[vimeo]http://vimeo.com/124522541[/vimeo] Camera provided by Kinefinity and HDVideoShop. Final hardware but pre-release firmware with some modes such as “Golden 3K” for 16-stop dynamic range not yet enabled. The Kinefinity KineMAX is a serious piece of kit. It is possibly the best image I have ever shot with. The 6K Super 35mm sensor delivers an absolutely incredible raw image, internally recorded and also a CineForm Proxy for quick editing.
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[vimeo]http://vimeo.com/120475177[/vimeo] Ferrari have a DNA. Cinema cameras have a DNA. You have to go back decades to see it evolve into the force it is today. For Ferrari it is the very specific engine sound and the looks. Arri are that spirit to cinema cameras. The DNA of the Sony FS7 is a compromise. Half EX1 and half cinema camera, the ergonomics of the buttons, dials and menus need a complete overhaul in my opinion. So Sony…
Canon Professional Network have release detailed technical information on the 5DS and 5DS R. “The uncompressed HDMI output found on the 5D Mark III has not been included on either of the cameras as the EOS 5DS and EOS 5DS R are more prone to moirĂ© and skewing, making them less suitable for high-end video production. A headphone socket, for monitoring audio, is not included. This is due to a lack…
[vimeo]http://vimeo.com/116985909[/vimeo] Two of the most exciting lenses for GH4 and BMPCC users at Photokina were the SLR Magic 10mm T2.1 and the Voigtlander 10mm F0.95. The SLR Magic wide angle is now available and gives you back your 24mm wide-end in 2.3x 4K mode. You could view it as an upgrade to the well regarded 12mm T1.6. Compared to the Voigtlander it has the advantage of less chromatic aberration, a stepless…
[vimeo]http://vimeo.com/113149793[/vimeo] Test based on pre-release hardware, firmware v1.0 The Sony A7 II is the first full frame mirrorless camera with 5 axis stabilisation inside (sensor shift based). It also gets some ergonomic and video upgrades such as XAVC-S at 50Mbit/s and S-LOG. But how does image quality compare to the Sony A7S and how effective exactly is the much anticipated “SteadyShot Inside” for video?
So for the past few days I’ve been using the CM1 as my main phone and have forced myself to get used to Android. I have to say that the charms are starting to grow on me, the frustrations from earlier have thawed and I’m starting to have a lot more fun with it. I still don’t think it’s as good a smartphone as the iPhone and the camera isn’t as…
Although I found the CM1 mediocre as a 900 Euro smartphone compared to other high end smartphones like the OnePlus One and iPhone 6 Plus, I’ll approach the CM1 purely as a compact camera that you can make calls on. This review has the focus on image quality and camera features. How does it perform?
[vimeo]http://vimeo.com/108656294[/vimeo] The Panasonic FZ1000 is a bridge camera, but is it a bridge that actually leads anywhere? Read my FZ1000 review to find out…