Canon EOS M50 – an accidental 4K Digital Bolex

It’s 2018 and a good video feature arrives on a Canon! I immediately assume it’s an accident, so taunt is the leash Canon has on video specs. Indeed, what makes the M50 appealing to me is the happy accident of what crop factor you get when you cut an 8 megapixel window out of a 24 megapixel sensor. All the best things are happy accidents when it comes to Canon, who gave us DSLR video by accident, then later RAW video on a 5D Mark III with Magic Lantern by accident, then with the M50’s ridiculous crop – a Super 16mm camera!

Read moreCanon EOS M50 – an accidental 4K Digital Bolex

Panasonic GH5 Review and exclusive first look at Version 2.0 firmware

Firmware 2.0 for the Panasonic GH5 has been officially announced, and will be available for download at the end of September 2017. View the full press release and list of changes here

I’ve been testing a pre-production version of this on my camera thanks to Panasonic, to bring you my first impressions of the new features which include:

  • Professional 400Mbit ALL-I intraframe codec for 10bit 4K 4:2:2
  • “Open Gate” High Resolution Anamorphic Mode (4992 x 3744)
  • Hybrid Log Gamma with view assist feature for HDR shooting
  • New and improved autofocus engine for video
  • Performance optimisations and bug fixes

Read on to find out what it’s like to shoot with…

Read morePanasonic GH5 Review and exclusive first look at Version 2.0 firmware

Sigma’s secret weapon – SD Quattro review, an incredible filmic 8K timelapse tool with infrared capabilities

I’ve been shooting timelapses and infrared stills with the Sigma SD Quattro mirrorless camera.

Foveon is a future bayer slayer. Sigma could end up ruling the sensor market for high end cameras in 10 years.

Read moreSigma’s secret weapon – SD Quattro review, an incredible filmic 8K timelapse tool with infrared capabilities