Dave Maze

Yeah,since canon has the best colour in the world,why some guys even bother worry there is not log ,not ibis,not FF view 4k, not bsi sensor, even the codec from 90s work out just fine！
Good work canon,sony sucks;)

Nice work Dave. Whats interesting is Canon already has designed the perfect 1DC mkii sensor, the 12mp full frame from the orginal 5D.  I'd love that in a 1DCII, full frame 4k with everything else you mentioned. 

We shot this whole thing with the 1dc and Leica R glass. Really loved that. I personally own a set of CONTAX Zeiss lenses and love the look they create. 
 
 

We shot this whole thing with the 1dc and Leica R glass. Really loved that. I personally own a set of CONTAX Zeiss lenses and love the look they create. 
 
 

Here are some rough graded screen grabs from our shoot. All shot RAW Cinema 4K to 4K ProRes HQ. Also, here is a DB link to the ungraded TIFFs: https://www.dropbox.com/sh/xltljff7euy65iq/AABIShq-mPu2YdYVmLRqpRUIa?dl=0 I included a chip chart on some of the interview setups too if you guys wanna have a crack at it. 

We shot this whole thing with the 1dc and Leica R glass. Really loved that. I personally own a set of CONTAX Zeiss lenses and love the look they create. 
 
 

Looks like you had a lot of fun with the shoot! I just bought a C500 and the Odyssey Q7+, I had started a thread over on DVXUSER Fan noise be gone! There is a solution to the fans on the C500 that kick in 7-10 minuets in while recording in 2K and 4K mode:
http://mattporwoll.com/problems-solved/
I bought one of these units through AbleCine here in LA, the fan system looks streamline on the C500, and even better it works and is super quite while on! You can read all about the fan noise in the DVX thread, it goes back to some other thread spinoffs that talk about solving the fan noise issue. Now I can roll on those long winded interviews without that dreaded fan whining noise kicking in recording in 2K or 4K  

Here are some rough graded screen grabs from our shoot. All shot RAW Cinema 4K to 4K ProRes HQ. Also, here is a DB link to the ungraded TIFFs: https://www.dropbox.com/sh/xltljff7euy65iq/AABIShq-mPu2YdYVmLRqpRUIa?dl=0 I included a chip chart on some of the interview setups too if you guys wanna have a crack at it. 

Thanks for clearing that up, I was confused because I assumed it was light sensitive. I agree about the Q7 being clunk to work with even though it's very impressive in other ways. I always found the C500 through the Q7 to be extremely sharp at 4k, far sharper than the Epic or Alexa, but the color straight to prores seems odd to me and I've seen mosquito noise and aliasing that's a bit annoying. Never worked with the raw files, but it seems like a camera that's halfway there to me.

I shot this for a company that owns the footage so unfortunately I can't share files with you but I'll post some screen grabs from it on Monday. The camera was so slow. All the old C cameras are slow. But the image from the C500 is undeniably great. We only shot to 4K ProRes HQ as the editors at the company I worked for aren't ready for raw and the turn around needs to be quick. From the dailys I've seen the footage from the C500 with Odyssey looks better than any Epic MX footage I've shot in the past. Idk why we never rented this camera before on RED shoots. I think the RED name holds a lot of value to producers. Idk. But this forum really encouraged me to branch out and try these old slow cameras. I recommend you guys do too!

Amazing kitchen, err, I mean can't wait to see the finished product.

Nice. I would love to play with a DNG pulled from the Odyssey. I have no idea what to expect from Canon raw. (I see you capture this in ProRes, but anyway..)

iThis is the first shoot I've done with the C500. The images coming off the camera are incredible. Using the whole range of original Canon C cameras! So fun. 
 

Wow. This is a killer. 
 

Wow. This is a killer. 
 

Wow. This is a killer. 
 

Wow. This is a killer. 
 

Wow. This is a killer. 
 

Wow. This is a killer. 
 

Wow. This is a killer. 
 

Wow. This is a killer. 
 

Checked back into EOSHD for the first time in a while to see if Andrew would flame Canon for the 5D mk IV. Was not disappointed.  
Cheers! 

They really only have like, one edge in the market and that's the "Canon" color thing imo.  Because honestly if we're going to continue making 8-bit banding machines in 2016 for video work, (Who'd have thought we'd point one of these things at the sky) - Everybody else is killing them on features.  They're just pushing their C-line.  If you want C-log from Canon, you'll get it at a ridiculous price.  

Here's a list of great things about the 5D Mark IV...
Read the full article to see the list

And if you don't desire:
Stills DSLR size of form factor Decent codec 10bit Slow-motion Full frame Quite a lot to write off isn't it?!