Simon Young

YUMMY

YUMMY

I want colors close to this (not that much warm though).. but straight out of camera! Wish Nikon let us import luts.. someday.
 

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My hands on first look and footage vid is live. Love the camera! 
 
 

Of course you'd find a way to be negative about this. Been putting down these S cameras post after post. Now the S1H will do RAW too courtesy of Atomos! I'm sure you have something negative to say about that too. Oh, and Sony doesn't even offer 10bit internal or external on any of their cameras. Stuck on 8bit no 4K60p! In 2019! LOL

Yeah I absolutely love my z6 but announcing the RAW is going to require a hardware adjustment is definitely a kick in the teeth.
At least they should have put 10-bit LOG internally in the camera to soften the blow.

Soooo while Panasonic releases their latest beast of a full frame video camera Nikon quietly sneaks out a silent “we fucked you”.... nice.

Soooo while Panasonic releases their latest beast of a full frame video camera Nikon quietly sneaks out a silent “we fucked you”.... nice.

Bumping this thread! Just made a video showing the amazing advancements of the V3 firmware! I love using this camera. Colors are great. Ibis is amazing and now autofocus is totally reliable 
 

You'll have to trust me on this one, not your screen.
The footage off the card has a low micro contrast, gentle fine detail, not hard edges or too sharp, video-look.
And if you wish for a softer look there are a million $0 ways of going about it with 4K. One of them is simply to shoot 1080p and upscale to 4K. But that would be missing out on the full bandwidth this sensor and codec providing.

https://alikgriffin.com/nikon-50mm-f1-8-s-lens-review-sample-photos/
Finally a review which mirrors my own experience with the Z system so far and especially the 50/1.8S.

Canon sometimes isn’t the best for landscapes. There’s a focus on skin tones that sometimes take the oomph out of greens and blues.
I find Fujifilm and Nikon to have a great balance overall, all subject matters considered. 
The Panasonic S1 looks fantastic.
Every time I look at jpegs from Olympus OMD camera’s I come away impressed. Olympus colour is underrated. 

Here's some S1 Vlog test footage I just shot on the ninja v, pro res hq, 
Shot with Zeiss 50mm zf.1
Sharpening at 0 
noise reduction at 0
Stills graded with FilmConvert fuji eterna
https://www.dropbox.com/s/can0ot1k98ogd7a/NINJAV_S001_S001_T066.MOV?dl=0

The 2016 E-M1 ii just became the ultimate Youtube/vlogging camera (full stop) and literally no one (except this thread) is talking about it. Even if the E-M5 iii coming in August gets PDAF it probably won't have the flippy screen...

“Of the Z lenses I have the 35mm F1.8, 50mm F1.8 and 24-70mm F4 – all of which cost me far too much money, only for them to be discounted almost to half price just a few months later.”
Where can I find the 35/1.8S for half price? I will buy it immediately. Thank You
Also Andrew, you keep saying how much you dislike the Z glass without making an argument for why they don’t work for you. It makes it difficult to take you seriously. I’m curious to hear why.
Had I held off I could have bought the superior Z7 for almost the same money as my Z6 but I fail to see how this is Nikon’s fault? Early adopters often pay that price whichever the type of product. I fail to see how aggressive discounts (from all the manufacturers btw) in the face of a quickly shrinking market would not make sense? 
I disagree with you regarding the Z lenses. Great value for money. Better built than G or D lenses. Better put together than any Fuji X mount I had. The XF lenses may be metal on the outside but with far lesser tolerances, wobbling barrel on the 16-55/2.8 and slightly loose bayonet fitting on all lenses except the 50mm f2.
I don’t think high quality plastics is a bad thing. It’s more practical in cold weather and often deals with impact better. Not to mention lower weight.
The control ring has perfect resistance on all the Z lenses I have and the optics are better than anything I’ve ever seen. The choice to first release superlative quality F1.8 primes is more practical to most than what Canon has done. Super speed exotic heavy specialist glass with far fewer use cases, even if they do make for more exciting news it’s true.
Theres nothing as good at the price or compactness as the 24-70/4S out there, the 14-30/4S is unique and optically on even footing with the twice heavy 14-24G. The new 2.8 zoom is supposed to be incredible. The primes so far are both spectacular.
They’re quiet, fast and has what looks to be the best weather sealing out there (just look at the design of the seal at the base of the lens, I’ve never seen that construction before and it’s a much better design than just the rubber gasket you find on everything else). 
No focus breathing or other weird focusing behaviour. 
Almost no aberrations and no coma 
Extremely sharp with good rendering and neutral colour.
Lens control ring awesome for exposure compensation or step-less aperture control. 
For sure it’s not like an old charming Sonnar, but I don’t need my standard glass to be full of “character”, I want it to be as neutral, sharp and true to the world as possible.
The only problem I see is the lack of a setting for linear focus behaviour of the focus ring. And that the lens line is still small. But what we have so far is arguably the correct order of release for most. 
As of today the single best reason to buy a Z camera I believe is the lenses. 
 

more info about the firmware

Neither?!

V-LOG colors looking good. Youtube-compression makes it hard to judge the codec though.

One thing that made me crazy is this stupid app from panasonic to transfer foto.when a wifi router is near, they connect to it and lose connection to the camera.last weeding i want transfer some screengrabs from video to but it on insta, but it was impossibile because this problem ?
The AF works ok, if only 1 person is in scene, but with multiple is very jumpy.i have tested standard settings and extended.Second seems to react faster but with more pumping. So i use 90% MF with peaking. I think one of the best, on par with Atomos recorders. The size and weight for me are optimal, you can handheld it with a focus loop and you have a tripod style experience
 

This dude on Youtube released some files for download showing the standard S1 profile vs the new v-log 10-bit: 

Video here: https://www.youtube.com/watch?v=DUWr1dJ6Gr8

Download here: https://www.dropbox.com/sh/tbeah6el1et55yo/AABBQs0-OL_THPUekwm6sWRba?dl=0
I had a quick go at the files, the v-log is definitely saving some blown out highlights in the sky over the standard profile, top is standard, bottom is my grade of V-Log: 
 

V-LOG colors looking good. Youtube-compression makes it hard to judge the codec though.

V-LOG colors looking good. Youtube-compression makes it hard to judge the codec though.

Here is an S1 frame grab with my beloved contax Zeiss 50mm 1.7, this was shot in HLG and hasn't been graded at all, just pulled from rec2020 back into rec709. I think the color and dynamic range speaks for itself:

I own the S1 and the x-t3 and the latter surely feels like a toy in comparison (I used to own the a7riii too and while I loved the output when it came to photos I never managed to warm to the wonky colors and ergonomics on the video side).
I really like the S1 and can only agree with what is written above. I use it with M-mount voigtlanders so I’m not really concerned with the sub par autofocus. I’m extremely excited about the 10bit internal vlog and pairing it with @Sage‘s Alexa lut.
Thinking about switching my x-t3 to a GH5s but I think I love the Fuji too much.
With regards to size: my Fuji paired with the 23mm f1.4 is taking up just as much space in my bag as the s1 with the Voigtländer 40mm f1.2. The Panasonic setup is a lot heavier though.