The Sony A7S II has arrived at EOSHD. Does it impress? Yes. Before my full review, I can give you an initial brain-dump of what I have noticed so far.
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[vimeo]http://vimeo.com/142487045[/vimeo] The Sony RX100 IV review is done and it is a camera I’ve found myself using a lot… but not for the 4K.
[vimeo]http://vimeo.com/136927545[/vimeo] By now you might be wondering which to pull the trigger on – the RX10 II or RX100 IV? The good news is I have now finally got round to finishing my review of the RX10 II and have also bought the RX100 IV to compare it with…
The Sony RX10 M2 is our first look at Sony’s new 4K XAVC-S codec at 100Mbit/s, the same which will be on the A7R II come the end of July. The RX10 M2 also brings 1080/120fps and up to 1000fps at lower resolutions. It features an extraordinary 24-200mm Zeiss lens with…
[vimeo]http://vimeo.com/125560269[/vimeo] The EOS M3 features Canon’s new flagship 24MP APS-C (Super 35mm) sensor, the flag bearer for future Canon APS-C DSLRs such as the 760D. Now released in Europe and Asia but not in the US, does the M3 rage against the dying of the light or go quietly into the night?
The catchily named “LG 31MU97-B” is in fact not a submarine but a 10bit IPS 4K DCI display with 99.5″ Adobe RGB colour gamut. Is this a better option than the 5K iMac display? I think it could be…
[vimeo]http://vimeo.com/124522541[/vimeo] Camera provided by Kinefinity and HDVideoShop. Final hardware but pre-release firmware with some modes such as “Golden 3K” for 16-stop dynamic range not yet enabled. The Kinefinity KineMAX is a serious piece of kit. It is possibly the best image I have ever shot with. The 6K Super 35mm…
The KineMINI 4K is an exciting update to the 2013 model. This now records 12bit 4K raw internally and one of the raw formats is compressed. A much improved DSLR battery grip provides ‘build in’ power via lithium cells similar to those used by Telsa Motors. The CPU has had a major upgrade making the camera far…