ntblowz

good example. I guess my eyes are attracted to the goodies. hahaha.

I didn’t realise you had an OF channel.
Where can I find it?

And for the other 0.1%, may I offer you a very warm welcome to the forum.

Of course content is the key
When you watch on Onlyfans would u care if they shoot on iPhone or Pro grade camera? I think 99.9% users of OF don't care. 😉
 
Anyway I moved from Sony FX3 to Canon R7 this year as my personal main cam. Most client couldn't careless, and image quality wise most won't tell the difference except that low light which I hardly shoot.

Of course content is the key
When you watch on Onlyfans would u care if they shoot on iPhone or Pro grade camera? I think 99.9% users of OF don't care. 😉
 
Anyway I moved from Sony FX3 to Canon R7 this year as my personal main cam. Most client couldn't careless, and image quality wise most won't tell the difference except that low light which I hardly shoot.

Of course content is the key
When you watch on Onlyfans would u care if they shoot on iPhone or Pro grade camera? I think 99.9% users of OF don't care. 😉
 
Anyway I moved from Sony FX3 to Canon R7 this year as my personal main cam. Most client couldn't careless, and image quality wise most won't tell the difference except that low light which I hardly shoot.

I think a used EOS RP will suit ur need, since it is FF it still beat any apsc out there for low light capture, and should be in ur budget too.

Yeah, 1080p cropped for vertical is like 600*1080.. even less than 720p resolution.
With 4k you can do fake dolly or slider in post or punch in for close up, much more to play with and give you abit of headroom for errors.
 
Does people even shoot only 2MP photo nowadays?

We shoot 4k for flexibility in post, and if u want to make portrait video for social from the same footage then the 1080p will be too low res for that.

Yeah that is your opinion, I also shoot occasional 8k for virtual production or those showing on big LED 
And 8K is needed for VR applications, those 6k 360 cam is not really sharp for Vision Pro..
Raw on the other hand I rarely use it so it must be gimmick 😉 

Yeah that is your opinion, I also shoot occasional 8k for virtual production or those showing on big LED 
And 8K is needed for VR applications, those 6k 360 cam is not really sharp for Vision Pro..
Raw on the other hand I rarely use it so it must be gimmick 😉 

Sure, it should arrive tomorrow, sold my R5 last week.

As somebody that shoot mostly in 8k RAW with R5 (now replaced with the R5 II) and R5c I do strongly disagree with the above sentence. 

Says the guy who research a lot of cameras 😆 
I am definitely keen to try filming in super 8 though, should be simple compare to modern camera? Just the film is expensive to buy and develop and only 3 min for each roll.

Says the guy who research a lot of cameras 😆 
I am definitely keen to try filming in super 8 though, should be simple compare to modern camera? Just the film is expensive to buy and develop and only 3 min for each roll.

Last year I was trying out Sony after being laid off hence selling most of my Canon gears, this year finally found a fulltime job and they use Canon, so I m back to full Canon again.
It's funny given how popular Sony are but all the fulltime ones I went they all use Canon for video.
And to most people they wouldn't able to tell supersampled 4k or normal 4k.. they only care about how their face/skin look on cam.

Gotta start making horror films @120fps.

On Sony body Sony lens is more stable than Tamron.

Yeah r5's 4k120p is all-I only, so in terms of practicality R5II is massive improvement on that.
R5II's 4kSraw for 25p/24p is like 350mbps, that is much more manageable vs R5's 8k only raw with huge 1700mbps. But then again not having card to test is a bummer, really keen to see how it fare with c70's 4k raw.

Yeah r5's 4k120p is all-I only, so in terms of practicality R5II is massive improvement on that.
R5II's 4kSraw for 25p/24p is like 350mbps, that is much more manageable vs R5's 8k only raw with huge 1700mbps. But then again not having card to test is a bummer, really keen to see how it fare with c70's 4k raw.

So had a play with R5II in store today
They fixed IBIS wobble for wide.
4k120p is now only 300Mbps instead of R5's 1880Mbps and with sound too
FHD 240fps with sound as well, that will be pretty epic for shooting action/sports etc.
The false colour is nice, it gives u a guide too so you know what to look for.
Clog2 does seem to give that more DR vs Clog3. In clog 3 there is white bar on the right on histogram but clog2 u have full range.
The tracking with the ability to stick to 1 subject completely or occasionally change or change more often, in conjuction with face register that should able to keep say bride/groom in focus all the time instead of random people that is on the screen.
I tried eye focus for a bit, but since I did basic calibration so the system might still need tune more, for now I still prefer touch screen/joystick. 
And no 60mbps ipb lite vs R5, 100mbps is the lowest for 4k25p and 150mbps for 4k50p.
Ability to choose fine 1080p is nice, but there is no 4k fine in crop 4k60p though, since I can't take my own card so I can't verify if it does supersampled 4k50p on crop。
 
 

I am not shooting blockbusters but I did use the FX6 on a feature earlier this year. After getting a chance to color it I think I will use it on most smaller productions going forward unless something else is requested. 

I might prefer a C70 over the FX6, but I do like the FX6 form factor better and the fact that is has SDI and XLR. I definately prefer the FX6 to the FX3 because the internal codec is better and I prefer not to shoot RAW. 

I do like having the FX30 for a dedicated gimbal cam, it is easier to rig than the FX6 if you are going for a very minimal setup. 

Color was all done in Filmbox. 

Love the EF 40mm f2.8 pancake. It lives on my R5C for basic run n gun and gimbal stuff.

Yeah I bought the Canon 28mm cause I really miss the 20mm and 14mm pancake back in the day with m43, 22mm with M50/M6ii, 24mm with 200D and surprisingly there is no AF pancake for Sony FF system.
R8 with 28mm is slightly more depth than my X100Vi Limited. 

My laser scanned 3D printed FX6 body shell that you can hide an a7iv in has a chance then.
Inspired by this genius that hid a GoPro in a broadcast camera.