Hey all, I'm looking to shoot a narrative short film with controlled lighting early next year and am thinking about shooting it on my original BMPCC...
I know, I know. No 4K, terrible low-light, and horrible battery life. But if 1080p was fine, controlled lighting throughout, and an external battery solution, is it better for me to use the original and cancel my 4K pre-order? I could use the money saved to pay for an additional cine prime/actually pay actors a decent wage...
What would be the advantages in this case of using the 4K over the original?
I am new to this forum (first post) and beginner filmaker and I will need advice ...
Last June I started shooting for my documentary project on the local natural heritage, for now with my own money, so my gear is rather light...
I'm shooting with a Canon Eos 70D DSLR, outdoor, and i'm shooting the natural spaces of a valley (along a river).
At the start I wanted to film in RAW with Magic Lantern, but with my 70D i'm stuck in 720p (for a continuous recording), so finally i've shot in a compressed way, Mpeg-4 All-I 8bit 4:2:0 @1080p 29.97fps with a picture style (EOSHD C-LOG (0,-4,-4,2)) + Vari ND Filter, hoping to get myself out of it even in post-prod ...
But here the quality of the images, in a context of shooting outdoors in shaded places very contrasted (...), do not satisfy me !
So I would like to have advice to achieve a higher quality outdoor shots (natural light)?
To illustrate my purpose you can see these few shots that I graded in Resolve + corrections in After Effects: https://vimeo.com/alexandrewebercom/riviereardeche
The third shot is particularly ugly ...
- Have I "pushed" the mpeg-4 too far by color grading it or is it simply the limitations of this compression?
- How do I do with hyper contrast scenes (it was about 14h when shooting)?
- Am I condemned to film in RAW whatever the chosen camera (to be able to uncork the blacks or to recover in the whites in post-prod)?
- Is it better that I under-expose or over-expose this type of scene?
- Can you suggest gear/ configuration more suitable for my use: Camera, Raw / Prores, Log, external recording ... ?
Thanks a lot !
By Elliot M
Hoping someone can help with this edit workflow question:
I currently shoot video on Canon DSLRs (in H264 MOV format), and edit on a late 2009 iMac (2.8ghz i7 processor, 16gb memory).
The films I make are mainly for web rather than TV broadcast, and beyond basic colour grade / tidying up, have minimal effects added (no CGI).
Until recently, I used Final Cut Pro 7, using FCP's Log & Transfer function to import and edit footage in Pro Res 422 format.
Having just moved to Premiere Pro CC 2017, I'm trying to figure out the most efficient workflow with the best resulting image.
Should I import and edit in native H264 MOV? Or ingest and edit as either Pro Res or DNxHD?
If Pro Res or DNxHD, what's the best way to ingest (or import / transcode)?
I've been reading mixed things via Google; mainly Adobe-related articles explaining a native workflow, vs various articles sponsored by transcoding software companies, saying that transcoding will have a better result.
Any thoughts would be much appreciated.
I recently shot a music video with the GH4(in 4k) and GH2(1080) all the footage looks really good in preview playback but I notice a Gamma change with the .mov GH4 files if I open in FCP or VLC? I've had this problem with RED files and I just continued editing with the darkened gamma change because the files seem to correct themselves upon export. With that said I have a couple questions with how I should continue with this project or if there is a better way.
My workflow plan right now is to Transcode first all of AVCHD GH2 files with 5dToRGB to PRORES 422HQ
After that I'll import the PRORES files into FCP and drag a clip to the timeline and match the sequence settings to the clip because the final deliverable will be in 1080.
My question is with the 4k footage and if this workflow makes sense? Should I import the .mov files directly into the 1080 sequence? or should I transcode the .mov files to 4K PRORES? I know importing the .mov files will slow me down because I'll have to constantly render but I don't want to lose image quality in conversion.
My concern is the gamma will change and I wont know the true image quality until after I export. I just want to keep the images looking like they are.
What would be some of your workflows when working with the same type media?