The camera which Panasonic can’t decide what to call (GX80 in Europe, GX85 in the US and GX7 Mark II in Japan!) really excites me. It’s the first time that anyone has put 5 axis in-body stabilisation in a 4K camera which exceeds the performance of the stunningly good Olympus 5 axis system.…
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Blackmagic have sent me a demo unit. Here are my very early thoughts on the adventurous form factor…
[vimeo]https://vimeo.com/159962392[/vimeo] Welcome to my rolling review of the Sony A6300. Like the rolling shutter of the A6300 this review takes a long time to get from the top to the bottom so grab a hot drink (be careful not to overheat) and enjoy the ride…
[vimeo]https://vimeo.com/159699501[/vimeo] Comment on the forum The new titanium PL mount SLR Magic Anamorphot cinema lenses are designed for RED users, Canon and Arri professionals. They’re also a great fit for the Sony A7S II and Samsung NX1.
The Sony FS5 is a miniature version of the FS7 cinema camera and Sony’s competitor to the Canon C100 Mk II. It’s also one of the most capable slow-mo cameras, with a 10bit 4:2:2 internal codec at 240fps.
Out of the blue Blackmagic sent me the new Video Assist, which isn’t quite yet shipping at B&H (pre-orders are available) or CVP but will be soon. Here is an early look at the device and what it can do.
UPDATE: Subsequent 2016 firmware updates address the issues with L-LOG highlighted in this earlier 2015 article The Leica SL has hit Berlin already and retail units will begin to ship in just over a week. I took the final camera in my hands to suss it out from a video point…
[vimeo]http://vimeo.com/144495970[/vimeo] I have been shooting with the A7S II for 2 weeks now. Let’s really get under the skin of the camera and see if it is worth your $3000.