What next for Sigma? What would you like to see?

Sigma Fp

In my opinion the Sigma Fp was a great camera milestone for creative shooting. As the first Sigma camera to shoot cinema quality 4K and the first full frame stills camera to record 4K RAW internally to SD card, Sigma have gained the attention of filmmakers and set a tone for a very bright future.

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Sony A7S III wish list – eND, 8K, 4K/120fps, ProRes, RAW, revolutionary design, Venice colour and even new menus

Does Sony plan to be stone dead last for video specs much longer? Yes, stone dead last. The Canon EOS R5, Nikon Z6, Panasonic S1H, Fuji X-T3, Leica SL2 and of course Fuji GFX 100 all ace the ageing Sony A7S II and flagship A7R IV for video features and image quality. The only companies that don’t are struggling Olympus and stills-orientated Pentax.

Legend has it there is a camera called the A7S III. They say it’s going to “exceed expectations” and put Sony back on top for video. But will it? It’s 2020 and hell has frozen over. A certain Canon EOS R5 has cutting edge video specs nobody saw coming. This means only one thing – the A7S III has no choice but to be very special indeed and may even have to go back to the drawing board.

Read moreSony A7S III wish list – eND, 8K, 4K/120fps, ProRes, RAW, revolutionary design, Venice colour and even new menus

The $2000 Z-Cam E2 gets upgraded to 4K 160fps with firmware update, RAW codec coming later

I really do like the look of the Z-Cam E2. Reading Erik Naso’s very detailed review was an eye-opener. For a modular camera, it’s very forgiving in terms of bare bones shooting. You do need a cage and ideally an external EVF or monitor – but it runs off a small Sony NP camcorder battery and records internally at a very high spec – so you don’t need to add an expensive external recorder and heavy V-lock battery.

I’ve been rather impressed by the colour science on this camera as well. It has a certain Digital Bolex mojo to it. All the sample footage I’ve seen so far has been absolutely beautiful and cinematic.

For more details, check out the Z-Cam website.

Read moreThe $2000 Z-Cam E2 gets upgraded to 4K 160fps with firmware update, RAW codec coming later

Z Cam E2 cameras announced – 4K 120fps for $1999 with 16 stops dynamic range AND FULL FRAME 10bit ProRes 8K / 6K versions starting at $4995!!

Comment on the EOSHD Forum

Holy specs sheet. Z Cam have just announced a series of modular E2 full frame cameras as well as more affordable Super 35mm and Micro Four Thirds versions. The latter is shipping now at B&H for just $1999 and shoots an impressive 120fps 4K to CFast card, 10bit internal no less. The larger sensor versions are due to hit the shelves in October 2019 and include the E2-S6 with Super 35mm 6K sensor costing $3995. Stepping up to $4995 gets you a 6K full frame sensor and a further $1000 upgrades to the mighty E2-F8 (8K from a full frame sensor).

Read moreZ Cam E2 cameras announced – 4K 120fps for $1999 with 16 stops dynamic range AND FULL FRAME 10bit ProRes 8K / 6K versions starting at $4995!!

The Blackmagic Pocket Cinema Camera 4K unboxed and first impressions – Best indie RAW camera yet?

For the first time ever I’ve come face to face with the Blackmagic Pocket Cinema Camera 4K and the Blackmagic Pocket Cinema Camera 4K has come face to face with me. It’s time to face facts without doing an about-face.

Read moreThe Blackmagic Pocket Cinema Camera 4K unboxed and first impressions – Best indie RAW camera yet?

Blackmagic Pocket 4K is the most watched camera launch ever on EOSHD

Comment forum

It’s been interesting to watch the response to this camera. 9 days after NAB, the thread about it on the EOSHD Forum has amassed over 92,000 views which equates to 10,000 a day for a single forum post. That’s the most enthusiastic response to any camera release in the history of EOSHD going back 8 years. People want RAW recording – and they want it for cheap.

Read moreBlackmagic Pocket 4K is the most watched camera launch ever on EOSHD