thebrothersthre3

Yeah the FS5 is really nice and small. I feel like with Z-cam rising that type of form factor is the future.

Some vintage glass is really nice wide open but most when stopped down a notch perform really well. For me the law of diminishing returns comes into play when comparing with higher end glass. Depends on the specific lens in question of course. 

Panasonic marketed the GH5S as a video camera. 

A C300 mk2 then

Definitely considering a Micro. 

For me right now though the Ursa Mini 4.6k seems like a great deal. Just saw one for $2500 on ebay. Quite expensive compared to a BMPCC but crazy cheap for what kind of cameras it can compete with. 

Some vintage glass is really nice wide open but most when stopped down a notch perform really well. For me the law of diminishing returns comes into play when comparing with higher end glass. Depends on the specific lens in question of course. 

Definitely considering a Micro. 

For me right now though the Ursa Mini 4.6k seems like a great deal. Just saw one for $2500 on ebay. Quite expensive compared to a BMPCC but crazy cheap for what kind of cameras it can compete with. 

Thats a great deal! The full HDMI on the micro is really nice. I hate BM for putting micro HDMI on anything. 

I plan on getting one next year. I think my BMPCC could compliment it well. The Fuji's are still nice for certain types of shooting like weddings, home video, or just for super quick shooting. I'll be keeping them for sure. Can't have too many cameras?

I was looking at the FS5 as well, crazy output for the money. 12bit prores RAW up to 120fps 4k and good low light performance. That said I've always said I think BM is better when it comes to color and the way it handles highlights. Thats a bigger selling point for me.

Definitely considering a Micro. 

For me right now though the Ursa Mini 4.6k seems like a great deal. Just saw one for $2500 on ebay. Quite expensive compared to a BMPCC but crazy cheap for what kind of cameras it can compete with. 

It has a great image btw. Pretty much no moire or aliasing which can't be said for a lot of more expensive cameras. Also internal 10 bit 422 

It has a great image btw. Pretty much no moire or aliasing which can't be said for a lot of more expensive cameras. Also internal 10 bit 422 

Having all its internal log and HLG profiles with internal 10 bit 422 at decent data rate will probably happen. Of course you get that with Panasonic just after a paid upgrade. The Sony will probably cost more off the bat so there is that as well. 

The Z cam E2, no internal ND's though. 

The FS5, is a pretty good choice if you can throw on an external recorder. 

The URSA mini 4.6k G2 is pretty darn good. 
Yeah I used a $25 monopod with a 250mm lens, lots of shots at the long end and got great shots. The lens had stabilization though. Still, was great for run and gun at a wedding. 

I like my Fuji XT3 a lot and will be sticking to it. When I spend $2500 on a camera it'll be for a used Ursa Mini or something. 

That said its a nice piece of gear, especially when it gets the Vlog and 10 bit update.

I don't really think its necessary. 1.4 is very fast on full frame especially since you can crank the iso up pretty high. 

I didn't quite realize how small Prores RAW files can be. I think being able to do 12bit 4k on a full frame camera is really amazing. 

Just realized the Prores RAW also works with the old FS5, which are going for like $2000ish on ebay. Those can do up to 4k 120 in Prores RAW?

I didn't quite understand it but it made sense without thinking about it. If that makes any sense? 

Really good piece, going to share with some friends. 

I haven't used the Pocket 4k only the OG pocket. With Highlight recovery in resolve it gets more dynamic range. 

Thank you @Zach Goodwin2 and @thebrothersthre3! Glad you liked it

Looks very nice to me.

colors look a lot more vibrant. That said can't find anything with skintones 

I liked the story but I thought visuals were boring. Color and everything looked good though. 

Looks very nice to me.

Scary stuff guys.
 
I think if they stuck with a 4k sensor rather than pushing the whole 6k 8k thing, they could pull off 10 bit. Heck I'd be happy with a 4k sensor with 1080p only output like the OG A7S. I really don't care much about resolution.