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jagnje

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About jagnje

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  1. Andrew, I have been visiting this forum for years now, and It's my go to place to check whats new when buying a new camera or just to see whats up in the dslr industry. I think you are a great reviewer, but stick to that, because filmmmaker you are not. Please do not take this personaly.
  2. All of the stated is fine for a cine cam, but this is a photo camera that does video. When will you grasp that idea? Most of the competition that has a cine line has most of those features or similar/their versions of it. As much as everybody would love a 2k€ photo cam that does everithing a pro photo and a pro 10k€ video cam does...you see the conflict of interests here? I for one would like it the other way around...give me a small camera that does everything SOOC good enough. We need good enough, because face it, if we have the time to hang around here and argue about consumer cameras
  3. If you need it yes, if you don't that no. Don't get it because it's a good deal.
  4. My submition I must admit, that it was shot a week or so before this challange was announced, but it was made under the same conditions. Me filming and lighting, my GF dancing in out flat Music also by my band, so it doesn`t get more one man crew
  5. Must it be a narative or can it be a music video lets say?
  6. jagnje

    Fuji X-T4

    Nice, waiting to upgrade from an unreleased camera to the un-unreleased camera Al this 6k+ plus talk, while 90% of productions using the 3.2k Alexa mini.
  7. just get any raw recording camera really. OG pockets have been used alongside alexas since they were made, so were Mk2-3s...as corny as it sounds, it`s not the camera, at least not in these times.
  8. What converters do you guys use for h.265-prores on Win machines? And to which flavour of prores do you convert to?
  9. Yes, so now you have an external battery, a cable to power it to camera and it's a usb one. Then you have a preamp, with it's own set of batteries, cables, and an ND that you can easily drop, break, loose and every single cable will break eventualy. I'm not trying do argue at all but I've been there and you will not belive what kind of releave it is to have a all in one solution at all times. Would I want ibis on a let's say fs7...sure why not, but if I would have to choose I would pick it last out of all these features. But maybe you have done more docu work than I have, and you prefer Ibis
  10. Photographers or videographers?
  11. Long battery life, internal NDs, XLR inputs and good overall onboard audio are things that you need for documetary work. Ibis would be least of my concern.
  12. Honestly, I did the whole series filming, being a work non stop guy, never made it big, maybe because here where I`m from there is no big. But honestly, during my fifth or so 3-4 month strech of pretty much living on set I decieded to quit. Seing that those sets consisted of 80% divorced people (on blow, just to get by) telling themselfs that this it what they always wanted... I now edit 8h/day film when and what I want, earn about 1/2 of what I did, but being 5x as happy Anyway...a bit offtopic I guess grading is hard yes, buy a Fuji, enyoi straight out of the camera
  13. Hahah, belive I'm no woried DP nor don't I see myself ever being fired or hired by a filmaker dad I have seen bad bad bad footage from every kind of camera, it's not sony specific, and I have seen good footage from most. The thing is that people "need" the latitude to grade their own footage, when most don't have a clue what they're doing. Hell, most tutorials from the people that will make you think they're in the know how are bullshit. No amount od andrews magic plug and play luts will make your footage look good with a single click. It's like buying a pair of sneakers and trying to g
  14. Fs7 is a great camera, with good colors. It's not the 10 bit that saves it, it's the person using it, aka not a "filmaker dad" who is also a self taught colorist, and is writing a script for a short movie in which his friend will star, so all he needs now is to complete his contanx zeiss collection which curently consists of a 50mm 1.8 and he'll be on his way to vimeo stardom. As for sony, I don't know about their latest consumer cameras, but I owned the og a7s and it was fine in natural light, but once introduced to diferent light sources it was shit. I then started to replace and tweak
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