omega1978

The NX1 have no IBIS but EIS with some warping. But is good for static shoots.

Home made yesterday with my children and in one room. 

Let's get this thing started then. Here's my entry.
All hand held and in natural light (except for one shot, no points for guessing which one)
Filmed in less than an hour, paid for by a beaming little face when the finished project was ready to watch.

Your are right, for a short film its way better, you can grade the way you like.
But a hole wedding in vlog, its not so easy and you have a lot of footage to grade after.

We shot this over a few days in Canada on the Panasonic S1 and Mavic pro 2. Honestly I can't be happier with the S1. Having shot on the A7iii and the A7sii for the past years the S1 is quite an advance in image quality. There is so much latitude in post and the dynamic range is really great in comparison.
 
 

From a promo I did recently with the GHA color on the interviews, you have to skip in a bit to see them:
 
Funny thing, I was in a meeting a little while back with the Director of a really big TV station in the States and was showing him a video I did using the GHA color, while watching it he turning to me and asked under his breath, "you shoot on Red, right?" I took it as a really big compliment I must say😉
 
 
 
 
 
 
 
 
 
 

I have seen users complaining about that but never had this issue with the older firmware (1.9).
 

The original file is from S1 in 4k 10 bit Vlog.
It was shot in F4, and i was near on the greenscreen ( not much space in my office ?). So thats can be the problem with the green kickback in my face...
No, i shoot only shoulder hight( the clip is not reframed)

Another year in this great community.
This is my small and modest Christmas card (g80 + leica 12-60):
Greetings to all

V-log is great. I shot around 30 greenscreen videos with my GH5, here are some. Just make sure that the chroma is evenly lit.

Really no issues when staying on the native ISO and exposing properly. Didn't even had any issues on the GH5. Would avoid it on the S1H though.
Also before keying convert to Rec709. After keying you can back to V-Log which is lossless in Davinci Resolve Studio with its CST function.
There are lossless workflows using Aces also inside Fusion/Resolve or even After Effects using OpenColorIO.

It is also my opinion that VR is the future of movies, and that 8k will help there. VR movies will also bring some interaction, which is the No1 thing youngsters report when they are asked why they prefer video games over movie entertainment.

Yes, you can overexpose a little to (+1) only to avoid noise in shadow,
but not so much (+2) how you do it with Slog
this is shot at (0) and maybe was better to expose a little more...
 

Sorry, but you have cabon emission confused with particulate matter emission. The United States produces around twice the amount of carbon emissions as India and around China produces around 3 times the carbon emissions as we do. Per capita, China's carbon emissions is about on par with the United States, India's per capita carbon emission is significantly lower than the United States.
When it comes to particulate matter emission, India and China is still producing magnitudes of PM more than the US, even on a per capita basis. Today's clean burning diesels(even the cheating VW diesels) produce around 100 than the tier 1 emission compliant engines of a decade or so ago. The carbon emission output has remained almost the same despite the massive reduction in PM. That's why the air quality in the US has made incredible improvements over the last half century, but carbon emission rates have hardly changed.

Hello everyone.. a couple of weeks ago the NOMO Films team was in Guatemala to film a fictional short and we wanted to show you how it was being made. We shot BTS for the whole shoot and this is the first episode. I hope you like it and let me know if you have any questions!
 

Sold : -)
 

See page F-30 in the updated S1 user guide (English version here - https://eww.pavc.panasonic.co.jp/dscoi/DC-S1/E_/DC-S1_DVQP1872ZC_full_web_eng.pdf )

This is our reel for 2019... It's only a minute long and we were trying to highlight all the different types of projects that we worked on this year.
 

@Geoff_L no problem.i have received the Sigma mc-21 today and have try the Tamron 24-70 G2 that i have on my Sony FS5. The AF is acceptable for foto.So maybe i try the Tamron 15-30 and i can switch the lenses in both system..

At least I get to keep my money in my pocket on this one. I'd love the improvements but not worth the cost to upgrade by any stretch.
No these are not the same (OLPF is for anti-aliasing, ND is for cutting light). The variable part is a cool concept though that I've never heard of. I never really had any problems with moire/aliasing on the A73 unless I was shooting high frame rate HD so maybe this means it would have cleaner slow motion by being more aggressive, but turn off when shooting 4K or stills so it's even more detail than before?
I'm just hoping...

15m2 are 5x3 m ca. ?

Filmed with my X-T3 and anamorphic with Bolex 16/32/1.5x. Taking lens Contax G 45/2 rehoused to Leica M. Used Ninja V for recording. 
 

This just happened with my colorchecker in direct sunlight 
Whenever there's something blue and slightly overexposed in your shot (like objects outside a window) be prepared to run into issues like that.
There's no roll-off for blues at all, almost like they did forget about adding it...
Original clips
https://drive.google.com/open?id=1IlfWM7jDVwh5GMAQk7RnLfp_FCscAojP

I get the same clipping in HLG. i can lower it a bit in post but is terrible when you have that blue points all around :(
 
 

With WB at 5600K and underexpose 2 stops the clipping goes away in HLG.But is not a solution if you have other things then blue leds in Scene ☹️
With the flat profil, the blue channel clips only a little bit and you can lower exposure or correct it in post