ProRes vs ProRes – A first look at uncompressed HDMI with the Nikon D5200 vs the Blackmagic Cinema Camera

In the early days of DSLR video the codec was probably the weakest part of the camera. With the advent of uncompressed HDMI out – the codec is no longer a weak point but sensor sampling becomes an Achilles Heel.

Can the Nikon D5200 benefit from a hike in image quality from using an external recorder?

Read moreProRes vs ProRes – A first look at uncompressed HDMI with the Nikon D5200 vs the Blackmagic Cinema Camera

Is the cheap Nikon D5200 a better option than D800 for video? No moire & aliasing and good detail

The Nikon D5200 is equipped with a new Toshiba sensor and appears to outperform both the new full frame Nikon D600, Canon 6D and even the Nikon D800 when it comes to video.

It looks like newcomer Toshiba didn’t get the memo “All DSLRs must suffer from moire and aliasing in video mode”.

Read moreIs the cheap Nikon D5200 a better option than D800 for video? No moire & aliasing and good detail