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I WILL be getting a Fuji X-T3!


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DaVinci Resolve Studio 16.1 public beta 2 released • Support for Fujifilm F-Log colorspace Now it's possible to use  RCM and make color grading without LUT. 1a : F-LOG 1b :  Color

Wow, you are really passionate about rolling shutter! ?

X-T3 in da house! Just a quick glimpse at the image, but I already have a feeling it's the best I've ever seen from a camera this price. Wonderful codec and detail. I am trying the Zhongyi S

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I was just reviewing some old footage I took in flog at 2k and noticed some pretty bad smearing in the shadows. Really ugly. I thought maybe it was premiere doing something weird but resolve looks the same and it looks the same when rendered. Nothing done to the footage besides the Fuji WDR Lut. 

zoomed in at 220% to show the issue more but its certainly visible. Check the shadows

EItZCLi.jpg

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6 minutes ago, thebrothersthre3 said:

I believe it was 2k 200mbps

Just shot some tests at 2k 100mbps Long GOP, no issues in the shadows. Really weirded out wtf is this 

 

It's the infamous F-log banding/macro-blocking, discussed before.

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On 4/27/2020 at 11:03 PM, thebrothersthre3 said:

I was just reviewing some old footage I took in flog at 2k and noticed some pretty bad smearing in the shadows. Really ugly. I thought maybe it was premiere doing something weird but resolve looks the same and it looks the same when rendered. Nothing done to the footage besides the Fuji WDR Lut. 

zoomed in at 220% to show the issue more but its certainly visible. Check the shadows

EItZCLi.jpg

You need up your bitrate and resolution to avoid compression artefacts. Try shooting Long GOP as well instead of ALL-I.

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In a most scenes, without fast panning or water or lots of random-ish motion, modern LongGOP is very very good and offers better compression than ALL-I.

I don’t see any difference between 150Mbps longGOP and 400 Mbps ALL-I from my GH5S unless the footage contains waves, lots of splashing water, or leafs blowing in the wind on a tree.

HEVC (H.265) based LongGOP is even better and since most modern hardware is now incorporating HEVC acceleration hardware for easy decoding and encoding I see even less of a disadvantage to using it.

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On 4/7/2020 at 12:05 PM, Papiskokuji said:

Hi !

The eterna LUT is to use if you don’t have a color checker. You could actually use it before applying the color checker correction nod but there’s no point to it.

For the gamma question, I can’t remember what gamma there is in Resolve. You can try gamma input « slog2 » as it’s not far from flog gamma and I usually do a blackmagic 4k gamma output as rec709 crushes everything. But most of the time, I put the same gamma Space input and output so the color checker only corrects colors and put me back to some rec709 color Space, and I adjust the gamma curve myself in another nod, so I have more control.

But overall, if you don’t have to match your XT3 with other cameras, I’d suggest You apply the fuji WDR lut (the one which only affects colors, i can’t remember the exact name) so you’re back to a rec709 colorspace but with fuji’s touch. And then in another nod, you apply a custom curve. I have gorgeous results with this simple workflow.

and finally, another method is to use color transform and put « gamma input flog » « color Space input rec2020 » gamma output « blackmagic 4k (same as above) » « color Space output rec709 ».

There You go, 3 methods to normalize your flog image. I encourage you to use the second one if you wanna keep fuji colors.

 

Thank you very much for this informative tutorial. I appreciate it.

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7 hours ago, Xavier Plágaro Mussard said:

I dreamt it or Fuji opened their system to third party lenses, allowing AF lenses from other vendors? Any new in this front? 

I love the kit lens and have a 23mm f2 and 50mm f2. I am very happy with them, but would love more choices! 

Viltrox 23mm 1.4 and 33mm 1.4

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Weather today was awful and I didn't have much to do, so I grabbed a slider, designed and 3D printed by my friend, put a X-T3 on top, attached a projection lens to it and then took a couple of shots.

I sat down to review them and thought: why not add some sound to it, play with it just a little while and actually publish the finished result?

So here it is, really short mock-up opening credits I made.

 

Not one of the most elegant timelines, but this have to do for now:

image.png.a06be251a77d4e49e9162e8623a28e51.png

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22 minutes ago, heart0less said:

(...) I grabbed a slider, designed and 3D printed by my friend, put a X-T3 on top (...)

Seems very interesting, my friend, don't wanna to give us more about it?

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32 minutes ago, Andrew Reid said:

A fellow Brit?!

A fellow Pole!
 

30 minutes ago, Emanuel said:

Seems very interesting, my friend, don't wanna to give us more about it?

Wanna see more shots of how much dust there is on my bicycle?
(( :

Re: slider - sure, I'll write something about it once it's fully ready to roll!

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9 minutes ago, heart0less said:

A fellow Pole.
 

Wanna see more shots of how much dust there is on my bicycle?
(( :

Man, everything I've seen by you pops up out from there so splendid that any dust coming is cinematic... hehe ; ) But I meant on your rig this time : ) Just curious (E : -)

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