Jump to content

Dimitris Stasinos

Members
  • Content Count

    130
  • Joined

  • Last visited

About Dimitris Stasinos

  • Rank
    Member

Profile Information

  • My cameras and kit
    Sony FS700 ,Canon 5D III

Recent Profile Visitors

The recent visitors block is disabled and is not being shown to other users.

  1. For the majority of content creators (including my self) this machine simply does not exist. It was released yesterday in a parallel universe. Stop looking at it. If you need 28 cores and 1.5 TB of RAM for your every day jobs then this price tag is probably just fine for you. If you are about to start saving money by sacrificing other needs that you may have, so that you can buy the base configuration in the next year, then don't this. It's just silly. When you are buying the base configuration of a Mac Pro, you are actually paying for things that you can't use until you stuff it with overpriced components. You are paying for the "fact" that your machine has the "ability" to get significant upgrades like 1.5 TB of Ram, 4 TB SSD, 4 x Vega's etc. If you need to "save" money for the base configuration then good luck with the rest. It won't happen. Stop looking at it. The iMac 2019 right now is the perfect balance for almost any content creator that can't afford the new MacPro. iMac Pro is also overpriced for the majority of users. I' am working with iMacs and FCPX for the last 10 years as a full time video editor for TV shows. Every 3-4 years i am selling my iMac and getting the next one, so the actual cost for every upgrade comes to 1500 to 2000 euros. FCPX is a truly unique and reliable application and yes i have worked with Premiere, Vegas and Resolve before. You have to actually "work" with an application and not just "test" it to make conclusions. If you are editing 10 min highlights or low budget commercials then all of these work just fine but wait until you need to edit a full length movie or a 2 hour documentary to see how the app reacts to this massive amount of data. FCPX is "rock steady". Period. A "slightly" upgraded iMac 2019 with Intel Core i9, 1TB SSD and Vega 48 (plus user upgraded RAM to 32 GB) will cost you about 5000 bucks. Is this overpriced? Of course it is. But it's also much faster from the base configuration of the cheese grater and you get a great monitor plus peripherals. Is it upgradable? Of course not. But nothing is upgradable nowadays, even this cheese grater. In about 5 years from now, this badass Mac Pro 2019 and it's tech will be totally obsolete and in 10 years from now that fu*^%ing bul*&@t Afterburner (that i am sure it will cost 10.000.000 dollars plus tax) will be sold for 100 bucks in ebay.
  2. Lol, I think i will have my first dream about this in about two years when the prices settle down. Let's wait and see, but this is definitely going to be a killer tool.
  3. L5 Rumor Panasonic Cine Lumix S1H will be announced on May 31 It’s L-mount New Full Frame sensors Records 6K24p and 4k60p Records 10bit 4:2:2 internal at 30p and external 60p 14bit Dynamic Range Cinematography dream gear It’s built like a tank. Slightly bigger than the S1-S1R for better heat dissipation full built-in log settings lot more epxensive than the S1R (Lol)
  4. “I know it was THAT dark because I saw it.” I am watching everything on a 31" calibrated LG monitor. If i calibrate my monitor to pull out the blacks from this mess then everything else will be a pain to watch. Or does Mr Wagner suggests that we create a dedicated profile on our monitors so that we can watch GOT? So lets take this a step further and ask Mr. Wagner to create a GOT Color Chart. This is like blaming the audience for not being able to calibrate their 200$ speakers so that they can listen to the bass track on a 10.000$ audio production that have been mixed on a 100.000 audio workstation. WTF?
  5. It seems the Pana has adopted Sony's pattern in their mirrorless names. We have a plain S1 and S1R so maybe a model named S1S will follow later this year just as G5S came after GH5. I haven't seen a single rumour about this yet but it's very logical and possible to happen. Maybe they are waiting for A7 SIII to come out and then fight back. Given the fact that the pricing is on par with Sony, making them serious investments, i wouldn't buy any of these two at the moment (maybe a second GH5 would be a better purchase). Also, the pricing of the 3 new lenses is not competitive at all. These are normal prices for full frame lens but quite expensive for Lumix users that will make the jump into the new system. The new 50mm lens is seriously overpriced. I am curious though to see the build quality, hoping that it will be a step up from Pana's MFT line with their lame plastics.
  6. I am no fan of 8K either at the moment, it's too soon for our systems to handle it. I even wrote 2 articles last year on redshark about how the industry is pushing us to this direction with no reason at all (i mean there is no benefit for us, the reason for them is of course long term profit). But it will eventually happen and we have to accept this. Of course it will take some time as 4K is not established yet, i am still delivering in Full HD and no client has asked me a 4K export yet. Anyway, as i said the Axiom camera is an admirable effort but the concept of an adaptive body is not that simple. You can't just swap a camera's sensor with a newer one and expect it to work without serious software development and hardware updates. Even their prototype has a long way until it's fully functional and the specs are getting already obsolete by this year's releases.
  7. They where also getting close exactly 2 years before today. This is definitely a huge effort and i can partially understand the various difficulties behind the project but it is moving too slow in a fast moving market. By the time (and if) this camera is 100% functional, 8K will be a must, new sensors with better DR & sensitivity will flood the market (this has already happened) and ProRes (if not RAW) will be a standard codec in the sub 2000$ (if not less) category. As far as i know (i am not an expert in any way) this design is based on a couple of 5 year old (or more) sensors and i don't think it will be THAT modular and adaptive to newer sensor designs. Correct me if i am wrong on this but i think this project needs massive funding and a group of 10-20 full time developers to keep going, or else it's doomed.
  8. @Andrew Reid Some food for thought as winter is coming. EOSHD is already a big and healthy community. Guess what could compliment your site... Right! A bunch of servers. It does't have to implement personal funding. I would prefer paying a fee to you and this community than any company to store my videos. Not big enough to be subject to those silly regulations. Big enough for your videos to reach your audience.
  9. These are all valid points. I am going to try this anyway and give you guys some feedback here. The plans are monthly so it won't be o costly test. We can do some other tests too. I can post a video here and you can give me some feedback about it's playback performance. The facts are solid though. YouTube is low quality, Vimeo is unreliable and all the alternatives are expensive, at least for the majority of users. So we can push this further from being a debate to a collective effort towards a simple and clean solution. Apparently we are not trying to cover an extreme scenario, say a website with 2000 visitors a day and 4 digit number of videos. Something like this would produce a significant amount of income so the cost would not be a problem. Let's put down a typical scenario, something like a 100 video portfolio collection and 50-100 visitors a day. Would a dedicated server nail this? I don't know... But if there is a place we can address this it's this forum. I think we lean towards Cloud Storage VS Dedicated Server, money wise.
  10. Some (actually many) server providers have an extra back up service (paid). It is like the Time Machine in OSX. If you get an attack and your data are corrupted (or lost) you can contact the support and ask them to restore your system from automatically saved backups. The cost for this varies from one company to another but on average it's about 50 bucks/month. Too expensive for my needs though... Also, if you worry about disk failure you can choose a system with 2 drives and go with soft. raid. The extra cost is minimal, about 3$/month for an extra 2TB disk. Cloud storage works differently. The data are stored in multiple locations and their servers are software protected (kinda..) so they are less vulnerable than dedicated servers.
  11. Almost every company i spoke to takes full responsibility of server maintenance. Even on the cheapest plan the company is committed to change a faulty drive/power supply (these are the most common problems) in 3 hours. And this is the most self-evident thing to do as you are not the owner of the server, you are just renting it so you are not responsible for it's proper function. Many of these companies are offering free basic support services as well, like setting up the software for remote access and creating direct links for your data. Overall it's much simpler these days than it was in the past. Better & cheaper servers, simpler & more effective software plus better support.
  12. Yeah, the truth is i could use some help digging this The cost in cloud storage is calculated through many factors of usage. I am not sure yet what role does data storage location plays. It could be an alternative (i just saw vimeo in Google's client list for cloud storage)
  13. I just did a quick search on dedicated servers & pricing. Prices start from 8 bucks/month to 100 for a dedicated server (dual core Atom, 2 TB of storage and unmetered traffic for the cheapest option) and there is also the solution of a virtual machine where your data are being copied to different machines and stay intact in case of a hardware failure. You can rent a virtual machine with 18 bucks/month for 100GB of storage (again with unmetered traffic and 100mbps speeds). It seems like a solid solution. A little more expensive than vimeo but definitely cheaper than Wistia, Vzaar etc. You can always split the cost between associates. We just did a test by uploading an HD clip on our site's host and playing it through a free video plugin for wordpress and it worked fine. The video plays instantly (i can't say this for vimeo) and you can upload three different versions for different devices.
  14. Are you referring to self-hosting videos? This is the case with Vimeo also. The only difference is that Vimeo uses adaptive encoding. So will the same thing happen when using a direct link from Google drive or Dropbox into Elite? Will the player by it's self re-encode the file?
  15. The developer of Elite player gives some workarounds on their Envato support page plus you can buy the Wonderplugin which is a direct link generator for Google drive. This is by far the most cost effective solution for hosting videos on your low traffic page. It may not fit Andrew's needs for EOSHD but it is a good option for building a simple portfolio page. The suggested alternatives here look way overpriced, at least for my needs.
×
×
  • Create New...