Emanuel

Well, more than a 'disruptive hybrid' you end to have two camera models all-in-one then ; -)

So what?! You have any idea about camera design and engineering...? I only didn't downvote you this time because I tend to dislike them as much as I respect you even when you drop such rubbish *Phew* Cameras performance like dicks ain't pixel size or amp/volt/watts related ; ) Save your funds for a few batteries and stop to spread nonsense! Too funny to still read so BS from a long time poster/camera owner like you : ) Shame I can't ask how old you are! LOL

In this case it will be the only one at the lightweight side then. There's another advantage yet: let the display free for viewing angle.

There is a gimbal manufacturer I can't disclose any details for now because of some negotiations to run at this moment. It is the only one able to mount the motor either on left or right for best use along the P4K. 1.2kgs is also one of the lightest gimbals you can find within the 3-4kgs range for payload. Without mention a most affordable price target to match the deal. Anyone interested for further information please feel free to reach me via PM. E : -)

From Apple's April 2018 white paper: https://www.apple.com/final-cut-pro/docs/Apple_ProRes_White_Paper.pdf Anyone here still have memory of that professional Panasonic 90's D5? PSNR stands for peak signal-to-noise-ratio. Any doubts yet? ; -)

Don't reverse the quote, buddy ; ) Yours inferred so, not mine! If you compare clauses, you can't change them to distort the output as your wish. To argue a point must concur fair premises all way long (bias is invariably used to born from that precise path ; -) No idea on your testing conclusions, obviously : ) You have good quality lower bitrate (35Mbps for 1080p and higher than about 150Mbps for 4K DCI 25p) anyway on P4K and with most robust 4:2:2 for casual outcome. Take a look on this to second something else not by my hand this time (if necessary): https://pt.wikipedia.org/wiki/Apple_ProRes#Apple_ProRes_422_Proxy https://discussions.apple.com/thread/5988053?answerId=26267966022#26267966022 EDIT -- Sorry for the 1st link in Portuguese, I didn't find it in English though.

What ISOs?

Weather sealing going with an external recorder attached to?! Good luck... LOL : -)

Have you ever shoot with? I've been finding 1920 x 1080 (also available on 4K DCI & UHD) ProRes PXY shot on P4K much away from your description, pretty the opposite BTW... : ) 4:2:2 makes all the difference anyway.

https://www.gizmochina.com/2018/12/11/honor-view-20-camera-samples-reveal-photography-prowess-of-48-megapixel-sony-imx586-sensor/ https://www.xda-developers.com/redmi-note-7-pro-48mp-sony-imx586/ For about 150 bucks... there's no more excuses to stop you become an artist for large ; -)

Indeed. Dreamy days we live today: https://www.gsmarena.com/xiaomi_redmi_note_7-9513.php For 200 bucks! Add both 4K pocket BMD & Osmo versions (+ M2P as you wish going your stuff aerial as well), you have your really mobile and handy large format ready for still/motion wherever you go! Here's a thread of nowadays ; -)

Let alone the dropped frames... LOL

Exactly.

For sure for limited takes... ; -)

Lossless in order to be named and considered a digital negative to be able to allow posterior recovery? For sure. Other than that, RAW there is pure solecism then if so. E : -)

Well, nothing to object then : ) I find your comment pretty solid, so 100% agreed : -) I put all my bets for now on the new BRAW to be implemented into the P4K to begin with. Hope others to be subject to be there as further add-on to follow.

Not exactly. RAW doesn't necessarily mean uncompressed (that is, can perfectly happen to be minimally processed) but more prone to be taken as a digital negative where information may be subject to be recovered lately. This is what generally characterizes the tool : -)

I know once having tested P4K along with and actually, I have loved it! : -)

I find the cooling system there much well designed. Sony would have something to learn with them ; ) Don't compare 4" with 5" camera screens, they are a hell of a difference! : -)

I surely share some viewpoints with you. The buttons and wheels are intimidating... LOL I even avoid them going with the touchscreen commands as much as I can, keeping them as new as possible : D Even though not as far as form factor concerns. It is unfair to infer they didn't give their best to design the best hybrid motion picture camera that's what this P4K is. Seems a DSLR with the mirrorless weight. Something RED hasn't offered to us with their DSMC system. No matter their good intentions. What's exactly the beef here? We have an adage which says the issue is where? Trousers or arse?! I told you there is at least one gimbal manufacturer who is able to let you have 1.2 kg of gear to capably stabilize the best form factor out there. BTW I've always dreamed to shoot perfect motion holding a film stills camera in hands instead. That's what I feel with this tool. No other camera has succeeded before. Either 5D II/III/IV (with the exception of ML & 1DC maybe but at expense of how unreliable a hack may end to be or double of the weight and what price when released for the 2nd case) or MFT / APS-C / the most recent FF series by other major players have failed to give you such combo IMO. Without mention the price target ; )

Seems more info will be arriving along this NAB... from our @DaveAltizer :

Don is one of my/our good fellows here. Just stubborn like hell : D He never shot with one or he would arrive to the same conclusion as I've arrived. Today as for instance. I brought with me literally inside my pocket my GX80 for a family's celebration in a restaurant. Great monochrome output BTW. When arrived to home for the second part, I immediately changed for my fav cam ever: the new P4K. I completely missed how ease is to set up and shoot. A pleasure to be with. The more I shoot the more I regret to not have it a few years earlier. It is a perfect device to me and definitely to everyone who starts shooting with one. @webrunner5 dare yourself to buy one mate and you'll never desire to replace it. Mark my words : -) 4592 x 2584 JPEG shot on GX80 1920 x 1080 grab from ProRes PXY shot on P4K 25fps aka 25p Both straight out of the camera with zero grading. Still room for any doubts? When you come from an intuitive menu like the P4K is to a much complicated BORING menu of these small digital devices you promise to yourself to never underestimate these Aussie goodfellas... LOL

REDCODE is compressed RAW for a dozen years, no one has complained in Hollywood included... Do you? :X

Hence to limit myself to dream about... ; ) Either way, still a milestone this upgrade no matter what : -)

Nice to know : ) Wish 4K60p might be a reality as well...