Administrators Andrew Reid Posted 6 hours ago Administrators Share Posted 6 hours ago 39 minutes ago, John Matthews said: On another note, I'm not exactly how MPB decides to offload cameras sometimes. One day, there're 20 GH6 bodies and the next day none. They give them to DHL and they go missing. John Matthews and ntblowz 2 Link to comment Share on other sites More sharing options...
MrSMW Posted 5 hours ago Share Posted 5 hours ago 1 hour ago, Andrew Reid said: They give them to DHL and they go missing. They look at who the purchaser is and if it’s @Andrew Reid they deliberately make it disappear. Just to annoy the fuck out of him. Because they can. PannySVHS 1 Link to comment Share on other sites More sharing options...
mercer Posted 3 hours ago Share Posted 3 hours ago 2 hours ago, John Matthews said: I also had the GH6 for about a year, but I'm really considering getting one again. I'll probably do like @kye and use that 14-140 most of the time. I'm still debating in my head though. The problem is simple- there are just so many old smaller "good enough" cameras, but nothing small and modern that can do 4k120 in the system. The G9ii is the smallest. On another note, I'm not exactly how MPB decides to offload cameras sometimes. One day, there're 20 GH6 bodies and the next day none. I went with the GH6 again for for a few reasons... 1. Official Arri LogC profile - it's even embedded in the metadata, so FCPX reads it as Arri footage. For someone who will probably never shoot with an Alexa, I must admit it's a stupidly cool thing... 2. ProRes 3. IBIS 4. Flip up screen Honorable Mention - I didn't realize how good the preamps in it were going to be. With good mic placement, some of the audio is perfectly usable. Davide DB, PannySVHS and John Matthews 3 Link to comment Share on other sites More sharing options...
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