26 posts in this topic
"Sweet Gourmandise" - A culinary film (shot with Canon 5D MarkII)
Hello everyone !
This is my new movie.
It's entitled « eet Gourmandise ».
This is a film about the preparation of cake, a "entremets", specially created for the film.
You can see it there :
It was shot with : Canon 5D MarkII with Canon 24-70mm f/2.8 L + 70-200mm f/2.8 L + 100mm Macro.
It was editing with Avid and color graded with DaVinci Resolve.
I wanted to show you and to have your feedbacks.
So if you like it, do not hesitate to share the link of the video on social networks, with your community (Facebook, Twitter ...)
Have a nice day.
...and "Bon Appétit" !!
thoughts on fs100
Right now on BH the fs100 with a free metabones EF adapter (after rebate) is only 2500. I've been using a 5d mark ii for the past 4 years as my main camera and although I still love it, it is a pain to use sometimes in a corporate video/documentary environment.
I figure the fs100 at this price with an adapter that will work with all my current glass seems like a great deal for the type of work I've been doing lately.
anyone own one and have some thoughts?
Nikon D800 14.4 stops of dynamic range?
By Birk Kromann
According to DxOMark the dynamic range of the Nikon D800 is a whopping 14.4 stops. I have no problem believing that it is not the same as the Alexa and that the Alexa's 14 stops are calculated differently.
It is interesting though that the Canon 5D Mark III only scores a mere 11.7 in the same test, making it almost a half stop less than the 6D (currently the best performing Canon DSLR in the dynamic range category) and 0.2 stops lower than the Mark II
Canon 5D Mark III
Does anybody else find this a bit peculiar? Especially since the 5D is the "go to" DSLR for filmmakers, heck I even own one my self.
Down by the river
By Rob Bannister
Shot over the past few years when we go home to Salisbury NB. This is down by the river where the children play. WE have such a good time hanging out with friends and family here. Big thanks to everyone who comes out to see us while we are home.
Shot on the Nikon D800 and D4 with the Dog Schidt Optiks FF58 Q1.5 Amber lens, Iscorama 1.5X anamorphic and other Nikkor lenses.
5D Mark III Raw VS FS100 AVCHD
I have not seen this comparison yet so I decided to test it out.
I tried to match the shots and then colors as closely as possible, setting the look with the raw footage (starting from BMD Color Space) and then trying to conform the AVCHD to it. The severity of the grade was moderate:
5D Mark III (Raw DNG)
FS100 (w/ Frank Glencairn's G-Log Ultimate)
And here is where the codecs really show their differences:
5D Mark III