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About chadandreo

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  1. Now that these cameras have been out for a while now and have had firmware updates, what do you guys think of this comparison?
  2. I am just wondering what would happen if I was to experience a power outage while using the AC adapter or experience a battery failure. Does anyone knows what happens to footage that is being recorded to a Atomos Ninja V and the device experiences a loss of power? Will the footage that was being recorded be lost? Does the device record some type of safety track?
  3. I think the upgraded battery life and screen alone are worth it since you will be using the camera for video.
  4. The XT3 is a mirrorless beast. There’s nothing that you did with the A6500 that you couldn’t do with the XT3, if not better imho. update the firmware and connect the cam to the ronin and you’ll be able to control the camera while powering/charging the battery.
  5. what applies to one person doesn’t apply to everyone. for interviews in which the subjects move around, good AF is invaluable, especially if the production decides to shoot with a more shallow aperture than f8. the way people have responded to cinema cameras adding AF, reminds me of when people thought seatbelts and abs weren’t important.
  6. Has Canon released a useable wireless system to control the C70? Wifi, App, etc. I am wondering for remote-cam and jib usage.
  7. chadandreo

    Fuji X-S10

    from a business standpoint, that wouldn’t make much sense unless they significantly increase the price of the camera.
  8. Why have all of the Komodo listings been removed from sites like BH?
  9. Has anyone used the EOSHD Pro LOG for Sony Cameras to match the FS5 to Canon color science? I have been searching on here and on the forums and I cannot find any info on the FS5. I am helping/consulting a church that has an array of cameras in which they are having trouble matching the footage from the FS5 to the rest of their Canon cameras. They have a couple of Canon XA50's and 5D4. Has anyone had any luck matching the FS5 to Canon cameras? Does S-LOG 2 or 3 work better with this LUT? Should I use the faithful setting for the LUT?
  10. Hi, I would like to know if anyone can help me to figure out the best course of action. I hired an editor who uses Final Cut Pro X and I would like to finalize the projects color and audio in Premiere Pro, with color being the most important. I bought Project X₂7, but I was unable to get the project timeline to match what the editor has in FCP. 90% of the timeline looked correct though. Also, while using that plugin, I am unable to sync assets like the motion graphics and text that were used by the editor. What is my best option when using premiere pro to work on these issues? Would Resolve work better?
  11. Luckily we’re dealing with APSC and not FF.
  12. What do you typically charge for mood boarding, scope of the project, etc. with clients in person or over the phone? Is there an industry standard range for this?
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