[vimeo]https://vimeo.com/160260868[/vimeo] Leica are really going to after pro video shooters with the SL. Meanwhile RED are persuading medium format photographers to use a 6K Dragon or Weapon. A gap in the space/time continuum captain?! Step forward the next specialised tool to turn camera-chameleon: the Fuji X Pro2.
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Blackmagic have sent me a demo unit. Here are my very early thoughts on the adventurous form factor…
[vimeo]https://vimeo.com/159962392[/vimeo] Welcome to my rolling review of the Sony A6300. Like the rolling shutter of the A6300 this review takes a long time to get from the top to the bottom so grab a hot drink (be careful not to overheat) and enjoy the ride…
[vimeo]https://vimeo.com/159699501[/vimeo] Comment on the forum The new titanium PL mount SLR Magic Anamorphot cinema lenses are designed for RED users, Canon and Arri professionals. They’re also a great fit for the Sony A7S II and Samsung NX1.
[youtube]https://www.youtube.com/watch?v=70K889vpTsg[/youtube] Only Sony can put one of the world’s most advanced AF systems ever made into a $1000 camera but leave out a joystick for direct AF point selection and a touch screen.
Canon dropped some crumbs on the floor for the enthusiasts this week.
[youtube]https://www.youtube.com/watch?v=Yy07XV8rEQw[/youtube] Whilst movies are a form of escapism in the sense that they’re warm and comforting, some try to use that escapism to bring us pain.
The Sony FS5 is a miniature version of the FS7 cinema camera and Sony’s competitor to the Canon C100 Mk II. It’s also one of the most capable slow-mo cameras, with a 10bit 4:2:2 internal codec at 240fps.