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canonlyme

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  1. Makes sense. The gh5 seems cheap for anamorphic, the gx80 seems cheap for a small gh5
  2. This is a very good workaround. Sad that I can't use my feelworld ma6 for this, but I will try it out. Great insight. I have shot parts of my documentary yesterday and I instinctively felt like shooting 4k 16 to 9 with cine D settings that I can match with gh5 cine D shots. I also feel like, in theory, cropping the 16 9 shouldn't hurt too much at 4k. Another idea I had, is what happens when you are in 4:3 cine D and add an external recorder like the atomos. This one doesn't need the camera to record at the same time. Shouldn't that work?
  3. Yes, so it blocks it before you even enable the burst. I do not have the app but I can check :). Once you enable 4k photo mode, no matter which kind, the monitor shows white writing on black that 4k photomode is enabled, so only the lcd screen shows the image, and once you go back from 4k photo mode you see the 4:3 image for a second on the monitor before it goes back to 16 9. Happy to give extra information. Thank you!
  4. canonlyme

    Lenses

    Anamorphic is not really fun - I was happy to read that 4:3 photo mode is supported at 30p 4k, which would have worked well for all slow-mo shots, but found out that the hdmi is blocked. It only works during 16 9 for proper desqueeze and focusing. So basically it is really more a normal 16 9 camera like all the others in that regard. Gh5 anamorphic modes are sweet though...
  5. To be honest, I would be really careful with trusting someone else on a simple test like this. I do not trust them too much.
  6. @BTM_Pix 2019 and I am still using my beloved and underrated gx80. The main problem for professional use is that the HDMI output get's blocked during photo burst mode. I would like to shoot 4/3 4k with the burst mode but when enabled the HDMI function gets blocked, not really, rather there come a sign transfered by the camera that photo mode is activated. This is for shooting 4/3 anamorphic. Funnily enough, when I do switch back to the normal mode, I see the external monitor showing the correct image in 4/3 desqueezed for one split second before going back to the heavily cropped 16 9. (with anamorphic, this is 32 to 9). So I know that the camera could do this, but they do not allow it. Do you think, from your experience, there is any chance that the HDMI output could be manually enabled or hacked? cheers
  7. Thanks for your response. That is such a good insight! When you are an artist, as a filmmaker, you find your own way of doing it and if it works and you have the time for it, I see no problem in this at all. In contrary, I think it is really nice if someone takes such passion and time for something, unless you would find out a much quicker way to do the same. Yes, I chose minoltas not for their price, but I looked at comparisons of images and their special way to treat colors just pleased me the best. Now I am happy I could afford the whole lens set without spending too much. Something that vintage lenses do is they give a special treatment to colors, where if I would take the same effort in post to try to create something special and tweak around a lot, it would probably turn out garbage until I become much better at grading. Did you encounter any problems with bringing the clips from HLG to rec709/premiere color space? Because the way that HLG is filmed it introduces a greenish color tint from what I have learned.
  8. Hey Ian, I think you have inspired me for my next documentary. I will try to recreate paintings of places in real life using anamorphic. What I am especially interested in is the grading. I can imagine there are some important workflow steps for you, if you graded in davinci resolve. I really love the look and some tips to get to this "painting like" look would be greatly appreciated. This will also be my first project in Davinci, so I think I will try to get everything as good as I can in camera, exposure and white balance, so that I can edit without any grading in adobe and then grade the finally used, picture locked clips. I will try to use the Color management tools and tutorials in davinci as well. I also will try to use HLG combined with Cinelike D. And am going to use kowa for b&h with minolta lenses. 28mm, 50mm, 135mm, 70-210 mm. I am looking forward to hearing from you. Great movies. The same thing with the spots actually happened to me in india. Luckily I was doing hyperlapses so I could easily correct the spots in lightroom. Lesson learned, I always have the blower and a cloth with me now. Cheers, Julius
  9. The case is, that people have without any proof made up something about IBIS 2, urging other people to buy a more expensive camera without need. The arguments should proof that a different IBIS has been installed, not the other way around. On the other hand, if you had both cameras and tried them out, I appreciate that, because you are not just believing something without reason but you have tested it. In the end, you prefered the g85 for stabilization and that is totally fine. I on the other hand bough a cage and wooden grips and can make shots that look close to my gimbal, but with more "life" to it. Might even consider turning the IBIS off for certain styles, you know... I still find it a bit puzzling for getting flamed as disrespectful when someone calls a video shit in every aspect, not being able to discuss it on a more in depth level, which I have offered. This is only demanding me for being a bit tickly and saying: well, could you do it better? It seems you know what you are talking about from a technical perspective. I do not agree from a marketing perspective. I generally would expect a camera manufacturer to market every single innovation they can make. And from a cost perspective, why bother innovating the stabilization system without need? Each innovation has some amount of fixed costs to it. After all, the focus should still be that I have proven more reasons to believe they have the same system installed, with software causing the newer models to work better with Dual stablization. But as I move on to more heavy rigs, I do not need to make up for lower weight, so I am fine. Grips and rigs are less then 100 bucks, and will make the gx80 function better then the tascam dr-05 plus lavalier 100 bucks. I am not gloryfying the gx80, at some point I will have to move on. But I do not see anything except for the gh5 anamorphic modes which really make me want to invest more in something that is losing value as fast as cameras. my lenses in total are now worth more then 10 times the price. @mercer keep me updated if you get hold of the bmmcc, rigged up this poses as similar david/goliath as the gx80/gh5 does for me.
  10. I disagree, the g85 was published very little after the gx80. And if this was the case, they would market it. I already felt susipicious that the "IBIS 2" comments where coming from articles and reviews that do nothing else then quoting official specs. I think you should just look at the source I have provided, which suggest/uncover there is no doubt about what I said. On some of the g85 models, dual I.S. 2 came by installing a firmware update, you can find the thread on dpreview. There is no IBIS 2 found on any official website and I will continue to treat this as a rumour. If ther was a new IBIS system, they would have sure marketed it. They did all they could to advertise dual i.s 2, which to me seems quite unrelevant as I only own one pana lens. I see a huge differens in IBIS performance when using my heavy sigma 18-35 to small adapted lenses. 340 grams between the two cameras and a worse grip pose a huge difference to micro shakes entering the stabilization.
  11. I did a little search as well and from what I found out there is no IBIS 2, but dual I.S two, that is only supported with certain lenses. I am looking at the official panasonic support site, so you will have a hard time proving me wrong with other sources. https://panasonic.jp/dc/lens/dual_is.html By logic, this would mean dual i.s. 2 is a question about the lens and firmware of the body , but not the I.S of the body itself. So this has zero relevance when not using pana lenses and with the same weight, I.S should be the same on the gx80 and g85.
  12. Of course this is black and white, throwing around arguments, mister, you did not further your opinion or talk about the content of my message at all. If you think that weight does not affect IBIS, 400g to 700g in terms of microshakes, fair enough. I have a rig including handles so I am sure my stabilization works perfect with IBIS because I am giving enough weight to eliminate microshakes. I have never heard about the "IBIS II" you talk about and I do not think that Panasonic marketed this until you prove it different.
  13. Your comment summed up: Talking about the way you discuss, not about the video, or what I did not like about the way you act here. Do you have your own opinion or do you just hang on someone elses blank statement? I do not ask you to show off your skills (in fact the original post), but there is a way to communicate that makes it seem like your are not actually confident, but the opposite. When you are on the table talking about things you like about a movie (let this be our table), the person starting to say, I fking hate this video, is usually not just having an opinion but often in need to reeveluate their own position, in this case by you giving credit to a blank disrespectful statement rather than detailled critique and description of taste.
  14. Guys, I do not know if you know the rules about open discussion, but it is said that you express your opinion without respect. Having an opinion is not about winning, this is a forum not a fight. Your opinion is not more credible because you have had more commens or likes in this forum, I am having my discussions not just in this forum, but in real life, family, cafe's and student classes. saying: your comment wins, I find this a very ungrown way to lead discussions- and i am young. The video is of a craft that has at that time won a video arthouse price in vimeo, we are not judging things here by the means of a filmmaker, but most people here are videomakers. This is a video that is so good, that just because it is hectic, does not ask to be hated. I get the feeling your strong espression of "fking hate" does not only come from dislike, but maybe also fear. Is this something you can easily recreate, making so many different shots, or is this also something that is overwhelming you through the quality of images that you can achieve? youtube allows you to play everything at speed 0,25, an easy fix not to cause any seizures. Have you watched lord of the rings, do you fking hate one of the most iconic movie scenes by hitchcock in psycho, cut way under 1 second in average? The sounddesign of this video is also very high, is sound something that you do not care about? About the grading, what you say makes it seem that you hate coen brothers movies and most movies since the 2000's except arthouse, as this is a standard complementary grade of colors, which has been used by painters. Feel free to clear me up about your opinion, I am interested in discussing this with you. But I have seen ignorance in many parts of this forum, so it would not surpise me if not. The ratio here is : talking about your favourite lens < creating something yourself. I am making a thesis that you are not a better filmmaker than allesandri, and you would not be able to create such movie with a gh3 - prove me wrong. Thanks Is there any difference in the new version because of witch I should rehack my gx80?
  15. hate is a strong word, at least you can respect the craftsmanship if it is not your style. IMO the best is cinelike D for gradability in post, using something like noam kroll settings. http://noamkroll.com/the-best-gh4-settings-for-video-why-you-shouldnt-be-tweaking-things-too-much/ If you want something straight out of camera and little projects I would recommend natural.
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