Lux Shots Posted March 18, 2021 Share Posted March 18, 2021 4 hours ago, deezid said: Probably just interpret as PQ/LINEAR in fcpx or Premiere. Dynamic range is exactly the same in ProRes Raw/Braw vs internal. Only benefits are: - no chroma denoising - 12 bit 444 Dynamic range is the same, but not the ability to recover from over exposure. Try that with H.264 V-Log and it's gone forever. Quote Link to comment Share on other sites More sharing options...
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