Canon have made the biggest step forward with their DSLR technology in 2016 than I’ve seen since 2009’s 5D Mark II. It isn’t the 5D Mark IV that has excited me so much as the 1D X Mark II, a camera that will see out the next 6 years as the benchmark for others…
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The Canon XC10 is underrated on paper, not least by me! Having very little interest in one I decided anyway to give it a try. Glad I did.
The camera which Panasonic can’t decide what to call (GX80 in Europe, GX85 in the US and GX7 Mark II in Japan!) really excites me. It’s the first time that anyone has put 5 axis in-body stabilisation in a 4K camera which exceeds the performance of the stunningly good Olympus 5 axis system.…
Blackmagic have sent me a demo unit. Here are my very early thoughts on the adventurous form factor…
[vimeo]https://vimeo.com/159962392[/vimeo] Welcome to my rolling review of the Sony A6300. Like the rolling shutter of the A6300 this review takes a long time to get from the top to the bottom so grab a hot drink (be careful not to overheat) and enjoy the ride…
[vimeo]https://vimeo.com/159699501[/vimeo] Comment on the forum The new titanium PL mount SLR Magic Anamorphot cinema lenses are designed for RED users, Canon and Arri professionals. They’re also a great fit for the Sony A7S II and Samsung NX1.
The Sony FS5 is a miniature version of the FS7 cinema camera and Sony’s competitor to the Canon C100 Mk II. It’s also one of the most capable slow-mo cameras, with a 10bit 4:2:2 internal codec at 240fps.
Out of the blue Blackmagic sent me the new Video Assist, which isn’t quite yet shipping at B&H (pre-orders are available) or CVP but will be soon. Here is an early look at the device and what it can do.