Year: 2010

[vimeo]17349932[/vimeo] Anamorphic lenses won’t just couple up with anybody and need the right partner. They’re very fussy. I am of course talking about prime lenses.

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[vimeo]17210647[/vimeo] Lomo cinema primes were used on Konvas 35mm film cameras during the cold war and beyond, here EOSHD brings them into the digital filmmaking age. LOMO cinema primes on eBay (make sure it is OCT-18 mount, not 19) Get the necessary OCT18 lens to Micro 4/3rds adapter Back when Russia was a technological force, the government had industrial and optical design down to a tee.

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UPDATE 2: This will give you a visual idea of the extent of the crop – [url]http://www.twitvid.com/GHWFB UPDATE 1: Vimeo does not display AVCHD .mts files in full resolution, reducing it to a very compressed 720p format. If you are a plus user, download the original file at Vimeo here (right click this link, save as). The image above is not representative of the resolution that is being delivered by…

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Get it on EOSHD’s Rare.eBay.Finds Leica 9mm F2 Dygon for Leicina Special Leicina Super camera $247 reduced from $549 Before DSLRs, when was the last time the worlds of cinema and SLRs merged? Last week I had my eyes opened by a cinematographer friend who told me about a time during the 1970s (the golden age of cinema) when Leica got in on the game and produced a movie camera.

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All is not well behind the scenes at Panasonic. The GH2 continues the aggressive approach to video for Panasonic and it’s a great camera. Just how great, I’ll determine shortly. I have the challenger in the house – a Canon 60D (taking a ride in Philip Bloom’s luggage straight from Japan) which is fantastic and now I’m awaiting the GH2, any moment now.

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