Taranis

Thanks, that would be nice! I was considering the BM Video Assist 4K too, but I read too many reviews about it being unstable. And yeah, if you can get a 4K60p capable recorder for a little more money, it's reasonable to save up for that one, as a recorder can easily outlive a camera body.

Seems like it has a crop: "In full-frame shooting, the angle of view will be narrower under the following conditions: – When [File Format] is set to [XAVC S 4K] and [Record Setting] is set to [30p]."

Short comp of the other 3 clips including the wide dynamic range restaurant one.
4K ProRes 422LT as per the originals.
https://mega.nz/#!57Q3RAIZ!XJ6vaaX6FizxjPlbn8lJhhYgtP8pg0o1fbCBql-2N5g

I tried to give it a warmer, sunset type of look.

The NX1 beats every other body at hijacking threads, but joking aside, there were tests showing that the NX1 can't write the fastest UHS-II cards at more than 60MB/s, so it's not ideal for RAW recording.

The NX1 beats every other body at hijacking threads, but joking aside, there were tests showing that the NX1 can't write the fastest UHS-II cards at more than 60MB/s, so it's not ideal for RAW recording.

I shot some high contrast scenes to test out what's the maximum dynamic range you can achieve without F-Log.
 

I shot some high contrast scenes to test out what's the maximum dynamic range you can achieve without F-Log.
 

I shot some high contrast scenes to test out what's the maximum dynamic range you can achieve without F-Log.
 

I shot some high contrast scenes to test out what's the maximum dynamic range you can achieve without F-Log.
 

I shot some high contrast scenes to test out what's the maximum dynamic range you can achieve without F-Log.
 

I shot some high contrast scenes to test out what's the maximum dynamic range you can achieve without F-Log.
 

Honestly I didn't shoot any video before leaving on my trip, just a few test stills to see if the lens was centered as I sold all my Sony gear a couple weeks before leaving and kind of built my kit on the fly. Bad idea to embark on something like this without knowing your gear, but time was tight and I really like the XT2 after renting one to compare to my a7rII and a6300. That's why I wound up with a 16-55 and 50-140 that are sitting at home (too heavy to carry everyday) while I'm on the road all year. It doesn't help that until I hit Australia/Asia, I'd never actually seen a Fuji camera in a shop so I couldn't tinker with lenses before buying - now I see them everywhere as there are tons of camera shops in the countries I've visited so far - Australia, New Zealand, Malaysia, Singapore and Indonesia. Anyway, I think the 55-200 is pretty sharp, and a really good variable aperture zoom. If you need the focusing speed or light gathering/DOF of f/2.8, then the 50-140 is a no brainer. For a travel lens with more reach and half the weight, the 55-200 has been a gem. 

Thanks, exactly what I needed to hear The price difference is huge and I think I can live without that constant f/2.8.

Huh?
The X-T2 shows clearly much more detail, where the Olympus looks muddy while oversharpened with lot's of halos. The Fuji wins hands down.

I have the SLR Magic Vari ND II, it's one of the best in it's price category. It's also a polarizer, but that part is unfortunately a pain to adjust.

Thanks. Hard to say, with Pro Neg STD -2 shadows/highlights I could get about the same DR as with the D5200 using Flaat11, there was maybe a little less color information in the darkest areas. I'd say between 10-11 stops without F-Log, but that's only my unscientific guess

What do you mean by less extreme? F-LOG is pretty usable the way it is, I just tried to grade two shots provided by Oliver Nimz, his footage was posted here earlier. My grade is intentionally very close to his:
There is a little banding in the sky, otherwise I think it's fine even though it's 8bit. There is some green tint in F-LOG, but nothing you can't fix in post.

And as a side effect some grades turn out to be "better" (liked by more people), than others. But I get it, I should leave it a side effect

You can always go larger: BEAST

You just need the right adapter, with the Metabeans Speed Roaster your GH5 can do an espresso just fine! 
Just make sure your sensor gets really hot!

Just made a quick comparison with my D5200 (using Flaat11). Wanted to see how the X-T2's DR compares with the flattest settings possible without F-log. Everything is in the description. Unfortunately it was an overcast day, but I tried to find high contrast scenes. This test is not about color.
 

Sorry I meant the whole example starting around 0:40. Watching it again the Pro Color candle does not have the pink of the 1DX MK2, so I actually prefer the Pro Color over that. It's just that overall redness that I find a bit too much.