Posts Tagged ‘prores’

A few days ago Thomas Worth of Rarevision (5DToRGB and RAWMagic) asked me for some original files from the GH4 so he could develop an experimental app he had in mind. The result is an embryonic new command-line app for the Mac, which takes 8bit 4:2:0 4K H.264 files from the GH4 and resamples them to 10bit 4:4:4 in 2K DPX format.

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PSR20007b

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The GH4′s internally recorded 4K files can be converted to a chunky 2K 10bit ProRes 4444 image which grades extremely well.

To test this theory I call on colourists to have a go at it.

Arri Alexa ProRes files are available from their FTP server. Details below.

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Panasonic GH4 4K

Pros are wondering what the benefit of 4K is to them in terms of overall image quality, when mastered and delivered for 2K / 1080p. A lot of work is still shot in 1080p and cameras like the Canon C300 are the workhorses of the moment.

In the case of the GH4 it may appear from the specs that it’s just an 8bit 4:2:0 camera internally.

Actually the theory is 8bit 4:2:0 4K material from this camera can be taken through a workflow in post that converts it to 10bit 4:4:4 1080p – with all the smoother tonality, better colour and workflow advantages that format brings. This is a big leap for 1080p based on the much more expensive C300 which only does 8bit 4:2:2.

I asked Go Pro’s David Newman (Sr. Dir. Software - follow on Twitter) whether this theory was correct…

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BMPC ProRes

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(Mirror provided by Copy – sign up and get 20GB free storage. Better than Dropbox)

The BMCC 2.5K EF and mFT cameras are now in-stock at Hot Rod Cameras, where you can also pre-order the Pocket Cinema Camera

John Brawley has released a few ungraded ProRes files from his card, shot with the Pocket Cinema Camera and SLR Magic 35mm F1.4.

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D5200 ProRes test

In the early days of DSLR video the codec was probably the weakest part of the camera. With the advent of uncompressed HDMI out – the codec is no longer a weak point but sensor sampling becomes an Achilles Heel.

Can the Nikon D5200 benefit from a hike in image quality from using an external recorder?

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The EOSHD Panasonic GH3 Shooter's Guide
The EOSHD 5D Mark III Raw Shooter's Guide
The EOSHD Anamorphic Shooter's Guide - Second Edition
More EOSHD Guides