ntblowz

They also do support filmmakers too.  My friend was able to trial the c200 for free back then to shoot on one of his job from Canon NZ. Though he dont do youtubes and just starting doing podcast this year, as not every filmmaker is comfortable in front of the camera.  He was able to get hands on the R5, the only 2 in NZ!  Unfortunately i cant get info from him due to NDA but seems someone else leaked some info anyway.

D is the digital cinema resolution of 8K (like 4096 x 2160 is for DCI 4K)
U is the TV standard like Ultra HD

saw it from fb

saw it from fb

Sony vs Canon dickswinging contest

Thanks everyone for your feedback. I've got a very good deal for a GX80 with the 20mm and 12-32mm pancakes and I'm very happy with my choice. Now let's see what I can do with it :)

https://www.eoshd.com/news/canon-officially-schedules-9th-july-live-event-to-reveal-eos-r5-and-eos-r6/
https://www.canon.co.uk/pro/events/reimagine-live-event/
Save the date!
Shills will be out in force!

Yeh theres a fuck ton of vloggers and even more people aspiring to be. Even when you just search for a product review a lot of the time it'll be in a vlog format. And a large percentage of teenagers aspire not to be filmmakers, doctors, bricklayers, but vloggers. 
Panny really missed the boat on this one though. The camera they need to put out is an LX100 with flippy screen, mic jack and new sensor with no 4K crop and better dynamic range.

If you want to know about Toneh and other useful insight in the relativity of it all, don’t forget this channel:
I especially like the insider/management meetings he does 🙂 There are a few great ones about Sony and Canon...

Canon should counter-troll Sony and push the announcement date after Sony, who moved theirs to after Canon. Imagine an infinite cycle.

Jip is not a company that will continue building cameras or lenses - they buy up brands like "Vaio" from Sony to sublicense them for cheap no-name products.
The brand Olympus will stay with Olympus for the (now) core business of medical equipment.
Olympus imaging brands such as OM-D, Zuiko and Pen will soon appear on smartphones, selfie sticks and the like, ending up like Polaroid and Rollei did before.
Olympus' camera technology is now history, like Yashica/Contax in the past.

Honestly looks like a LUMIX Alpha (DfD edition!)

but with competent IBIS.
Not sure why you would buy this over ZV-1 if it doesn’t have 10-bit vlogl. EM5III seems like a better buy. 

I got removed from the RED Facebook groups years ago! Simply for mild criticism of them. 

Then again I've also been removed from /r/LocationSound/ as well for merely questioning the policies of the Mods of r/LocationSound.....  :-/ 

Don't forget to SMASH THAT LIKE BUTTON!

& hit the bell notification!

More details leaked on the R6.  Unless you need 8K or RAW then this looks like a nice alternative to the R5.

https://www.canonrumors.com/here-are-more-canon-eos-r6-specifications-cr2/
Canon EOS R6 Specifications: (New information in BOLD)
20mp full-frame CMOS sensor
IBIS
12fps mechanical and 20fps electronic.
Oversampled 5K Video
4K @ 60p
FullHD @ 120p
Canon Log
10-bit
Zebras
AF identical to the EOS R5
No RAW video mode
Dual SD UHS-II slots
Head detection AF
Animal detection AF
Identical 5 million dot EVF as the EOS R5
No top-down screen
Build quality not as good as the EOS R5
Bluetooth 4.2 (EOS R5 to get Bluetooth 5.0)
LP-E6NH Battery (Same as the EOS R5)
Announcement July 9, 2020
Under $2500 USD (Rumored)

Because sensorship is in place
Any negative post will be deemed unprofessional and will be removed, only the glorious post remain.
 

I recently watched this film, and thought it was fantastic. Story really is everything.
It's the writer/director's debut, he saved up $700k from doing commercial work to self-fund it. Filmed in just 4 weeks with only 5 characters. The cinematography is excellent and I've never seen some of the techniques before. I'm usually a 'show don't tell' kind of guy, but with this, I was so happy it's more like a story in realtime. The characters are interesting and engaging and it takes you far beyond the 1950s small town backdrop. 
Interview with DOP:
https://variety.com/2020/artisans/news/vast-of-night-amazon-prime-tracking-shot-1234620232/

Because sensorship is in place
Any negative post will be deemed unprofessional and will be removed, only the glorious post remain.
 

Because sensorship is in place
Any negative post will be deemed unprofessional and will be removed, only the glorious post remain.
 

Looks like a $6000 GoPro action camera at 120p. Mission accomplished!
S1H at $2000 cheaper looks better than any of the footage I’ve seen from the Komodo posted here.
 

RED is amazing with their marketing, they're getting folks to PAY to be beta testers!
 
 

As long as it has Clog. It will be already ahead of the 1dx 2 as it’ll have 4k with manageable file sizes.

NEW BLOG POST!

Yeah EOS r makes sense if you shout canon. If you shoot with an FS7 tho the A73 makes a lot more sense imo 

Garbage is an interesting word for this camera. I’m glad I won’t have to read R-bashing for much longer. Before we all move on, and pick up an R Successor, I’d like to put this in the record. I’ve nothing better to do right now, so here’s the whole story of the R from someone who has used it every day since it first dropped 18 months ago.
 
Firstly, fair point on this thread about the DR- on par with the C100 at best, maybe C200 (the non raw output). The crop never bothered me though - close enough to match the S35 cinecams - and there’s always the metabones as a fair fix. My problem with the R, like other R users on this thread, is the rolling shutter in 4K / crop mode (RS is fine in full frame), though I found this practically disappeared when using wider lenses like the Sigma 18-35. It’s there if you chuck it about. So I have to give a damn about camera movement, and I sometimes use a shoulder/chest pod handheld. Forget 50mm and above though yeah unless you’re on a gimbal or using some kind of rig. Flawed camera, it certainly is. The rolling shutter is my major gripe (my other gripe being no 60p in 4K - minor for me but a deal-breaker for many, I get it). 
 
This RS, which btw enhances some tilt-access warp in the electronic IS, so it’s a double-whammy, meant countless hours of experimentation and in the end meant building my own chest/shoulder pod for extreme handheld work and longer focal lengths. I’ve destroyed the RS but I wish I hadn’t had to do this, and I don’t always want to have to use this rig (even though it does improve every shoot). Bring on the IBIS. The 4K 60p. 10 bit internal. All hail R5/R6 - so long as there’s improved rolling shutter.
 
Garbage though? In and of itself, and just going by specs, I won’t argue that it was a disappointment, especially for full frame shooters. I agree, it’s a flawed video camera. BUT, when you put the R in context - ie with lenses, next to other cameras -I’d argue it offers formidable value for doc shooters, solo operators and for all the indie filmmakers who want to use a Sigma 18-35 without a focus puller....
 
Because it’s the only mirrorless cam on the planet to offer perfect autofocus (yes, for me, it works PERFECTLY) with that Sigma 18-35, a lens so good that many cinematographers use its rehoused glass for its true 1.8 transmission, near parfocality, and smooth focusing with almost imperceptible breathing (well, at least on the R...) I may be wrong, but I think the only other cameras on Earth that pair this well with the Sigma 18-35 for autofocussing full 4K readout are the Canon cinecams: C200, C300 mkii, mkiii, C500 mkii... I’d say the R is in pretty good company.
 
When you then add the R’s drop in ND filter (1.5-10 stops), it really gets interesting. I barely remove it when using the Sigma. How many of those cinecams have non-stepping ND (they step two stops, four etc) On the R you just adjust to any stop, wherever you want... all with the roll of a finger. The R also has decent electronic image stabilisation (if you know how to sidestep its limitations) which is missing from some of Canon’s ‘cinema cameras’.
 
I’m aware the R doesn’t have native XLR inputs or pro time code functions etc. I know it’s not a cinema camera (but this didn’t stop me selling my C300 to use the R exclusively). It’s a consumer camera - with an image that punches WELL above its weight. The R’s 4K is a 1:1 readout (which you can also out at 10 bit). Its 1080 is downsampled from the same 4K readout in crop mode. The R5 will not process its 4K the same way. It may be better, if Canon downsample 8K (it might not be better, especially its 1080), otherwise what kind of voodoo will the R5, and its purported 45 megapixel sensor, have to perform to offer better than 1:1 readout to cover the image circle of my Sigma 18-35? I hope Canon does it.
 
Obviously, the R is not going to be any cinematographers first choice to shoot a movie, but for anyone else, especially doc shooters and solo operators, I’m hard pressed to think of a better value canon video camera. Its 4K image rivals the C200, even performs a decent imitation of the 1DC image. And it has a 5Dmkiv built into it. In a low-profile mirrorless body. With an RF lens mount. All this for as little as £1400 used (and falling...)
 
The R was received poorly by all of us who were hoping it was gonna be the R6 and the anger STILL resounds. But the R6 is now coming, and soon the R Classic will be totally written off (if it hasn’t been already). If the next gen R cams can really deliver, I’ll probably trade in my R, and some kid can pick it up used and sacrifice it’s stunning images to the gods of YouTube compression - or maybe create something beautiful. Garbage? I’m afraid you’re probably right - the R will end up as garbage -  but I don’t think it deserves to be. Despite how frustrating the camera can be, it’s also been amazing in many ways. Farewell to the garbage that time forgot. Or will the R Classic be resurrected in the RF era, the impending ‘Revolution’ love-in, suddenly touted as the ‘next-best’ option to the R Pros for those shooters that, in these uncertain times, will not be able to afford the insane price tags surely headed our way.