of the ronin? 
 
Edit: And buy a native OIS lens if you don’t think it’s “stabilized” enough. 
 
Edit2: I don’t want to sound like a jerk so sorry for my edits, but my original thought was more in terms of like, why spend all this money of a new camera+setup when you have something that you like and actually works for you. I shot a mini doc, run and gun with bmpcc4K and it looks great, so I can’t imagine you would do worse with a GH5s with IBS and OIS lenses. 

In premiere in the export window you can choose to scale your source material to fill the screen. I have a time line with over 200 clips shot 4K DCI in DaVinci now and can't find an option to scale it to fill a 1080p output. Just wondering if I have to go manually and scale each clip by itself in the edit page or not...
 
EDIT: Figured it out. You can just CMD+A the timeline in edit page and then adjust the scale and it will adjust all of the clips marked.

In premiere in the export window you can choose to scale your source material to fill the screen. I have a time line with over 200 clips shot 4K DCI in DaVinci now and can't find an option to scale it to fill a 1080p output. Just wondering if I have to go manually and scale each clip by itself in the edit page or not...
 
EDIT: Figured it out. You can just CMD+A the timeline in edit page and then adjust the scale and it will adjust all of the clips marked.

Out of the box, FC is on F1, LUT on F2 and Guides on F3. You can toogle them on and off as much as you want during and off recording.

I don’t know if I’m understanding you correct but you want to add the effect to everything in say V1? If so, just add an adjustment layer in V2 and make it as long as your in to out. Then just add the effect to that adjustment layer, everything below the adjustment layer with take its effects. 

Stills are still DNG, just tried it out. Attached it below! 
And for those interested and don't wanna calculate;
With my T5 1TB I get 153min on both CB 3:1 and CQ0. (4K DCI, 24fps).
CB 5:1 gives me 256min and Q5 is a whopping 611min.
 
A001_03051107_S001.dng
Also, this made me giggle;
 

This is 1080p 24fps BRAW Q5 (Prores Proxy is almost 4000min lol)

You can downgrade if you want to keep CDNG. Also it’s not BMD’s fault. Enjoy!
 
Also Deezid, below is not aimed towards you, the forum merged my two comments.
 
I bet everything I own on that the first few months now we will hear how bad BRAW is from people who can’t handle a camera and shoots waves in slow motion as their “profession” on YT. Same with P4K, remember just a few months ago how tons of people completely bashed it and now people call it a marvel. Lol, I should prob get off the forums until summer is here when people are hopefully happier

You can downgrade if you want to keep CDNG. Also it’s not BMD’s fault. Enjoy!
 
Also Deezid, below is not aimed towards you, the forum merged my two comments.
 
I bet everything I own on that the first few months now we will hear how bad BRAW is from people who can’t handle a camera and shoots waves in slow motion as their “profession” on YT. Same with P4K, remember just a few months ago how tons of people completely bashed it and now people call it a marvel. Lol, I should prob get off the forums until summer is here when people are hopefully happier

Stills are still DNG, just tried it out. Attached it below! 
And for those interested and don't wanna calculate;
With my T5 1TB I get 153min on both CB 3:1 and CQ0. (4K DCI, 24fps).
CB 5:1 gives me 256min and Q5 is a whopping 611min.
 
A001_03051107_S001.dng
Also, this made me giggle;
 

This is 1080p 24fps BRAW Q5 (Prores Proxy is almost 4000min lol)

Because a lot of people still don’t know how to color video correctly. They slap on some adjustments to one frame of the shot and then move on to the next. I see it all the time. Working with the stills is easier as you only have that one frame and then, working with say ACR, makes it, again, so much easier. 

Because a lot of people still don’t know how to color video correctly. They slap on some adjustments to one frame of the shot and then move on to the next. I see it all the time. Working with the stills is easier as you only have that one frame and then, working with say ACR, makes it, again, so much easier. 

Because a lot of people still don’t know how to color video correctly. They slap on some adjustments to one frame of the shot and then move on to the next. I see it all the time. Working with the stills is easier as you only have that one frame and then, working with say ACR, makes it, again, so much easier. 

I forgot to order the Tilta T5 holder but my 8sinn works just as good for now. 
B11DBD7F-9FE7-4E51-87D4-7283F5B0CB7A.MOV

I would probably buy the SSD holder if I came across it readily in stock. I don’t mind the 8sinn for now, I’ve never in my life accidentally pulled the cord out while shooting, and am confident that I won’t at the moment.
The hdmi adapter is great, I do wish there was one for the mini xlr as well but don’t know how that would work. 
And YES! Haha, I do not like those vapes.