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About aldolega

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    Detroit, MI

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  1. Yea, it's frustrating to see the camera companies have such a blind spot for this part of the market. Seems to me that a small video/cine cam that had the IBIS and AF tech we're seeing in mirrorless, but still with the IQ and codec pluses of a "real" camera, would be a big seller.
  2. I've only shot with an A7SII once, but HD resolution is important to me too, and I was also initially skeptical of the A7III, so hopefully I can help. My benchmark for good HD quality was my GH4, which looked pretty great IMO in both its 200mbps All-I and 100mbps IPB modes. I film stuff with lots of camera & subject motion and detail, so I would use the All-I mode if I was moving the camera a lot, or the IPB if it was a simpler pan or tilt (IPB is sharper at lower motion levels but degrades as motion increases; All-I is less sharp than IPB's max, but stays consistent despite motion).
  3. Seems to me that a typical mirrorless body has no space for a filter to swing/slide out of the way of the sensor. So you either make the the body much bigger/thicker, or use a fixed filter, which then eats up at least a stop or two of your ISO performance (whatever the minimum power of the eND panel is). Either way you're affecting aspects (size/weight, ISO performance) of the camera that the camera makers consider much more important than a request from niche video-centric users. And who knows if an ND and a physical shutter will both fit behind most modern mirrorless mounts. Sure, FS5 e
  4. No spreader, the legs are single-tube, photo style construction. They're just the Manfrotto 535 with a Sachtler badge on them (Sachtler and Manfrotto are owned by the same company).
  5. I've been very satisfied with my Ace L head and Sachtler carbon legs (single-tube, can't remember the model right now. Same thing as the Manfrotto 535). Very smooth, easy to balance. I do wish it had one more step of drag, but that's a bit of a nitpick. I've used it with my GH4, G85, and A7III, all with a cage/rods, a small monitor, small mic, vintage full-frame glass, and occasionally a follow focus. So maybe 7-8lbs with one of my bigger teles? Performed well with everything, especially if I have time/space to hang my bag on the legs for some more stability. Keep in mind I have the
  6. CDAF is software-based, nothing to do with the sensor physically.
  7. I agree that the A7III is the reference point for pricing, and probably will be for another 6-9 months, but it's not a perfect camera and comparisons can never be absolute. If the XT3 had IBIS I feel it could and would comfortably sell for almost $2k, even with the A7III and Z6 right there with bigger sensors. The A7SIII being $3k would be a pleasant surprise, at launch the A7S was $3200 and the A7SII was $3400, if I remember correctly. The only way I see the A7SIII being less than $3400-3500 is if they skimp on a feature or two (say, no 10-bit anything, and no new codec. Or if they stay
  8. "My $1500 camera's screen isn't as good as my $6,000 camera's, or even my $3,400 camera's! What gives?"
  9. I went from a GH4 to a G85 and loved pretty much everything about the G85, except the HD bitrate. The build was still nice (the G85 is half metal, half plastic, whereas the G7 is all plastic), IBIS was a game-changer for me, and the lowlight and color were a bit better too. But the 25mbps HD wasn't quite enough to stay sharp during fast action and camera movement, which is a lot of what I shoot. The codec has to default to a softer mode to keep up, and it's noticeably softer to my eye than shots with less motion. The GH4's higher bitrates didn't have to do this as they had enough data to
  10. This is almost more useful for guessing what the camera will be like than the sensor specs, IMO (assuming these are indeed the codecs in the SIII). The max bitrate is clearly intended to work with U3 SD cards (which do a minimum 30MB/s continuous write, aka 240mbps). So Sony is probably shy to switch to a new media format, or even a more specific SD class/rating. So no new media format, which doesn't necessarily mean the same third-gen body style, but it doesn't rule it out either. They'll have to have dedicated processors that this codec is designed around: I would assume they'
  11. These sensors seem more suited to an A9II, or A9R. Mayybe an A7RIV? They need a higher tier of processing power, and thus will come in at a higher price, and thus a different market, than the A7xxxx series. IMO all the A7SIII really needs to be, to be a huge sales success right now, is just an A7III with a 18-20MPish sensor (so APS-C 4K is 1:1 or slightly oversampled), 4K60p, and the better EVF and screen of the A7RIII. That's it. Everything else about the A7III is good enough right now. Release this cam now and every workaday videographer and sub-Hollywood production house buys it, simpl
  12. Not if outputting HDMI restricts AF, like it does on my A7III (no face detect when using a monitor). And I believe the GH5 AF is worse with HDMI being used, too.
  13. I hope they continue with both, and don't handicap or pigeonhole one line in favor of the other (like only making ultra-compact bodies for m4/3, or keeping video features out of the FF bodies because they're "for photographers" ). It would be really nice if they made an adapter to use m4/3 lenses on the FF mount, so people can ease into the new system, and to make both systems more appealing. The SL mount is a big enough diameter that I think this could work.
  14. It can be done on a few of the Minoltas, but not all, FYI.
  15. The Lens Turbo II's were fine in terms of resolution/sharpness and color for me... but they went downhill fast when shooting into bright lights or sun, or even just most moderately backlit subjects. Flaring and hazing galore. And the "blue dot" problem, while much better in the second gen models, would still pop up pretty frequently. At first I blamed it on the MDs being old and lacking modern coatings, but the Nikon version had all the same problems with modern Nikon glass. 10bit is nice, but at the time I was on a G85, and my choice was either go GH5 and stay frustrated on the photo sid
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