IronFilm Posted September 22, 2019 Author Share Posted September 22, 2019 Quote Link to comment Share on other sites More sharing options...
IronFilm Posted September 22, 2019 Author Share Posted September 22, 2019 A video of my rather ridiculous rig I was using to film for my YouTube channel "Sound Speed!" at the Pro Audio Showcase 2019 last week: Quote Link to comment Share on other sites More sharing options...
IronFilm Posted October 15, 2019 Author Share Posted October 15, 2019 I'm a madman. Do as I say, not as I do. BTM_Pix 1 Quote Link to comment Share on other sites More sharing options...
IronFilm Posted October 18, 2019 Author Share Posted October 18, 2019 My unboxing (welll... random ramble really!) of the Sound Devices 833 is now online: Quote Link to comment Share on other sites More sharing options...
IronFilm Posted October 21, 2019 Author Share Posted October 21, 2019 Part Two: Quote Link to comment Share on other sites More sharing options...
IronFilm Posted November 2, 2019 Author Share Posted November 2, 2019 Quote Link to comment Share on other sites More sharing options...
IronFilm Posted April 19, 2020 Author Share Posted April 19, 2020 Hadn't planned to be part of this 48Hours, as it was announced last minute and everyone is under lockdown. But I got asked to do some lines, so I tried my hand at voice over acting! At least I've got the nifty gear to whip something together? Also an excuse to set up a workflow I'll be using on shoots once lockdown is lifted, but the coronavirus is still a health & safety concern. Likely, the lav tracks will not be the option for some edits. But what if I can still give the editor more options than just the single boom track? Thus my plan to loop my boom track over AES through the CEDAR DNS-2. Using the mono split feature of the CEDAR DNS-2, I could have one output being a soft touch of noise reduction, and the other option a harder go at noise reduction of the boom track. Thus giving the editor three tracks to choose from in the edit, to select what is best for them. (of course, ideally they should do the NR in post, but not everyone has the skill/software to do that, many projects don't have a dedicated post audio team but just the one editor doing both the visual edit and the audio at once) This video was filmed with my usual vlogging setup of a Panasonic G6 with an Aputure A.Lav running straight into it, but the Panasonic 25mm f1.7 lens instead as I had my girlfriend Helen to "operate" the camera. BTM_Pix and heart0less 2 Quote Link to comment Share on other sites More sharing options...
IronFilm Posted June 23, 2020 Author Share Posted June 23, 2020 Geoff CB and heart0less 2 Quote Link to comment Share on other sites More sharing options...
IronFilm Posted July 1, 2020 Author Share Posted July 1, 2020 Quote Link to comment Share on other sites More sharing options...
IronFilm Posted July 15, 2020 Author Share Posted July 15, 2020 Saw a Sony FX9 in the wild on a shoot for the first time: Quote Link to comment Share on other sites More sharing options...
josdr Posted July 15, 2020 Share Posted July 15, 2020 Subscribed 🙂 IronFilm 1 Quote Link to comment Share on other sites More sharing options...
IronFilm Posted September 21, 2020 Author Share Posted September 21, 2020 Impressed with the range of the SD-Remote App for the Sound Devices 833. Quote Link to comment Share on other sites More sharing options...
maxmizer Posted September 23, 2020 Share Posted September 23, 2020 ironfilm...you would be much better off without a beard ... you would attract a lot more audience !!! 😄 😇 IronFilm 1 Quote Link to comment Share on other sites More sharing options...
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