[vimeo]http://vimeo.com/144495970[/vimeo] I have been shooting with the A7S II for 2 weeks now. Let’s really get under the skin of the camera and see if it is worth your $3000.
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[vimeo]http://vimeo.com/142487045[/vimeo] The Sony RX100 IV review is done and it is a camera I’ve found myself using a lot… but not for the 4K.
[vimeo]http://vimeo.com/136927545[/vimeo] By now you might be wondering which to pull the trigger on – the RX10 II or RX100 IV? The good news is I have now finally got round to finishing my review of the RX10 II and have also bought the RX100 IV to compare it with…
[vimeo]http://vimeo.com/135666316[/vimeo] EOSHD is now 5 years old and 5 years proudly advertising free. I want it to stay 100% impartial. I grew up with the BBC and they are the role model for me. No advertising on EOSHD. Nice rhyme to it doesn’t it?! In part 1 of the Sony A7R II review we will look at the A7R II not as a consumer camera but as a professional cinema camera. The benchmark…
This first hands on is with a pre-production model, so no footage for now. Instead on Tuesday August 4th I will shoot for the first time with the final retail boxed Sony A7R II in Berlin at a boxing academy. Be sure to check out EOSHD for that and the full review next week. The Sony A7R II represents a significant escalation in specs for both stills and video, a truly next generation camera.…
The Sony RX10 M2 is our first look at Sony’s new 4K XAVC-S codec at 100Mbit/s, the same which will be on the A7R II come the end of July. The RX10 M2 also brings 1080/120fps and up to 1000fps at lower resolutions. It features an extraordinary 24-200mm Zeiss lens with constant F2.8 aperture and built in ND filter. Is this the run & gun camera you’ve been waiting for?
Sony just made another quantum leap. They have added internal 4K across the board to their new cameras, the A7R II, RX10 II and RX100 M4. There’s some exciting new technology that makes all this possible. I’ll also touch on the RX10 II’s party trick – incredible slow-mo abilities.
[vimeo]http://vimeo.com/125560269[/vimeo] The EOS M3 features Canon’s new flagship 24MP APS-C (Super 35mm) sensor, the flag bearer for future Canon APS-C DSLRs such as the 760D. Now released in Europe and Asia but not in the US, does the M3 rage against the dying of the light or go quietly into the night?