PannySVHS

I want to see my world in 12K and 120fps, how our planet is getting fried and resources being plundered by power hungry production, distribution and consumption of 12K 120fps content and hardware. It will be so clear like looking outside ze window, I would have cleaned before. Zeeing izzt beliehieving! I will see our planet is in trouble. Before I will have consumpted some Teletubbies in 50 or 60p. 50p is foreign to me though. What are the other cams you have? Which one would be the one and only for you? What frame rate did you shoot mostly in? Have you done a short film with your red one mx in higher framerates?

Too much of an honour 😊 @Emanuel I am a an 8bit afficiando at heart with a few obscure visual poems under my belt, but thank you anyway for your kindness. Anyway, Gh4 at 50mbit! Thing is, directing and script talent is busy so i gotta do that as well. Passion piece. Reminds me of the times when i browsed GH2 videos with great pleasure. I cannot say that about browsing iphone 15 stuff.

What a nonsense product, a s8 camera with monitor for five thousand usd/eu. Did i miss something?

I am still fancying to do shortfilm with a GH3. I want to find out about my minimum regarding image quality for personal narrative work. It seems promising due to its moderate 50mbit codec and a rather robust image without artefacts. I have a GH4 i bought a few months ago. Should be the same as it has a 50mbit option beside the 100 and 200mbit ones. Just have to stay away from the cine profiles to simulate a GH3 well enough.:) Codec from my G6 back then was ok but not as strong as i wished under more harsh conditions, still pretty good for its time and bandwidth. G7 had my favorite HD image, even lovelier than from the GH5, almost as high resolving but a bit more gentle on textures. By a relevant margin better sensor and pipeline than in the G6, same codec though. I still have it but wanna test a adequate minimum data rate. So a simulated GH3 it will be.😊 Just saying in regard to kyes and Emanuels posts above.:)

Puh, maybe I am not keen on new tech reviews at the moment, but it was no fun trying to read that test. Their photo sensor tests had been a joy to study, but this one, not for me. Electonics fetichism. Tired of witnessing that.

GH4 colours and dynamic range? Great musicians, and so young talent. I wish the Dji filmer put some coins in their jar. This video was a gimbal test video and a great audio witness of the musicians, good handling and showcase of the gimbal, cinema verité it was not. Image seems in GH4 territory. Interesting enough for rent and evaluating the image quality oneself if they give them away for 20 a day. Wanna share bits of your footage, Dji or, heck, just anything of beautiful Lissabon? @Emanuel

I love Conan, to me the champ of all latenighters. That guy has funny bones and of course a great and funny mind and a great team and sidekick. He is a cultural treasure beyond borders. I remember people who found him to be way too goofy for a relaxed watch and preferred Leno and Letterman, who both were more suited for a broad audience. Conan got rejected when trying to enter a snobster techno club in Berlin about two or three years ago. I don't mention the name on purpose. Real Estate Pros love to grab Eastgerman trademarks and turn them into elitaer technodiscos. I imagine some technofollowers would disagree with the connotation of disco. So Conans little act gave me tears of joy and gratitude. I enjoyed Kay on Digitalrev a big deal. It could have always been bigger, badder and better but it was the best available back then. What I came to not like were some gender based jokey remarks iirc. I enjoyed to "travel" Hong Kong as a youtube tourist, with Kay as a photo guide and camera talking guy. A Conan he is not indeed. But who is in the camera world. There is only one other guy i can watch as a whole for camera entertainment and that one is a funny grumpy polarbear in his rather blank living room. Hong Kong and guests and people of Hong Kong were exiting to wander and roam around.

Easy, easy on us, it wasn't us who did this test.😊 Alexa with Prores HQ instead of the FX and that 10bit codec will shine with that gorgeous image. But yeah, the whole image pipeline is to be accounted.

Kay would be able to come up with a funny reply I imagine.:) BBC rocks and so did the Kay era on DigitalRev. Anything after him was like Teletubbies following after a Studio Ghibli film. 😊

Quiet appealing thumbi this time and tasty writeup, dear Emanuel. Love it. But will I click it?😂 @Emanuel I still won't click the first one, even though this are the times of fugly thumbnails. Especially because of these times I won't click it.😂 Actially, I find the new Dji compelling to play with. I imagine smaller rentals having them in their lineup. Would be fun to try one out.

You have read several compelling accounts about NRaw here in this thread. Slashcam tested it on several occasions with best in class latitude, bettering S1H internal which is bettering R8 Canon Raw. Color fidelity is impressive. Andrews article shows a different perspective iirc, about difficulties to work it in post for best effect iirc. Give us your summary of it, if you find time. It's been written very early after that brandnew format came out. @Jedi Master

Seriously, they got the mount. Pannyboy gets the Braw.😊

Now that! It was super enjoyable to watch Kay on DigitalRev, always quirky, fun, exiting, even whimsical, great locations and occasions, colabs, just the whole thing. To delete that treasure is not only dumb but in a way crudest cultural vandalism the way they did it.

What about a 50mm 1.8 bargain lens on the S1? @Beritar That should be much smaller. The Sigma 45mm 2.8 is pretty small but is a relevant amount narrower regarding fov than a 40mm. No real equivalent to the nice 20mm 1.7 in the FF world other than the Voigtlaender 40mm F2 in M-mount or a Konica with a long flange and adapter. I love the fov coming from a 40mm lens on a FF camera. A native 40mm 2.8 pancake would be sweet, with Af and a clutch for hard stops when in manual focus. The G9 II in S5II body is dwarfed by the gigantic S1.😂 Oly 35RC has a 42.5mm F2.8 lens btw. I loved that lens and focal length and that camera.:)

Three Z8 and that new Nikon Vintage Kid. Weight estate unaltered.😊 If a S2H comes around the corner with internal BRaw, 6K60p and Dweual Gain monster sensor, then what!😂 I find that on/off switch on the S1H nor super reassuring and a bit flimsy. On the S1 it is way more solid and really clunky, like its stainless steal mounted heavy duty tilt screen. And it is positioned on a way better spot. On the S1H it's located too close to being switched off accidently when holding for handheld filming imo.

I liked the results I got from the GH5 in HLG, the few times I was using it instead of VLog, same for the S1. I will revise that footage some time soon. Don't recall, if I did a cst to VLog or directly to 709. Btw, what's the difference between idt and cst? cheers

I have not been aware of red box yet. Is it a red frame around the image? Was not aware of that feature. I was able to lock the shutter button during video recording. Found it in Panasonics official pdf manual, on page 8. Firmware 2.0 is needed. One remark on ergos, I would like the on/off button to be located away from the shutter button in a next S1H or any Lumix camera. That is one major dislike for me so far when doing stripped down handheld filming.

Internal Braw for the next Lumix cameras, please.:)

If I am allowed to chim in, I would love a powersaving solution like the m1 tech in a windows laptop. What would be an equivalent to a M1 Max Macbook, with lowish powerdraw and same performance in Resolve for editing, grading and rendering?

Pro equipment for earning pro money doing pro jobs in pro sports. 😊 @gt3rs I am always impressed by stuff like yours. I enjoy the achievement itself and am always a bit in disbelief about it. There was a member posting here, who was filming sports with a FS5, football and baseball iirc. Was that you as well? Some impressive footage.

Looking great! @kyeGh5 is indeed a great performer. Btw I haf mentioned a bug before about its performance in Vlog, big pink uniform blotches on skin while using the 10bit Long Gop. I found one example again and it is not funny revising it. Have you encountered that artefact?

GH5 III = GH5 II + punsh-in during recording + Pdaf + timecode, for 1099. @IronFilm😊

Here is a comparison between a FX9 and a Red Scarlet by my favorite camera user and tester of the Sony Cinealta F3, who switched to the FS7 and then upgraded to a FX9. He still holds the colour of the F3 in high regard but for client work he needs 4K. He is from Sweden. Not the only cool camera loving Swede doing great presentations on youtube.:) He makes some interesting points, regarding reliability and usuability and gives a sneak peak into image character and besides, I just love the fellow. 😊

If it looks as valid on a GF3 it will certainly kick ass on a GX85. I would prefer to use a camera from GX85 and G7 on due to their solid 4K image and codec and for HD at least a GH3 with its 50mbit Long Gop in HD. GX has some nice bw profiles with adjustment of color hues. G7 I could check but a bit too lazy now.:) S line would be unfair but compelling to try out. All 709 profiles of course.:) Filming in vlog and turn down saturation after 709 conversion and sofore without possible colour manipulation could be a fair handicap for simulating a bw log profile. Of course no colour work permitted before 709 conversion.😊

From what I read on this forum, Clog flavours on their hybrids lag behind their counterparts C300 II and Mark III even moreso. R5 in Raw does perform same latitude as S1H in its h264 codec in test by German test site slashcam, but less in dynamic range according to Cined tests. NRaw has been a bit of a riddle in post to some youtubers due to akward Nlog curve. But an Aces or other adequate workflow should solve that. It has almost the same but even a tiny bit better latitude than a S1H and the same as C70 Raw according to slashcam, bettering also a R5 in that same test. Colour fidelity is supposely astonishing. Nikon has put out convincing 8bit video hybrids with the Z6/7. Even their HD Dslrs D750 and 850 have been 8bit video marvels, such as their Apsc D5300, 5500, 7500. So they are no newbies regarding convincing image quality in video. @ghostwind That is only talking about image quality, not even mentioning full Hdmi, sturdiness, internal Prores besides Nraw. Nikon had a few aces in their sleeve during their law case with Red. You could find all about that in the insightful Eoshd thread about that topic. @Jedi Master