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IronFilm

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Posts posted by IronFilm

  1. 1 hour ago, wolf33d said:

    Awesome. Please good video DPAF and I AM IN. Only thing missing in the GH5 for me.

    Then it's gonna be GH5s / A7SIII battle with the A7SIII being a full frame GH5. But honestly for video, sensor size above M43 do not make as much as a difference for my use like in photo. 
     

     

    a7S mk3 will not have all the GH5 specs/features but with a FF sensor.

     

    I'll eat my hat if it does.

  2. 11 hours ago, DBounce said:

    Luke, are these frame crabs from the ***** **** ? 

    I only just realised that is the right number of asterisks for "LUMIX GH5S"

     

    8 hours ago, mercer said:

    I am by no means an expert on this but don’t you only need 8mp for 4K Video? So a 12mp sensor would be more than enough for good 4K Video while also making it easier to downsample the 6K to 4K in camera for a clean 4K image free of artifacts? Isn’t that why the a7s has near perfect 1080p?

    With that being said, I believe the rumor states that the mystery camera will be geared towards high end video, so it’s quite possible that it is a S35mm sensor with an EF mount. Since the EVA1 has an EF mount and there seems to be a whole in their product line... then a $3500 S35mm 12mp GH5s could fill that gap.

     

    Oh god no, please not another EF mount!

  3. 22 hours ago, jonpais said:

    Not sure whether this is just a Black Friday deal or not, but it’s come to my attention that the 7” Ninja Flame, pretty much an Inferno without 4K 60p capability, has been marked down to just $595, a huge savings over the Inferno and putting it up against the Focus. 

    WHOA!! That is only a hundred bucks more than I paid for my Atomos Samurai Blade (& that itself had just had a massive price drop! One of the key points that helped sway me towards a F3).

  4. On 11/23/2017 at 6:47 PM, jonpais said:

    but nothing in Dogme’s rules precludes shooting with even an Arri Alexa (provided you could handhold it)

    A back of steel!

    6 hours ago, HockeyFan12 said:

     

    On the other hand, it’s this same thinking that makes me so critical of Netflix’ decision to focus on “true 4k” over whatever the creative team would prefer.

    Blames the lawyers is my bet.

  5. 5 hours ago, Anaconda_ said:

    Not B&H, but those in the UK might want to bennefit form a half price Ursa Mini PL mount.

     https://www.proav.co.uk/blackmagic-design-ursa-mini-4-6k-pl-mount?utm_source=Pro Active&utm_medium=email&utm_campaign=8920575_Black Friday 2017&utm_content=Blackmagic Design URSA 4.6K PL&dm_i=C1A,5B75R,PRUIOO,KHTNA,1

    There are also lots of other great deals on Proav this weekend

     

    Pity it isn't the Pro version, as then I could swap the lens mount out to something else than PL!!

  6. 19 hours ago, PannySVHS said:

    What are the advantages to a GX800 or GX85 other than price difference?

    Form factor, IBIS, and UI / usability. 

    19 hours ago, PannySVHS said:

    I don´t know why I find this cubic form factor appealing, just like the blackmagic micro cinema and micro studio cameras. :)

    Because a "cube shape" means a poor man's RED?! :-P lol

  7. On 11/23/2017 at 12:33 PM, Laurier said:

    Yeah but the A7R2 have excellent auto-focus in video , I shoot a lot of fashion video/Mv and that a fantastic feature, It save me the cost of a 1st AD, beside I can shoot moving subject hand held with a 85mm 1.8 wide open in full frame,  and I love the look.

     

    1st AD?!?! Hmmm.... strange.

    AC perhaps?

  8. On 11/23/2017 at 7:14 AM, Kisaha said:

    A middle solution would be a Zoom F4/8 and a 416 or a Sound Devices MixPre 6/10 with a 416.

    Even though I almost always agree with you Kisaha, in this exception I would say an F4/F8/MixPre6 is *NOT* a "middle solution". 

    As MixPre6/F4/F8 are very clearly low end options (even if they're at the top end of the low end, and have many features that only a few years ago you'd have only seen in the higher end ones). 

    The middle range of option is Sound Devices 600 series (664/688/633), Zaxcom Maxx, Sonosax SX-R4+, etc

    High end is Aaton Cantar X3, Zaxcom Deva 24, etc

    I still feel the F4/F8/MixPre6 are *EXCELLENT* recorders which are amazing for their price, but it is good to keep some perspective here, out of the whole wide range of options out there they are certainly not some middle ground, but instead very much so sit on the cheap side of the price spectrum.

     

    On 11/23/2017 at 7:14 AM, Kisaha said:

    IronFilm has some suggestions in his blog/site, and already mentioned and discussed in this forum.

    http://ironfilm.co.nz/which-sound-recorder-to-buy-a-guide-to-various-indie-priced-sound-recorders-in-2017/

    http://ironfilm.co.nz/aputure-is-shipping-their-new-microphone-aputure-deity-meant-to-be-a-competitor-to-the-sennheiser-416-like-the-rode-ntg3-is/

    On 11/23/2017 at 8:59 AM, Dimitris Stasinos said:

    As for the recorder i have mixed feelings about Tascam as a company. They have terrible QC issues, i had an audio interface that turned into a fog machine...twice.


    Seems you've just been unlucky? If anything, I'd say Tascam has perhaps a better reputation than Zoom? (up until the last couple of years, Zoom had zero "pro recorders", while Tascam at least had a presence in that market)

    But if you really want to avoid Tascam, then consider Marantz?

    https://www.bhphotovideo.com/c/product/1340332-REG/marantz_professional_pmd_706_6_channel_dslr_recorder_recording.html

  9. On 11/23/2017 at 10:21 AM, Dustin said:

    I was browsing fleabay and noticed a few had gone for US 800 range. Which bugs the question, in the 800-1000 range is the A7S Mk1 still competitive? Just curious on your thoughts! it's fun searching eBay/Craigslist for good cameras at very nice prices. 


    You could probably get two Panasonic G80 bodies for that secondhand? Gains better battery life, flip out screen, 4K, and IBIS

    On 11/23/2017 at 5:09 PM, Mark Romero 2 said:

    I'm not really sure what would go into an a6500 successor... and no telling if it would be at the a6500 price point or whether it would be closer to that of D500

    And we're STILL waiting on an a5100 replacement?!

    It is tricky business crystal ball gazing

  10. On 11/23/2017 at 3:02 PM, CineAlta said:

    The video assist won't accept 4;4;4.  It will probably give you a green tinted image if you send 4;4;4.    for use with the video assist, set the f3's sdi out S-Log 4;2;2  Use SDI output A, not the 'Video Out' bnc connector.  If you're set to 24p you should be sending 24p out of the sdi.  the BM video assists seem to sometimes detect the wrong frame rate - on the A7 series they see a 25, 24 and 30p signal as 59.98, but when imported into the timeline you'll see the correct framerate.  

    It's worth setting the camera to Cine EI mode since it locks you at 800iso and you get the most from the sensor.  correctly exposed you can pull or push the 4;2;2 footage a lot before it breaks up.  Amazing camera.  ps.  watch out for the 'shutter on/off' switch down near the bottom left in front of the flip out screen.  Set to 'off' gives you 360degree and changing shutter angle won't change anything.  catches you out sometimes.

     

     

    CineAlta, your username checks out! ;-)

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