Jump to content

Sony a6300 4k


Recommended Posts

  • Replies 773
  • Created
  • Last Reply

Top Posters In This Topic

Top Posters In This Topic

Popular Posts

Hey Andrew, I appreciate the response, and I'm glad you like the content Chris and I put out. We look forward your feedback on anything we produce, and I've gained a lot of useful information and

Hey Jordan No way! It kills me to have a misunderstanding like this I am an avid follower of your videos at The Camera Store, I abs

The lack of touch screen is unforgiveable.  For all the people that moan that pros don't need a touch screen in models like the A7 and RX series, seeing Dan Chung's News Shooter touch screen demo clea

Posted Images

I don't know if there's aliasing with this video from imaging resource that is shot at 30p.... But what stand out really well it's the totally absence of aliasing at 25p, nothing less that ideal line.... I'm watching files with my 4k tv

If I scale down to 1080p the results are gorgeus but a bit of aliasing it's always visibile even using different scaler like lanczos, area, bucubic etc etc..

Link to post
Share on other sites
Just now, Jpr said:

Am I the only one seeing a fair bit of moire and aliasing? Maybe its the resolution im viewing it at..

There was a bit at 4k, but you know, youtube. I would be shocked if there was none in the railings in between the garages though, I wonder if the garage door is present in the origional.

Link to post
Share on other sites
3 hours ago, DayRaven said:

There was a bit at 4k, but you know, youtube. I would be shocked if there was none in the railings in between the garages though, I wonder if the garage door is present in the origional.

youtube 4k footage on 1080p = moire on all cameras. watching the 1080p on  a 1080p will be alot less moire.

Link to post
Share on other sites
On 6/3/2016 at 4:34 AM, markr041 said:

In the sky in the second clip that is "graded" clip there is an absolutely horrible band of colored noise in the sky (upper left). I got the same result when I used the official Sony REC709 LUT from Sony Catalyst (which automatically recognizes the clip as S log 3). This is totally unacceptable.

The clip on vimeo shows that the clip on vimeo shows some banding. More interesting is, that your own grade with the original footage showed the same banding.

Can you you share a screenshot of the histogram or waveform monitor when this is happening as I really like to see how you were able to do that. I too am able to get banding, but only when I let the waves on the waveform monitor leave the assigned space within the diagram.

Link to post
Share on other sites

"Samsung NX1 does not use a crop of the sensor – it pixel bins from the full area of the chip, although it does have a bit of aliasing and moire"

You get aliasing and moire from line skipping, not pixel binning. Those are two distinct ways of reading out a sensor. :)

Link to post
Share on other sites
5 hours ago, Jpr said:

Am I the only one seeing a fair bit of moire and aliasing? Maybe its the resolution im viewing it at..

What are you guys watching these clips on? I'm watching on a 4k monitor and the only moire in that clip is a tiny bit in the fence on the left between the buildings that's behind the palm trees and the big rock. The door is clean. And I'm not seeing any aliasing at all.

 

Screen Shot 2016-03-07 at 9.15.32 AM copy.jpg

For those that don't have a 4k monitor and keep talking about all the aliasing and moire, here are a few screen caps from youtube and vimeo, feel free to view them at full rez.

http://s1081.photobucket.com/user/xchrisjoy/a6300%20frames/story

 

Link to post
Share on other sites
3 minutes ago, jagnje said:

does anyone know if it`s possible to shoot in a log profile and have the display set to rec.709?

Directly in-camera I don't think so. But if you use an external monitor like those by SmallHD you can load a LUT and display a Rec.709 version of what you are shooting.

Link to post
Share on other sites
Guest Ebrahim Saadawi

I doubt many use 29.97p as a ''creative'' option but it's VERY VERY important for every other video production than films, all broadcast, TV, shows, episodics, news, documentaries are shot & delivered in 29.97p in a large portion of the world. 30p is pretty damn important for a LOT. 

For creativity? not so much. I only shoot 30p when shooting beauty shots/Streets/Landscapes for conforming to 24p. It's a beautiful effect, not quite slowmotion and not quite realtime. I don't think there are many of me though that do this. 

37 minutes ago, jagnje said:

does anyone know if it`s possible to shoot in a log profile and have the display set to rec.709?

Yes you can shoot in S-Log and get a contrast/saturated LCD?/EVF, but from my experience on the a7sii the feature is useless as it's simply impossible to set desired exposure due to the rec709 limited DR which makes you underexpose to avoid clipping. View in S-log better. But yes the feature exists.

Link to post
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.
Note: Your post will require moderator approval before it will be visible.

Guest
Reply to this topic...

×   Pasted as rich text.   Restore formatting

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.


×
×
  • Create New...