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5 underrated cinematic images from "forgotten" cameras


Andrew Reid
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This thread reminded me that I had a few test clips of 5Dii Raw that I captured to test the workflow but never graded or anything.
Today I was bored and just played a little with them.
It sure does have a certain soft but creamy look.

I really like the two indoor shots of the Dog where I just added some saturation and contrast after converting it to BMDFilm.

 

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This thread reminded me that I had a few test clips of 5Dii Raw that I captured to test the workflow but never graded or anything.
Today I was bored and just played a little with them.
It sure does have a certain soft but creamy look.

I really like the two indoor shots of the Dog where I just added some saturation and contrast after converting it to BMDFilm.

 

Mattias do you think i could get some dngs to play around with?

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  • 3 weeks later...

Not sure if this is the right place, but here goes:

How long did this take to complete from inception, to pre and post production?

What kind of budget did you have?

Did you use the awesome light you and Bruce developed that was used in the Testarossa / Petrolicious piece?

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10 hours ago, zerocool22 said:

It depends for what you are using it for. If you want to use it for cinematic short films, then hell yes. 
For company video's, Interviews and even travel video's I would use the A7S ii.

In that case i'll use my samsung nx1 with my zeiss milvus glass for that type of content instead of an a7sii

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