Rinad Amir

* 13 mins is for 5.5K RAW 60p, yes the 24p will give you more time on a card... still expensive though to get through a shoot with 1800Mbit to some of the most expensive cards on the market.
In my opinion yes there are, and they are cheaper.
Panasonic S1 gives you 1D X Mark III rivalling codec and image quality for around $2k (with V-LOG update).
Although none of them marry 4K 60p 10bit full frame with Dual Pixel AF, they are better in other areas.
Principal one being usability and feature-set.
Yes you can argue Canon has made the first 4K/60p/10bit/full frame/DPAF camera and those are all headline features, if you wanted all that on a Panasonic or Sony you may have to wait another year or 2.
Panasonic S1H however does all the 10bit 4K stuff better aside from FF 60p and the AF...But it is $3.5K and Netflix approved, the image is blazing a trail.
This has advantage of IBIS and an EVF too, as well as articulated screen and more adaptable lens mount, cheaper media costs, more options.
Leica SL2 is a sexier camera to use, sex on legs, sexier than anything I have personally handled
It offers full frame (well, near full frame 1.1x crop) 4K/60p in 8bit and 4K/24p full frame 10bit ALL-I 400Mbit. No RAW but an extensive feature set - very in-depth. Like a supercharged S1R for video.
A7R IV is a contender for hybrid stills / video use. The stills side is beyond compare, 60 megapixels, cutting edge AF, large EVF and very good IBIS... although not as steady as Leica SL2 or S1H.
Remember the A7S III is on the horizon which is likely to give you the full frame 10bit 4K 60p for $3k mark along with Canon beating AF...
Canon 1D X Mark III might be short lived at the top for people who want 4K/60p/DPAF and RAW.

Panasonic finally announcing release date firmware for S1H maybe? I mean common we ready for Raw?

Its about time for Sony to release the dam thing!

The A7iii is a good allround video camera and really excellent stills camera (I do own it), but no cinema camera because of its weak codecs and 8bit limitation, no matter how you rig it up.

Sorry, but if one doesn't see advantage/difference in using 12bit color then I guess one is better to keep using something like Sony A7III with its glorious 8bit log.

Some 6K frames from Chinatown in San Fransisco. Leica R’s. 
 

After using ok lighting  (672C and couple 500LED lights) for a few years I decided to step up lighting kit this year, first to the flexible lights like Falconeye RX18-TD and finally settled on Aputure C120D II, and result is quite a dramatic different, I think for the first time we got client ask us what "filters" we use so the photog's photo can have similar colour as our video lol  (and that was just a quick grade in Premiere).
I really wish i had done this lighting kit upgrade sooner. Definitely will make some of the videos we did much better ugh.
 
Light with Falconeye RX18TD: notice the subject is underexposed and background still overexposed, and the light gives a bit of magenta shift.

 
Lighting with Aputure C120D II on dome mini II, subject is well light and background is well exposed, skintone is pretty good with no colour shift.

 
Client asking what "filter" we use.

 
Light setup for the day.

Ohh Takata belts ? i remember them days getting pulled by gards and asking why in the world id have them instead of ordinary seatbelets on my 9 

I think the 24-70/2.8 may be heavier. This is definitely a chunky camera.
Chris

Time to Rig up my S1H & Ninja V with some cages ? i must say this setup is solid!Now waiting for Atomos to trigger that Raw signal anytime now?
 

My brother owns S1 and i shot with it to me they both look identical, Vlog from S1H * S1
But make sure u shoot in 10bit to squeeze the potential out of it? 

It weight ton alright that 50mm heavy as fuck ? but 4k60p in 10bit full VLoG is just dream come true for grading.

Looks beautiful but must weight a ton!

Time to Rig up my S1H & Ninja V with some cages ? i must say this setup is solid!Now waiting for Atomos to trigger that Raw signal anytime now?
 

Time to Rig up my S1H & Ninja V with some cages ? i must say this setup is solid!Now waiting for Atomos to trigger that Raw signal anytime now?
 

Time to Rig up my S1H & Ninja V with some cages ? i must say this setup is solid!Now waiting for Atomos to trigger that Raw signal anytime now?
 

My rad setup? timelapse 

The Z-cam looks really interesting, but it's already $1k more than the S1h, not to mention the necessary cost of still needing to add a monitor, and of course the lack of ibis and need for rigging to make it more suitably ergonomic, all of which the S1H can do out of the box, which is still a fantastic hybrid for still-use to boot. 
That being said, I'd love to see how much of an IQ and potentially DR-edge the Z-cam raw files give it over the Panasonic though. If it blows it out of the water, hopefully that can spur Panny in to giving us some raw-love as well. Gotta love competition! 

Lengthy review on newshooter - its crazy how much better the S1H looks than the A7 and Nikon camera in the talking head comparison video. Also, not sure I agree with him on the "Sterile" look, pocket 6k seems just as sterile if not more to me. Though, to his credit I have seen lots of footage with the S1H that can look sterile in the wrong hands. 
 
https://www.newsshooter.com/2019/11/11/panasonic-lumix-s1h-review/?fbclid=IwAR2RI5AXLl9Hlbqfir20uerkbnS8IdiI9oVd7ctgsP5WGJDJ-O3zMgJqgN0

The biggest surprise for me with this camera is the outstanding color reproduction. Skin tones are spot on. This matches up much better with my Red Dragon than the BMPCC4k. Would love to see some kind of 12 bit raw implemented.
5.8K - 4000 ISO - 24p frame grab:
 
 

The thread is sleeping, so I thought about sharing updates after having used the S1 for a month (and the newly announced firmware updates are a good occasion for that !).
So I used the S1 during a 1 month arctic journey across northern Swedish mountains and Norway in last September/October. I only took the S1, for photo and video, and brought with me the 24-105 f4 kit lens and the Sigma 14-24 2.8 dg dn (the new one, designed for mirrorless) which I brought 3 weeks before I left home.
I wanted to film (not doing time lapse) the northern lights, but we were not very lucky with the intensity of lady aurora, despite one or two explosions in the sky, and the f2.8 aperture of the sigma was not enough. I will soon sell the Sigma and buy a 20 1.4 Sigma art, and maybe wait for the newly announced pana 16-35 f4... (or a used canon 16-35 f4).
I was a bit frustrated with longer reach need, because, when I bought the S1, I thought the ex.tele converter worked the same as on Sony (clear zoom if I remember) and on the GH5 and G9. So I did not bring any tele for this trip (despite still having at home a Canon 200 f2.8 L ii prime at that time), hoping to film with the 24-105 at 105mm in apsc mode + exteleconv. Some days before leaving home, I discovered that it does not work in 4k… So on 1 or 2 occasions, to film wildlife or distant landscape, I used 1080, and pixel/pixel mode. I checked the results at home on my computer, and the results are really really awful eheh ! APSC mode is, on the other hand, really good ; so, in the end, I had a little reach on some occasions.
I really love the range of the 24-105, and find it very useful. Fot this kind of trip, it is perfect ; maybe the newly announced (yeah, so much "newly announced" today !) Sigma art 24-70 f2.8 dg dn will be better, I'll keep a close eye on it. The Sigma 14-24 f28 dg dn is a wonderful lens for photos, sharp enough for me in the corner, light etc. But the inability to put a vari nd on it was useless for video. I bought it for nighttime auroras filming, but a 20 1.4 + a wide zoom that takes filters will serve me better.
I encountered minor bugs  : occasionally, when I pressed the review button to check my images, it said "no valid pictures on card". Had to turn off the camera and I could access again my images. I had 1 or 2 freezes (really less than my fujis that used to freeze very very often) too. Ah, and the camera is slooooooooow to operate. Drives me crazy when in a rush !
All in all, it worked very well, even during snow storms and -10°C temperatures, and was covered with ice and used under rain with no problems. The handling and controls are phenomenal, especially in shitty conditions.
So far, I only reviewed my footage on my computer since I came back home, and I barely touched the camera again (little time) but I managed to play with some clips. The Vlog shots are gorgeous... really ! I tried to play with them with filmconvert nitrate and varicam profile (I need to try the """newly announced""" ? S1 profiles), and with the varicam luts supplied by panasonic, and I love everything about it : colors, look... I think i prefer the result I obtain by applying Resolve's color space transform to the vlog clip, and then tweaking it to taste. I am still learning and, thus, is a horrible color corrector, but with minor stuff applied, I obtain a really pleasing result.  I also filmed a lot with Cine-d and HLG. The former seems to be very good, and the latter... I still did not figure out how to treat it in Resolve eheh. I wish I had more time to learn the camera prior to departure, because I played with the flat profile last week-end, and I really like it too. One thing I instantly noticed is the iso capabilities : amazing !
I sadly found some missed focus shots while reviewing my clips. More than I wanted... I mainly used MF, but with a lot of "AF first then switch to MF", and maybe the struggling AF in low contrast scene + not always easy to check the focus peaking in bad weather conditions + my poor fillmmaking skills are to blame.
On the still side, not a lot of things to say : wonderful high iso performance, very flexible files... everything you want from a modern 24mp sensor. A great machine for my use : landscape, documentary, astro photo...

Sorry for the very unprofessional review ahah, hope some of you will find something useful. I attach just for the fun an image I took inside the tent, after a short night (I still have to post process my photos). Don't pay attention to the "clean" appearance of the camera... I was always wiping it, as it was often covered with snow and rain ? 

I will sell my Sigma 14-24 2.8 and, in the future, I will slowly build  a kit with a wide angle prime, lenses like the samyang 135 f2, takumar 50 1.4, and maybe the coming panasonic S lenses...
But for now, I will add the smallrig cage for the S1 + a cheap 5.5" monitor, and I think about buying a Panasonic G9 + pana leica 200 f2.8 + tc (unbelievable sales + cashback right now) . It will allow me to "deport" the long reach video and photo use to this setup.

@omega1978 sorry, I promised you to take sample images with the sigma 14-24, but I did not find time to do it before leaving. Did you put your hands on it ??

First, auto tune your motors, then set the joint angle as described in this thread:
forum.dji.com/thread-163729-1-1.html
Then...
1) With the app on your phone/device connected to the Ronin-S, go into the SMOOTHTRACK setting.
2) For Pan set Speed=High, Deadband=0, Sensitivity=100. Pushpan=Off
3) For Tilt set Speed=High, Deadband=0, Sensitivity=100. Pushpan=Off
4) For Roll set Smoothtrack and Pushpan = Off
This has fixed my Ronin

First, auto tune your motors, then set the joint angle as described in this thread:
forum.dji.com/thread-163729-1-1.html
Then...
1) With the app on your phone/device connected to the Ronin-S, go into the SMOOTHTRACK setting.
2) For Pan set Speed=High, Deadband=0, Sensitivity=100. Pushpan=Off
3) For Tilt set Speed=High, Deadband=0, Sensitivity=100. Pushpan=Off
4) For Roll set Smoothtrack and Pushpan = Off
This has fixed my Ronin

First, auto tune your motors, then set the joint angle as described in this thread:
forum.dji.com/thread-163729-1-1.html
Then...
1) With the app on your phone/device connected to the Ronin-S, go into the SMOOTHTRACK setting.
2) For Pan set Speed=High, Deadband=0, Sensitivity=100. Pushpan=Off
3) For Tilt set Speed=High, Deadband=0, Sensitivity=100. Pushpan=Off
4) For Roll set Smoothtrack and Pushpan = Off
This has fixed my Ronin

Next : Gimbal stabilizer  for your gimbal?